Interactive Mirrors Built from Arrays of Moving Objects by Daniel Rozin

Interactive Mirrors Built from Arrays of Moving Objects by Daniel Rozin mirrors interactive
Weave Mirror, 2007. 768 laminated C-ring prints, motors, control electronics, custom software, microcontroller. 57 x 76 x 8” / 148 x 193 x 20 cm. Photo courtesy bitforms gallery.

Interactive Mirrors Built from Arrays of Moving Objects by Daniel Rozin mirrors interactive
Weave Mirror, 2007. 768 laminated C-ring prints, motors, control electronics, custom software, microcontroller. 57 x 76 x 8” / 148 x 193 x 20 cm. Photo courtesy bitforms gallery.

Interactive Mirrors Built from Arrays of Moving Objects by Daniel Rozin mirrors interactive
Angles Mirror, 2013. 465 plastic spokes, motors, video camera, control electronics, custom software, microcontroller,
steel armature. 7.7 x 7 x 3 ft / 2.35 x 2.13 x .93 m. Photo courtesy bitforms gallery.

Interactive Mirrors Built from Arrays of Moving Objects by Daniel Rozin mirrors interactive
Trash Mirror No. 3, 2001-2011. 500 discarded objects, motors, video camera, wood, control electronics, custom software.
76 x 76 x 6″ / 193 x 193 x 15.2 cm. Photo courtesy bitforms gallery nyc and ITP – NYU.

New York-based artist Daniel Rozin creates amazing installations and sculptures that have the ability respond to the presence of a viewer. Among his best known works are an ongoing series of interactive mirrors built from complex arrays of moving objects including wooden pegs, circular bands of laminated rings, plastic spokes and even pieces of discarded trash. Using custom software and video sensors Rozin has the sculptures react in real-time to create a live visual representation of a viewer’s likeness. Via bitforms gallery:

Merging the geometric with the participatory, Rozin’s installations have long been celebrated for their kinetic and interactive properties. Grounded in gestures of the body, the mirror is a central theme of Rozin’s practice. In his art, surface transformation becomes a means to explore animated behavior, representation, and illusion.

Since the late 1990s, his constructions have also investigated the psychological and optical cues inherent to image building, such as pattern and the materiality of the picture plane. Often the grid is carefully controlled with a computer and custom software. Visual structures such as that of haystacks, woven fabric, stone mosaics, the pixel, and particulate accumulations are among the many influences and diverse textures evoked by his installations.

This fall Rozin will unveil a new installation commissioned for the Taiwan Taoyuan international airport, and his most recent solo exhibition, Angles, was held at bitforms gallery last year. All photo and video courtesy bitforms gallery. (via Hi-Fructose)