Sculptor Xavier Puente Vilardell (previously) carves blocks of pine wood into twisted screws and ribbons, redefining the solid material into one that appears both light and pliable. Some of the final works are varnished with a deep, glossy coat, while others are left to look more natural. Despite this differentiation in finish, all of Vilardell’s works showcase the natural grain of the original blocks of wood, at once expressing their similarity and originality. You can see more of Vilardell’s recent sculptures on both his Behance and website.
Using common household props, Twitter user @thumb_tani stacks gravity-defying towers that rely on precise and calculated balance. Coins, toothpicks, and silverware are positioned to play off of each others’ weight in ways that might crumble with the slightest of touch. The sculptures go beyond experiments many might have seen before, ranging in shape from thick twirling cylinders to horizontal pieces that balance coins at the very edge of a knife’s blade. You can see more of his feats of balance, and incredible patience, posted to his Twitter. (via My Modern Met)
In this fun illustration series, India-based artist Rohan Sharad Dahotre utilizes photographs of wild animals and applies a variety of fanciful costumes. You can see more over on Behance. (via Quipsologies)
From the mass of Taipei’s urban waste comes the project “Swings Park,” a public playground area constructed from dozens of unwanted lamp posts. The project is a collaboration between Taipei-based design studio City Yeast and Spanish art collective Basurma, two groups that aim to produce experimental design as positive activations for a city’s infrastructure and its residents. Fabricated in response to Design Capital 2016, the project was one of six selected proposals from the contest whose mission is to provoke urban evolution through public design.
The playground, located directly below one of the city’s busiest overpasses, is painted bright yellow—a way to break from the monotony of the surrounding architecture. In addition to swings built at four different heights, the structure also includes a multifunctional platform and two hammock-like nets, providing areas for both activity and respite.
“Swings Park” will be kept in its current location through 2017. You can learn more about Design Capital 2016’s selected proposals on their website. (via designboom, Popup City)
From the 1930s through the 1970s, Aerolux Light Corporation produced these amazing novelty light bulbs that contained sculptural filaments in the shape of flowers, birds, and myriad other designs that would illuminate in different colors. The bulbs contained a mixture of neon or argon (or both) and some of the components were coated with phosphors to achieve different color effects. Via Wikipedia:
Aerolux gas discharge light bulbs contained low pressure gas, either neon or argon, or a mixture of the two. Also within the bulb were metal sculptures coated with phosphors. These phosphors fluoresced when excited by glow discharge. Because glow discharge occurs readily at 110-120 volts AC, one could use these bulbs in standard household lamps in the United States.
The phosphors used in the bulbs were somewhat brittle, necessitating care in handling. Shaking or jarring the bulbs would cause flaking and migration of the phosphors to other parts of the metallic sculpture. Such handling would leave non-fluorescing portions of the sculpture and/or migration of phosphors to other surfaces within the bulb.
At the height of production some of the bulbs sold for a mere .20 cents, but can now fetch hundreds of dollars on Ebay or Etsy. If you happen to be in New York you can see a bonafide Aerolux bulb that’s on permanent display at MoMA as part of an artwork by artist Dan Flavin. (via Neatorama, Geyser of Awesome, Oddity Central)
Dustin Yellin‘s latest installation (previously here and here) is more of an encased world than environment—ten modular glass blocks that together measure 20 feet long. Densely layered, each glass brick contains thousands of images meticulously sourced from magazines and books, arranged to created Yellin’s own alternate National Geographic universe. The pieces, which differ in dimension at the ends of the work and are uniformly sized near the middle, all contribute to a larger, and perhaps forecasted, story of war and peril. Not a pleasant look at the future of humanity, Yellin outlines scenes of greed and global warming, literally showing the fall of humanity from the tip of a glass-encased mountain to the depths of a turbulent sea.
This installation, titled Ten Parts, is part of a solo exhibition of Yellin’s work by the same name at GRIMM Gallery in Amsterdam which opens this Friday, November 25, and runs through January 7, 2017.