Craft

Elaborate Paper Origami Tessellations and Kusudamas by Ekaterina Lukasheva

February 21, 2018

Christopher Jobson

Moscow-based paper artist Ekaterina Lukasheva first tried folding paper at the age of 14 when a mathematics professor brought in a book on kusudamas. The traditional paper sphere technique requires an understanding of geometry to ensure the individual units fit together perfectly with the help of glue or string. A few years later she began to explore much more complicated designs like tessellations, aided by a university degree in mathematics and programming. Through her experimentation and commitment Lukasheva has become so proficient with paper that she’s authored several DIY books featuring some of her original designs. You can follow more of her work on Flickr and Instagram. (via Twisted Sifter)

 

 



Art Illustration

Pat Perry’s Intricate Portraits of People Intertwined with the Natural World

February 21, 2018

Laura Staugaitis

Detroit-based artist Pat Perry (previously) renders intricate, fantastical portraits of humans and our relationship to the natural world—a dynamic that is sometimes harmonious, sometimes adversarial.  His multi-media drawings and paintings range from monochrome sketches handheld notebooks to multicolored murals on building walls. In all of his artwork, Perry balances finely worked details with sweeping gestural lines. The artist described his art in an interview with Communication Arts: “I want to make paintings that just softly whisper to you the thing that you forgot.” You can explore more of Perry’s illustrations, including a body of work based on a residency in Katmai National Park, on his website as well as on Instagram and Facebook.

 

 



Design

Larger Than Life Guerrilla Sign Installations by Trevor Wheatley and Cosmo Dean

February 21, 2018

Laura Staugaitis

Trevor Wheatley and Cosmo Dean work together to create large installations based around phrases and logos that are part of the common lexicon. Casually used terms like “all good” and the shrug emoji take on larger-than-life dimensions in the duo’s three dimensional versions, which are suspended from cables, integrated into chain link fences, toted in truck beds, and painted alongside graffiti. Wheatley and Dean have partnered with music festivals, fashion brands, and the creative house Justkids to install their work. Up next, the artists will be embarking on a trip to Mexico to create new paintings in rural areas. You can see more installations on their website.

 

 



Art Design

Art in Ad Places: A New Book Collects 52 Public Artworks Installed in Pay Phones Across NYC

February 20, 2018

Kate Sierzputowski

Artwork by Andrea Sonnenberg, all installation images by Luna Park

Artwork by Andrea Sonnenberg, all installation images by Luna Park

Frustrated by the daily bombardment of advertising on the streets of New York City, artist Caroline Caldwell and writer RJ Rushmore decided to produce a project that would dampen the sheer volume of visual marketing strewn throughout their environment. The pair didn’t have the budget to prompt an entire overhaul, but they did have the incentive to construct an intervention that would offer an alternative glimpse to the city’s high volume of print-based advertisements.

For their 2017 project, Art in Ad Places, the pair recruited 55 artists and collectives from across the country to produce 55 works to be temporarily displayed on pay phone booths across New York City. The installations were each presented for a week, and documented by their collaborator, street art photographer Luna Park.

“Pay phones were a perfect choice because they’re disappearing from the streets,” Rushmore told Colossal. “So I’d like to say that our ad takeovers were intended as a swan song for pay phones. Plus, contemporary pay phones serve no real function except to serve advertising, and that feels wrong. Nobody’s using pay phones to make calls, so why do we put up with their ads?”

The 52-week campaign ended in December of last year, however it has recently been compiled into a new book that documents the year-long installation. Art in Ad Places: 52 Week of Public Art Across New York City is available through Rushmore’s street art blog Vandalog and features statements from each artist alongside essays written by the project’s three collaborators. You can see the entire range of poster-sized artworks produced for Art in Ad Places on the project’s website or Instagram.

