Our Changing Seas III is the third piece in a series of large-scale ceramic coral reef sculptures by artist Courtney Mattison. The sprawling installation is entirely hand-built and is meant to show the devastating transition coral reefs endure when faced with climate change, a process called bleaching. She shares via email:
At its heart, this piece celebrates my favorite aesthetic aspects of a healthy coral reef surrounded by the sterile white skeletons of bleached corals swirling like the rotating winds of a cyclone. There is still time for corals to recover even from the point of bleaching if we act quickly to decrease the threats we impose. Perhaps if my work can influence viewers to appreciate the fragile beauty of our endangered coral reef ecosystems, we will act more wholeheartedly to help them recover and even thrive.
Livio Scarpella is a contemporary Italian sculptor whose work harkens back to the incredible craftsmanship of marble sculptors from the 1700s. His series “Ghost Underground,” which depicts ghostly souls, both peaceful and in anguish, are influenced by the famous veiled sculptures that rest in the Cappella Sansevero, a chapel in the historic center of Naples, Italy. Opposite destinies (the “blessed” and “damned”) are signified through either a light quartz or dark amethyst rock placed near the heart of the sculpture. The crystals also serve an interesting contrast between the softly veiled faces, reminding us that, indeed, both are stone-hard. (via beautifuldecay)
“State of Massachusettes” / graphite on paper 48″ x 48″ 2014
“Wanderer above the sea of fog” (homage to Caspar David Friedrich) / graphite on paper 36″ x 36″ 2013
“Betrayal” / graphite on paper 48″ x 48″ 2012
“State of Alaska” / graphite on paper 36″ x 36″ 2014
“State of Nevada” / graphite on paper 48″ x 48″ 2014
“Lovers Film Proposal” / graphite on paper 24″ diameter 2013
“Early Warning System” / graphite on paper 48″ x 48″ 2013
“The Old Aristocratic Colors Break Through” / graphite on paper 48″ x 48″ 2013
Heavily influenced by both film and photography, artist Ethan Murrow creates grandiose theatrical narratives manifested as large-scale graphite drawings. The artworks are populated with adventurers, inventors and dreamers, in what Winston Wachter gallery calls “characters as outrageous innovators and absurd explorers capturing a sense of adventure, satire, fun and defeat.” Murrow’s latest works involve a series of drawings set in different American states for his show State Flag currently at Winston Wachter in New York through May 2014. You can see much more of his work here and on his website. (via Illusion)
Unless you spent hundreds upon hundreds of hours with a tiny electric drill carving intricate patterns into eggshells the last few months, you may have yet to reach your Easter egg decorating potential. One person who clearly has is artist Piotr Bockenheim who uses a reductive drilling technique to transform goose eggs into slitherting tangles of string and various geometric or floral patterns. You can see much more of his work here.
German creative studio Urbanscreen have just unveiled ‘320 Licht,’ a massive light projection inside the cathedral-like interior of the 20,000 square meter Gasometer Oberhausen in Germany (the same space that housed Christo’s Big Air Package last year). Urbanscreen utilized both the ceiling and 320 degrees of the interior space of this former gas tank to project a 22-minute loop of digital animation with 21 high-powered Epson projectors.
“This experience is based on the vastness of the Gasometer,” sound designer Jonas Wiese told the Creator’s Project. “We tried to work with that expression to make the space bigger and smaller, to deform it and to change its surface over and over while not exaggerating and overwriting the original effect of the room.” He continues, “the age of the screen is coming to an end, digital interfaces will dissolve and merge into the social space [...] we poetically contribute to this through art.”
320 Licht is part of the exhibition The Appearance of Beauty and will be on view through December 30th, 2014. Watch the included video above from the Creator’s Project to learn more about how it all came together.
Digital painter and concept artist Piotr Jabłoński creates brutally detailed paintings for videogames and comic books which often veer into the realm of horror, but in his spare time dabbles in somewhat tamer sketches and other random ideas that he shares with fans on Facebook. A few months ago he stumbled onto the idea of two small brothers in futuristic space helmets who explore the world with a feline pal, a giant cat mural that follows them everywhere, provided there’s a wall. The response online has been incredible, with fans demanding an art book or even an entire comic book series. While nothing is concrete yet you can see more on Behance, and a few of the panels are available now as prints.