The Colored Pencil Drawings of Marco Mazzoni Depict the Cycles of Nature

The Colored Pencil Drawings of Marco Mazzoni Depict the Cycles of Nature still life nature drawing

The Colored Pencil Drawings of Marco Mazzoni Depict the Cycles of Nature still life nature drawing

The Colored Pencil Drawings of Marco Mazzoni Depict the Cycles of Nature still life nature drawing

The Colored Pencil Drawings of Marco Mazzoni Depict the Cycles of Nature still life nature drawing

The Colored Pencil Drawings of Marco Mazzoni Depict the Cycles of Nature still life nature drawing

The Colored Pencil Drawings of Marco Mazzoni Depict the Cycles of Nature still life nature drawing

The Colored Pencil Drawings of Marco Mazzoni Depict the Cycles of Nature still life nature drawing

The Colored Pencil Drawings of Marco Mazzoni Depict the Cycles of Nature still life nature drawing

The Colored Pencil Drawings of Marco Mazzoni Depict the Cycles of Nature still life nature drawing

Milan-based artist Marco Mazzoni works almost exclusively with colored pencils to create intricate drawings that depict the cycles of nature and worlds based heavily in Italian folklore. One of his most frequent subjects are drawings of flora and fauna who seem to be consuming or living on top of the face of a woman whose eyes we never see. The artist says he consciously does not depict the eyes so the viewer doesn’t consider the artwork a portait, but instead a still life where all elements have equal importance. Via Galleria Patricia Armocida:

Mazzoni weaves a world based on Italian folklore, made up of Janas and Cogas, female figures who, according to Sardinian beliefs, seduce, enchant, curse, and heal. His work is an homage to the secret art of healers; each drawing is saturated with metaphors that tell their story. The circular compositions, which allude to the cycles of Nature, depict medicinal and lysergic plants, pollinator butterflies and birds which drink their nectar, and hidden amidst leaves and wings emerge the faces of these women forced to hide their sensuality and their knowledge due to bigotry imposed by religion, accused of witchcraft because they are herbarie, herbalists. Female healers and midwives held an important role within the community. [...] Marco Mazzoni underlines the importance of the interaction between the women and the plants by developing the subject that’s best known: the female face framed by flora and fauna, rendering it an icon. He reveals her innermost perceptions, memories scribbled on a diary page, highly imaginative visions of “impossible” animals, the fruit of ecstatic exploration of hallucinatory journeys. [...] The result is a work which recounts the moment in which woman takes control of everything, in complete harmony with Nature.

Mazzoni currently has a solo show in Milan at Galleria Patricia Armocida which runs through May 4th, 2013. You can see more of his work over on Facebook.