Bones Not Bombs by Pat Perry

Bones Not Bombs by Pat Perry

My Ad is No Ad by John Fekner

My Ad is No Ad by John Fekner

Artwork by For Freedoms with Hank Willis Thomas

Artwork by For Freedoms with Hank Willis Thomas

"I HATE THE SOUND OF SILENCE" by Cheryl Pope

“I HATE THE SOUND OF SILENCE” by Cheryl Pope

Artwork by Martha Cooper

Artwork by Martha Cooper

The Ecstasy of St Katsuhiro Otomo by Nomi Chi

The Ecstasy of St Katsuhiro Otomo by Nomi Chi

Stop Telling Women to Smile by Tatyana Fazlalizadeh

Stop Telling Women to Smile by Tatyana Fazlalizadeh

Artwork by Louise Chen aka Ouizi

Artwork by Louise Chen aka Ouizi

Blue Lady by Parker Day

Blue Lady by Parker Day

 

 



Art Design

Jennifer Crupi’s Unconventional Jewelry Highlights Gesture As Ornament

February 20, 2018

Laura Staugaitis

Jennifer Crupi uses carefully constructed jewelry to communicate ideas about psychology, body language, and art history. In her series, Ornamental Hands, Crupi’s structural metal attachments hold the hand in various poses that are commonly found in traditional art historical paintings. Fingers and wrists are suspended in aesthetically pleasing cuffs and splints, which the artist makes by hand using aluminum or sterling silver. Despite the eye-catching nature of Crupi’s anatomical suspensions, the ultimate intention is to display the gesture itself as the ornament, with the jewelry acting as a supportive means to that end. She describes her interest in psychology and how it has informed her work as an artist:

I started investigating body movement and became intrigued in the nuances of non-verbal behavior, posture, and gesture. I then became invested in a whole new kind of movement and for many years now it has been the source of inspiration for my work. Since I began my study into non-verbal communication, I am continually intrigued and surprised by how much we communicate with our bodies.

The Chemintz Museum of Industry in Germany and the Jewelry Museum of Vicenza, Italy both have shows currently on view which include Crupi’s work. The Vincenza exhibit includes four hundred pieces of jewelry in nine themed rooms. You can see more of the artist’s work on her website. Crupi is based in the New York metro area, where she has been a professor at Kean University since 1999.

 

 



Design History

In 1848 A French Commune Built an Interconnected Treehouse Cabaret Based on Swiss Family Robinson

February 20, 2018

Kate Sierzputowski

For over a century, Parisians were drawn out of the city and into the neighboring village of Le Plessis-Piquet to experience charming summer evenings among the township’s tall trees. What started as open air dancehalls called “guinguettes,” turned into treehouse cabarets after restaurant proprietor Joseph Gueusquin built Le Grand Robinson in 1848.

Inspired by the treehouse described in The Swiss Family Robinson, the unique establishment hoisted visitors to the top branches of a thick chestnut tree to dine dozens of feet above their fellow revelers. Over the next few decades copycat restaurants began popping up in trees across town, hosting donkey races and building tall tree swings to persuade diners away from their numerous competitors. This crop of new treetop guinguettes forced Gueusquin to rename his lounge “Le Vrai de Arbre Robinson” (The Real Robinson Tree) in 1888, which ensured customers knew they were dining at the original treehouse of Le Plessis-Piquet.

In 1909, after 60 years of booming success with the popular treehouses, the town changed its name to Le Plessis-Robinson. Today none of the Parisian suburb’s treetop bars remain (the last shut its doors in 1976), however the memory of treetop revelry remains in the few forgotten boards tacked to the town’s tall trees. (via Jeroen Apers)

 

 



Art

Suspended Ocean Wave Installations by Miguel Rothschild

February 19, 2018

Christopher Jobson

Elegy, 2017. Print on fabric, fishing line, lead balls, epoxy, acrylic, 300 x 550 x 280 cm

Multidisciplinary artist Miguel Rothschild works across a wide variety of mediums from modified photography to glass sculpture and textiles. In several recent works the Argentine artist has captured the slow roll of ocean waves in suspended fabric installations titled Elegy and De Profundis. Both artworks seem to play with the viewer’s perception, appearing both as waves or perhaps a slice of the sky. Even the filament that holds the artwork airborne seems to glisten like rays of sun or rain. You can see more of the Berlin-based artists work on his website.

De profundis, 2018. On view at St. Matthäus-Kirche, Berlin.

 

 

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