Swiss artist Zimoun (previously) just unveiled a large installation inside the windows of the Museo d’Arte di Lugano in Switzerland. Titled 36 Ventilators, 4.7m3 Packing Chips, the kinetic artwork relies on large fans that perpetually blow clouds of packaging peanuts against the museum’s broad windowframes. At night the effect is especially eye-popping as it appears the entire space is filled with a turbulent white sea. Via bitforms gallery:
Using simple and functional components, Zimoun builds architecturally-minded platforms of sound. Exploring mechanical rhythm and flow in prepared systems, his installations incorporate commonplace industrial objects. In an obsessive display of curiously collected material, these works articulate a tension between the orderly patterns of Modernism and the chaotic forces of life. Carrying an emotional depth, the acoustic hum of natural phenomena blends effortlessly with electric reverberation in Zimoun’s minimalist constructions.
This beautiful series of animal illustrations by Milan-based designer Andrea Minini began as a design experiment to obtain complex shapes and depth starting with just a few lines. Using Adobe Illustrator, Minini created textured moiré patterns that give each illustration a surprising intensity. You can see more from this series over on Behance.
Macau-based web designer and developer Varun Thota is the son of a helicopter and a devoted flight enthusiast. His childhood was filled with hours in front flight simulators and even today he carries a small Kinder egg airplane that he likes to photograph against dramatic backgrounds, as if a hand was reaching out of the sky controling each flight. It’s a simple enough idea, but wonderfully executed by Thota. You can see more over on his Instagram account. (via the Instagram Blog)
Our Changing Seas III is the third piece in a series of large-scale ceramic coral reef sculptures by artist Courtney Mattison. The sprawling installation is entirely hand-built and is meant to show the devastating transition coral reefs endure when faced with climate change, a process called bleaching. She shares via email:
At its heart, this piece celebrates my favorite aesthetic aspects of a healthy coral reef surrounded by the sterile white skeletons of bleached corals swirling like the rotating winds of a cyclone. There is still time for corals to recover even from the point of bleaching if we act quickly to decrease the threats we impose. Perhaps if my work can influence viewers to appreciate the fragile beauty of our endangered coral reef ecosystems, we will act more wholeheartedly to help them recover and even thrive.
Livio Scarpella is a contemporary Italian sculptor whose work harkens back to the incredible craftsmanship of marble sculptors from the 1700s. His series “Ghost Underground,” which depicts ghostly souls, both peaceful and in anguish, are influenced by the famous veiled sculptures that rest in the Cappella Sansevero, a chapel in the historic center of Naples, Italy. Opposite destinies (the “blessed” and “damned”) are signified through either a light quartz or dark amethyst rock placed near the heart of the sculpture. The crystals also serve an interesting contrast between the softly veiled faces, reminding us that, indeed, both are stone-hard. (via beautifuldecay)
MAKING+MEANING is SCI-Arc’s five-week summer program for individuals looking to both expand the breadth of their knowledge of architecture and immerse themselves in the school’s studio culture. With a faculty to student ratio of 1:12, the program introduces the principles of architecture in a hands-on exploration of spatial experimentation, design methodologies and the creative process. It is presented in two modules: Design Laboratory and Visual Studies. The Design Laboratory exposes students to various design strategies while experimenting with materials. The Visual Studies module explores diverse modes of representation, ranging from gesture drawing to descriptive geometry and 3D scanning. The studio work is complemented by seminars surveying the latest developments in materials and fabrication technologies.
Scholarships dedicated for those holding an undergraduate degree in visual arts or design.
Summer 2014: July 14 – August 15
Southern California Institute of Architecture, 960 E. 3rd Street Los Angeles, California Apply at sciarc.edu