Artist and SAIC professor Pablo Garcia (previously) has added an update to his previous take on the two century old Camera Lucida, an optical device that allows you to trace images and scenes directly from life. The new version, NeoLucida XL, is similar to its predecessor, however with a much larger viewfinder. The prism inside the updated analog device remains the same size, while the larger mirror and glass make it much easier to draw the projected “ghost image.” You can read more about the device on its Kickstarter page.
Image via Casart
Spanish sculptor Isabel Miramontes creates figural bronze sculptures that bring a visual movement to ordinary silhouettes. Her works provide unusual shapes within the body of her subjects, opening up torsos to reveal elongated spirals and horizontal bars that seem to reveal an inner turmoil. Often the faces of her sculptures have blank or passive expressions, unknowing participants to the tangle of bronze which twists below. Miramontes is represented by Canfin Gallery in New York and Lucy B Campbell Gallery in London. You can also see more of her work at Galerie De Medicis.
Image via Casart
The Illusive Cat, 2016. Anamorphic sculpture. Oil paint on plaster, stainless steel.
London artist Jonty Hurwitz (previously) revels in the skewed and twisted world of anamorphic artwork, where the meaning of a dramatically warped figures is only revealed when reflected against a viewing device, in this case a cylindrical mirror. While Leonardo da Vinci is credited for creating the first known definitive example of anamorphosis in the 15th century, Hurwitz pieces are infused with modern technology, relying on digital renderings which are painstakingly transformed into physical objects cast from bronze, copper, or plaster. In more recent pieces he’s even begun to apply oil painting as a final touch.
Hurwitz had work on view earlier this year as part of Kinetica 2017 and several pieces seen here are currently at Galerie Médicis in Paris. You can see more of his recent work on his website.
Childhood, 2017. Copper, stainless steel, resin, magnetism.
Anamorphic Frog, 2016. Bronze and stainless steel.
The Hand That Caught Me Falling, 2016. Bronze, wood and chrome.
Incorporating aspects of South American folklore, mythology, and religion, Berlin-based artist Olaf Hajek depicts thoughtful portraits of women and men infused with elements of life—often in their hairdos. Over the last few years Hajek’s illustration work has appeared in major publications from the New York Times to the Guardian, but he also exhibits his acrylic paintings on wood and cardboard in galleries around the world. His most recent collection of work is being published in a forthcoming book titled Olaf Hajek: Precious, and one of his pieces was selected for the Communication Arts Illustration Annual 58. You can see more of his work on Saatchi Art.
Working with a mixture of cold porcelain and polymer atop a metal wire armature, artist Ellen Jewett (previously) creates wildly intricate sculptures of animals covered in a tangle of surreal embellishments. The artist describes her works as “anthrozoology meets psychoanalysis,” where tiny clues left in the feathers, fur, and tentacles of each piece lead to a greater story of its meaning. From her artist statement:
Each detail, down to the finest filigree, is free-modeled by hand. Within each piece precision is balanced by chaos. The overarching aesthetic knocks on the door of realism, yet the hand of the artist is never intentionally erased; brush strokes and fingerprints abound. Even the narratives themselves harbor a degree of anarchy as they are rarely formally structured. Rather, I seek to achieve flow states while working to create a fluid progression of unconscious imagery.
Jewett most recently exhibited at Modern Eden Gallery in San Francisco for a group show titled Hindsight, and just wrapped up work on a body of 10 new artworks. You can see some great behind-the-scenes process photos on Instagram.
Fusing ancient techniques with contemporary aesthetic, Dual Bowls are one-of-a-kind vessels forged from a mixture of recycled brass, copper, zinc, or nickel in this new project from artist Kawther Al Saffar. The bowls are made in partnership with the Alwafi Foundry in Kuwait who utilize a variety of sand-casting methods
with sand acquired from the nearby Nile river. Instead of masking or eliminating imperfections left behind from the casting process, Saffar chose to highlight them, giving each bowl a unique design while referencing the inherent complexity of forging a single object from two different materials.
Saffar was born and raised in Kuwait and attended the Rhode Island School of Design where she studied industrial design, and you can see more of her work in her portfolio. Dual Bowls are currently funding on Kickstarter, and it looks like they smashed their funding goal almost immediately.