Netherlands-based artist Redmer Hoekstra draws fascinating composite illustrations that merge animals and everyday objects or machines, from a lizard with computer keyboard scales to an owl with books for wings. At times he even brings three or more forms together, as with a whale emerging from a submarine, the entirety of which has the appearance of a banana. Whether you regard the pieces as humorous or slightly disturbing, it’s hard to deny the ingenious way each creature is formed.
Hoekstra has more work over on Behance and you can pick up postcards, prints and other things in his shop.
Created by artist Alyson Shotz, this reflective picket fence is made entirely of mirrors and has been installed in several locations since 2003. The iteration shown here was on view through 2012 at the Storm King Art Center in New York. The fence has the uncanny ability to reflect its surroundings resulting in a barrier that is at times almost completely camouflaged, or, depending on your perspective, in stark contrast to the nearby landscape. (via Designboom)
Artists Alex Schweder and Ward Shelley have constructed a giant wood hamster wheel with a 25-foot-diameter where the duo are currently living and working for 10 days until March 9 at the Boiler in Williamsburg, Brookyln. Why? Because …art! Titled In Orbit, the piece is a continuation of numerous installations where the artists live together in public spaces including Counterweight Roommmate and Stability which they refer to as “architectural performance pieces.”
For In Orbit, the rotating house is designed so that Shelley can live on the exterior of the wheel nearly 30 ft. off the floor, while Schweder lives on the inside due to a fear of heights. Through coordinated movements the pair can rotate the wheel to access beds, desks, chairs and even a kitchen-bathroom combo. You can learn more over at Gothamist and Peirogi Gallery. Photos and video by Scott Lynch. (via Laughing Squid)
Belgium-based artist Catherine Nelson (previously) just unveiled a new series of works titled Expedition. The digitally “painted” collages are made from hundreds upon hundreds of photographs that Nelson meticulously assembles into sprawling worlds that straddle the line between real and imagined. The five pieces you see here were nearly 10 months in the making.
Unlike her previous collages that resemble tiny planets, the pieces from Expedition subvert traditional landscapes with a horizon and single vanishing point and instead seem to sprawl in every direction, as if being viewed from multiple vantage points at once. Each landscape is quite large, measuring 60″ tall by up to 115″ wide and is rich with details like hidden snakes, bats and lizards, all elements influenced by Nelson’s memories of her natural surroundings growing up along the east coast of Australia.
Architect and freelance illustrator Maja Wrońska (previously) continues to amaze with her beautifully executed watercolor paintings of iconic cityscapes from around the world. From London and Paris to Prague and even Disney Land, the Polish artist brings a colorful, dreamlike perspective to everything she paints. Wrońska has been extremely active since we first covered her work here back in 2012, see much more on Behance, and pickup prints and other things on Society6.
Línea de horizonte is a 2006 sculpture by artist Javier Perez depicting a sequence of 60 heads as they gradually morph into (and out of) detail. The multidisciplinary artist frequently explores aspects of mortality through anatomical forms in sculpture, painting and other mediums. Perez has upcoming solo shows at both the Mario Mauroner Contemporary Art in Austria and the Centre d’Arts des Pénitents Noirs in France later this year. You can follow his work on Tumblr and over on Facebook. (via My Amp Goes to 11)
This little wood automaton is meant to mimic the effect of a water drop hitting a body of water, all using concentric rings cut from wood that are manipulated by a hand crank. The piece was created by UK-based designer Dean O’Callaghan, inspired by the work of Reuben Margolin (most likely his round wave sculpture). (via The Automata Blog)
Inspired by various stages of his life, from skateboarding to breakdancing and rock climbing to the experiences of fatherhood, New Jersey-based artist Joe Iurato creates tiny wooden figures and sets them loose in public places. The daring little people dangle from bridges, swing from street signs, and often create their own “art” in the form of painted slogans left of sidewalks and curbs. Iurato discusses his work in this 2013 interview with Brooklyn Street Art:
The pieces I’ve been making are small, spray painted wood cutouts. No bigger than 15” in size. The subjects vary, but they’re all very personal – they sort of tell the story of my life in stages. From break dancing to skateboarding to rock climbing to becoming a father, all of these things have helped define my character. For me, it’s just about revisiting those moments in a way that’s familiar. I’ve always appreciated seeing architecture and nature in a different light. As a skater, the tar banks behind a local supermarket, a flight of stairs, a parking block, a drainage ditch, a handrail, a wall – they all present possibilities for interaction and fun in ways they weren’t intended to be used.
Iurato frequently leaves the artworks to be discovered by the community, where depending on their location, they may only last a few days or even hours. The artist will have work at R.Jampol Projects starting March 9th, 2014 and you can follow him on Flickr and over on Facebook. (via Junk Culture, Visual News)