Optical Ripple: A New Geometric Print from Simon C. Page

Optical Ripple: A New Geometric Print from Simon C. Page posters and prints geometric

Optical Ripple: A New Geometric Print from Simon C. Page posters and prints geometric

Optical Ripple: A New Geometric Print from Simon C. Page posters and prints geometric

Optical Ripple: A New Geometric Print from Simon C. Page posters and prints geometric

Optical Ripple is the latest print from artist and designer Simon C. Page who often explores complex geometric patterns as well as the interplay of color. This latest piece involves a kaleidoscopic array of colors and concentric circles that borders on the edge of a blurry optical illusion. If you liked this, also check out his wonderful Color Wheel. (via the fox is black)

By Christopher on    

[Sponsor] Artprize Artist Applications Open Through June 6

ArtPrize isn’t your typical art competition. Radically open, equally enormous and wildly experimental, every autumn the event attracts more than 400,000 people to Grand Rapids, Mich. who vote on contemporary art. It’s messy, it’s dirty. It’s 400,000 people talking about art.

Jerry Saltz, one of the 2012 Juried Grand Prize juror said of ArtPrize, “It is pretty damn impressive… An amazing inversion of the top-down pedigreed model we use. It takes all kinds.”

To open things up even further, ArtPrize blends their epic public vote with juried prizes to explore the tension that exists between popular and professional opinion. The 2013 panel of jurors consists of eight people who represent the voice of the professional art world and who will be the counterbalance to the public vote. Together, this panel will distribute the $200,000: five totaling $20,000 and one Juried Grand Prize totaling $100,000.

ArtPrize’s open call for artists is happening right now. Register online at www.artprize.org.[Sponsor] Artprize Artist Applications Open Through June 6 sponsor

By Christopher on

New Cloned Video GIFs from Erdal Inci

New Cloned Video GIFs from Erdal Inci video art gifs animation

New Cloned Video GIFs from Erdal Inci video art gifs animation

New Cloned Video GIFs from Erdal Inci video art gifs animation

New Cloned Video GIFs from Erdal Inci video art gifs animation

New Cloned Video GIFs from Erdal Inci video art gifs animation

New Cloned Video GIFs from Erdal Inci video art gifs animation

New Cloned Video GIFs from Erdal Inci video art gifs animation

Last year I featured a number of amazing gifs from Istanbul-based artist Erdal Inci (previously) who clones sections of video to create hypnotic animated loops. His work has since popped up all over the web and will soon find its way into a gallery space. Above are some of his latest clips depicting numerous copies of Inci himself parading through the frame like a cloned robot army, though he also flashlights to create even more complex effects. If you happen to be in Italy you can catch his work firsthand at Action Gallery in Milano on May 25 and in Naples on May 30.

By Christopher on       

Recycled Bike Part Chandeliers Under a Texas Overpass

Recycled Bike Part Chandeliers Under a Texas Overpass recycling lighting bicycles

Recycled Bike Part Chandeliers Under a Texas Overpass recycling lighting bicycles

Recycled Bike Part Chandeliers Under a Texas Overpass recycling lighting bicycles

Recycled Bike Part Chandeliers Under a Texas Overpass recycling lighting bicycles

Recycled Bike Part Chandeliers Under a Texas Overpass recycling lighting bicycles

Recycled Bike Part Chandeliers Under a Texas Overpass recycling lighting bicycles

Recycled Bike Part Chandeliers Under a Texas Overpass recycling lighting bicycles

Ballroom Luminoso is a series of six chandeliers designed by artists Joe O’Connell and Blessing Hancock currently installed in San Antonio, Texas. Made from custom made structural steel, custom LEDs and recycled bicycle parts, the lights project colorful silhouettes of sprockets and other pieces onto the otherwise drab cement underpass. From the artist’s statement about the project:

Ballroom Luminoso references the area’s past, present, and future in the design of its intricately detailed medallions. The images in the medallions draw on the community’s agricultural history, strong Hispanic heritage, and burgeoning environmental movement. The medallions are a play on the iconography of La Loteria, which has become a touchstone of Hispanic culture. Utilizing traditional tropes like La Escalera (the Ladder), La Rosa (the Rose), and La Sandía (the Watermelon), the piece alludes to the neighborhood’s farming roots and horticultural achievements. Each character playfully rides a bike acting as a metaphor for the neighborhood’s environmental progress, its concurrent eco-restoration projects, and its developing cycling culture.

