Geometric Sculptures Produced From the Immateriality of Light by James Nizam

“Octagram” (2016), 22 aluminum coated mirrors, 22 mirror mounts, programmable lighting elements, haze machine, zero-reflectance-paint, dimensions variable, all images courtesy of James Nizam

James Nizam produces subtle, geometric light installations with programmable lighting elements and mirrors, the resulting pieces looking like snapshots of a strictly choreographed laser light show. In his 2011 series “Thought Forms,” Nizam gained entrance to a domestic structure to install several interventions with daylight entering a darkened room. Through the use of mirrors, he created the complex forms below, resulting in tetrahedrons, stacked triangles, and intersecting rectangles.

Recently, Nizam has added color and moved his light sculptures outdoors, casting a blue triangle of light against a city at night in Visible Horizon and forming a blue and pink 16-sided form in Octagram. No matter the location, Nizam’s pieces give a visually physical presence to the immateriality of light, building forms from literal smoke and mirrors.

Nizam’s work will be featured in the upcoming group exhibition “Lumens,” at the Musée régional de Rimouski in Québec from June 12 through September 25, 2016. (via Booooooom)

“Visible Horizon” (2015), lightjet print, print dimensions variable

“3 Movements Inscribing an Octagram” (2016), lightjet print, each 40 x 50 inches

“Nested Polyhedra” (2014), archival pigment print, print dimensions variable

“Thought Form (Icosahedron)” (2014), archival pigment print, 60 x 48 inches

“Thought Form (Fold)” (2011), archival pigment print, print dimensions variable

“Thought Form (Fan)” (2011), archival pigment print, print dimensions variable

“Thought Form (Dart)” (2011), archival pigment print, print dimensions variable

“Thought Form (Tetrahedron)” (2011), archival pigment print, print dimensions variable

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