Installing beacons in scenes of thick forests and milky lagoons, German duo Tarek Mawad and Friedrich van Schoor of collective 3hund produced the film LUCID in order to capture the melancholy mood of these displaced works. The short film is a surreal tale of loneliness, with long panning shots that highlight electroluminescent shapes’ placement within selected alien-like environments. The light installations are all unique to their specific landscape, and differ between groups of thin lines, small orbs submerged in water, and illuminated triangles that seem to hover above the rocky terrain.
You can look behind-the-scenes of LUCID in this film outlining how the filmmakers set up many of their shots. (via This Isn’t Happiness)
Assemblage artist Garret Kane just unveiled this new series of figurative sculptures depicting fractured individuals who appear to merge with the seasons. Each piece was first partially designed using digital sculpting software called Zbrush, and then 3D-printed components were affixed to wood, rocks, leaves, and other materials to reach the final forms seen here. You can see more views on his website. (via The Operating System)
Barcelona-based artist Pejac (previously) was recently in Rijeka, Croatia where he completed a number of new artworks as part of a residency with the Museum of Modern and Contemporary Art. His most impressive new intervention appeared in the windows of an abandoned power plant where the artist utilized the cracked glass in old windows to form a flock of birds escaping the aim of a boy in silhouette holding a slingshot. Titled Camouflage, Pejac says the work is in tribute to artist René Magritte who famously depicted birds in many of his paintings as silhouettes filled with clouds. You can see more of his work in Croatia on Arrested Motion.
Artist Julie Heffernan's paintings are technically complicated, layers of detail filling her often 5-foot-tall canvases. Although enchanting, her environments reference disaster and distress, situations that peek into how we might reposition ourselves in nature after massive traumas such as Hurricane Katrina and the BP oil spill.
“We are slowly making our world unlivable, and I want to bring to the surface the destructive action, waster, and contamination that is generally invisible to us,” says Heffernan in her artist statement. “I need to imagine another way, to outfit myself with signs and banners that speak louder than I can, to envision how we might remake the world as it is slowly falling apart.”
Another far lighter inspiration Heffernan works with in her paintings is the childhood game of Chutes and Ladders. Like the climbing, twisting, and meandering board game, her paintings allow the eye to crawl up, down, and around the forests and mountains she paints. You can see more of these ambitious landscape works on her portfolio site, and read her own thoughts on painting on her blog, Painters on Paintings. (via Booooooom)
Working with hundreds of steel rods and pieces of piano wire, Spanish artist David Moreno constructs unwieldy sculptures that look like 2D sketches. Usually centered around a structure or row of house-like buildings, each artwork is designed to look like a haphazard collection of sticks, perhaps something easily destroyed by a big bad wolf. The link between drawing and sculpturing is very intentional as Moreno himself refers to his process as literally “trying to draw sculptures.” You can see more of his work on Behance.
Tatiana Blass, “Penelope” (2011), carpet loom, wool yarn, chenille at the Chapel of Morumbi. Photos by Everton Ballardin
In 2011, Brazilian artist Tatiana Blass pierced the walls of a Sao Paulo chapel with large masses of red yarn, letting the bright material trail into the surrounding grasses, landscape, and trees. The installation, titled Penelope, was named after Odysseus’s wife in Homer’s Odyssey, a character who kept herself away from suitors while he was at war by weaving a burial shroud by day, and secretly taking pieces of it apart at night.
Inside the chapel the work continued with a 45-foot-long carpet leading to a loom into which it was stuck. Immaculate on one side of the loom and in pieces on the other, strings of the dismantled rug traveled outside of the chapel through preexisting holes that made their way into the yard. The piece, just like the epic poem, leaves us to wonder whether the work is in a state of construction or unraveling, if the carpet is being built, or slowly torn apart. (via Design Milk)
Penelope, before and after 6 months