Using 600 poles of bamboo and 70 radiata pine logs all harvested locally, Taiwanese Artist Wang Wen-Chih created a massive installation that served as the entrance to the Woodford Folk Festival in Australia. Working with the Sydney-based architecture and design collective Cave Urban, a team of 40 workers and volunteers spent 3 weeks building the structure. Each bamboo pole was split into 4-5 pieces and weaved together like a basket. Woven Sky, which rises 15m high and is 100m long, was completed late last year, just in time for the music festival, and served an impressive entrance point into the amphitheater stage.
Violaine & Jeremy is a graphic design
and illustration studio based in Paris formed by Violaine Orsoni and Jeremy Schneider. The duo collaborate on a wide range of projects including the design and layout of Influencia magazine, indentity projects, and album covers. Among their best work are these astounding graphite drawings of quirky animals adorned with beards of wildlife and other unexpected characters. You can see much more over on Behance.
For a major retrospective of Dutch furniture designer and architect Gerrit Rietveld, the team at Studio Wieki Somers collaborated with chocolatier Rafael Mutter to create Chocolate Mill. The piece was comprised of a giant cylindrical chocolate block that was carefully organized in 10 stacked layers, with flavored shapes used to create different geometric patterns. As a crank-turned blade similar to a cheese slicer grazed shavings off the top, the hidden layers were slowly revealed. You can watch a timelapse of the piece in the video above. (via Designboom, Design You Trust)
Although WWII ended almost 70 years ago, its legacy lives on: in photographs, memories and on our landscape. Walk through the forests of Germany and you’ll see craters or, scars, as German photographer Henning Rogge calls them, that are the aftermath of bombs being dropped from planes. Rogge has been tracking down these craters and photographing them, capturing moments, after decades have elapsed, of earth slowly healing her wounds. An unknowing hiker might easily mistake them for small ponds and nothing more, which is perhaps why these masked scars are so haunting. Rogge’s photographs are part of a group show titled The Beautiful Changes, which is on display at RH Contemporary Art in New York City through September 13, 2014. (via Hyperallergic)
In a novel intersection of fashion and science, New York-based Slow Factory is utilizing imagery from NASA to create lines of translucent scarves. Their most recent collection, Cities by Night, is a series scarves imprinted with imagery of London, New York, and Paris captured at night from satellites and aboard the International Space Station. A second collection, Floating in Space, includes several breathtaking photographs of various nebulae captured by the Hubble. Slow Factory was founded by designer Celine Semaan Vernon, a native of Beirut who now lives and works in New York City. Several of their pieces are now available in the Colossal Shop.
Last week Japanese botanic artist Makoto Azuma attempted to go where most artists only dream of going: to space. In a project titled Exbiotanica, last week Azuma and his crew traveled to Black Rock Desert outside Gerlach, Nevada. In the dead of night Azuma’s project began. The team launched two of Azuma’s artworks – a 50-year old pine suspended from a metal frame and an arrangement of flowers – into the stratosphere using a large helium balloon. The entire project was documented, revealing some surreal photographs of plants floating above planet earth. “The best thing about this project is that space is so foreign to most of us,” says John Powell of JP Aerospace. “So seeing a familiar object like a bouquet of flowers flying above Earth domesticates space, and the idea of traveling into it.” (syndicated from Spoon & Tamago)
Earlier this month the renown graffiti duo Pichi & Avo traveled to Werchter, Belgium to create a large, site-specific installation for the North West Walls Street Art Festival. The event was curated by Belgium artist Arne Quinze, who created a stacked structure of numerous shipping containers and gave the Spanish artists creative freedom over the large, architectural canvas. The result is a radiant explosion of unrestrained spray art featuring their trademark style of Greek gods and lucid splashes of Mediterranean colors, all against a backdrop of graffiti. “When they work together they create breathtaking figurative detail and quality,” said Quinze. “Their work is very striking and always commands the spectator’s full attention.” Although the festival is now over, the Greek gods with all their might and glory still stand. (via Junk Culture)