If you liked this project you might also enjoy Carolina Fontoura Alzaga’s bike chain chandeliers. Images above courtesy photographer Fred Gonzales. (via lustik)

By Christopher on       

Neon Swing & Bird Cage by Su-Mei Tse

Neon Swing & Bird Cage by Su Mei Tse swings sculpture neon

Neon Swing & Bird Cage by Su Mei Tse swings sculpture neon

Neon Swing & Bird Cage by Su Mei Tse swings sculpture neon

Swing is a 2007 kinetic sculpture by Luxembourg musician, artist and photographer Su-Mei Tse. If you’re like me you can’t wait to jump on for a ride, however it would all be over before it started as the entire piece is essentially a rigid light made of white neon tubes and controlled by a motor embedded in the ceiling. Watch the video above to see it installed at Peter Blum gallery back in 2009 along with her neon bird cage. (via 2headedsnake, mithril, yiping lim)

By Christopher on       

The Floating Temple: How to Lift a Seven Million Pound, 112-year-old Building

The Floating Temple: How to Lift a Seven Million Pound, 112 year old Building  history churches architecture

The Floating Temple: How to Lift a Seven Million Pound, 112 year old Building  history churches architecture

The Floating Temple: How to Lift a Seven Million Pound, 112 year old Building  history churches architecture

The Floating Temple: How to Lift a Seven Million Pound, 112 year old Building  history churches architecture

Something’s up in Provo, Utah and it weighs around seven million pounds. It’s the 112-year-old exterior of the Provo Tabernacle that was severely damaged in a 2010 fire but has since been saved by the LDS church so it can be converted into a temple. Engineers first gutted the damaged interior and then supported the exterior walls with special scaffolding as they dug down to create space for a two story basement, so in actuality the building hasn’t even moved. The entire structure is now on stilts some 40 feet in the air and from some angles appears to be floating above ground, such as in the first photograph above provided by Brian Hansen. Additional photos courtesy the LDS Newsroom.

By Christopher on       

Mobile Mirrors: Manequins Covered in Mirror Shards by Lilibeth Cuenca Rasmussen

Mobile Mirrors: Manequins Covered in Mirror Shards by Lilibeth Cuenca Rasmussen sculpture reflection mirrors consumerism

Mobile Mirrors: Manequins Covered in Mirror Shards by Lilibeth Cuenca Rasmussen sculpture reflection mirrors consumerism

Mobile Mirrors: Manequins Covered in Mirror Shards by Lilibeth Cuenca Rasmussen sculpture reflection mirrors consumerism

Mobile Mirrors: Manequins Covered in Mirror Shards by Lilibeth Cuenca Rasmussen sculpture reflection mirrors consumerism

Mobile Mirrors: Manequins Covered in Mirror Shards by Lilibeth Cuenca Rasmussen sculpture reflection mirrors consumerism

Mobile Mirrors: Manequins Covered in Mirror Shards by Lilibeth Cuenca Rasmussen sculpture reflection mirrors consumerism

As part of her Mobile Mirrors exhibition at Christian Larsen gallery in Stockholm, artist Lilibeth Cuenca Rasmussen created a series of four reflective mannequins clad in shards of mirrors. Light was projected onto each sculpture creating a twinkling halo effect not unlike a disco ball, as a person wearing a similarly reflective body suit moved through the space. The exhibition was intended as commentary on consumerism; just as we project ourselves onto mannequins, Rasmussen’s is attempting to use the same object to reflect back on ourselves. Via Christian Larsen Gallery:

The mirror surfaces of the mannequins turn our gaze back onto ourselves, forcing us to become aware of our own bodies and consumption habits. This way revealed, we can see ourselves as part of a much larger system, as complex and chaotic as ever the sculptures’ reflections on the walls.

You can see many more images from the exhibition over on Facebook. (via ex-chamber)

By Christopher on          

A New Illustration of Hybrid Beasts and Imaginary Creatures by Imarginal

A New Illustration of Hybrid Beasts and Imaginary Creatures by Imarginal illustration drawing

A New Illustration of Hybrid Beasts and Imaginary Creatures by Imarginal illustration drawing

A New Illustration of Hybrid Beasts and Imaginary Creatures by Imarginal illustration drawing

A New Illustration of Hybrid Beasts and Imaginary Creatures by Imarginal illustration drawing

A New Illustration of Hybrid Beasts and Imaginary Creatures by Imarginal illustration drawing

A New Illustration of Hybrid Beasts and Imaginary Creatures by Imarginal illustration drawing

I had to pick up my jaw when this image first appeared in my inbox this morning. The density, detail and subject matter was so instantly compelling I was fascinated to learn about the artist behind it. As it turns out, this is the latest illustration from a duo of illustrators from Brazil named Fernando Moraes and Raone Ferreira who work under the collective title Imarginal. The two have a unique style of working in tandem on artworks such as the piece above which took three months of 8-10 hour days to complete and measures 1 x 0.7 meters (a little over 3 feet wide). I’m told via email that their illustrations are “characterized by overvaluation of details, imaginary creatures and ideas hybridism, thought by two different minds and made in four hands, using nankin [cotton fabric], poscas [markers] and even magnifiers on paper, wood or walls.” To see how they work together you can watch this video and see a gallery of their work here. (via colossal submissions)

By Christopher on    
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