The oil paintings of Joshua Flint look like depictions of memories when one tries too hard to access the faded thoughts—worn corners, blurred faces, and transposed scenes that don’t quite make sense. Each work has a familiar element that seems to be cast in a dark and foreboding haze like Sandcastles, a dark painting that disguises whether the included children are building or destroying the miniature city that lies before them.
“There is a dynamic interplay between experience and interpretation,” says Flint about his work. “What is remembered isn’t necessarily descriptive of the actual event. Once the experience has passed through our emotional filter we assign meaning to it, changing the actualities. My paintings explore that place in-between a direct translation and the abstract of emotion.”
Flint has a current exhibition titled “The World Between” at Sumter County Gallery of Art in Sumter, South Carolina which continues until January 8, 2016. You can see more of his oil paintings and in-process sketches on his Instagram here. (via Booooooom)
Memory Palace | oil on wood panel | 24″ x 24″
The Banquet | oil on canvas | 48″ x 60″
They Feed the Earth | Oil on Canvas | 48″ x 48″
Mapping a Galaxy | oil on wood panel | 30″ x 30″
Bright Reflections | Oil on Wood | 24″ x 24″
The Wide Arena of Air | oil on wood panel | 36″ x 36″
LEGO-based artist, author, and curator Mike Doyle (previously here and here) has collected another impressive set of LEGO masterpieces in his lastest book Beautiful LEGO: Wild! by No Starch Press, a book that explores natural wonders from undersea landscapes to a family of sea otters produced from over 3,500 LEGO pieces. Unlike Doyle’s last book which featured sculptures depicting sci-fi horrors and ghoulish nightmares, this book collects the works of several dozen artists who capture natural scenes from our planet’s Animal Kingdom and beyond.
One of Doyle’s own pieces that appears in the book is a new piece titled Appalachian Mountaintop Removal (2015), a work composed of more than 10,000 pieces that directly references the act outlined in its title. Mountaintop removal is a form of coal mining affecting the Appalachian Mountains that levels mountains, poisons aquifers, and damages surrounding wildlife indefinitely. You can learn how to help the destruction of these natural resources as well as view more of Doyle’s massive lego sculptures on his blog here.
Three years in the making, we first teased this phenomenal new woodcut print titled Overlook from Valerie Lueth and Paul Roden of Tugboat Printshop (previously) back in 2014—the carving of a single woodblock was intriguing enough to warrant its own article. After thousands of hours of preparation, drawing, carving, testing, and printing, the completed color proof was finally revealed this week.
Overlook is a color woodblock print created from 5 plates including 4 color blocks (yellow, red, light blue, dark blue) that define areas of color in the image with a 5th block (black) on top called the key block. All the woodblocks are entirely different carvings on 3/4″ birch plywood that contain different information. As each is printed in succession on handmade kozo fiber paper, the colors merge to produce additional hues, highlights, shadows, and other details of the final print. The splendidly detailed 46″ x 30″ artwork depicts a mid-day scenic view of a mountain range surrounded by dense forests, groves, and sprawling vegetation in a myriad of colors.
The final limited edition of 100 prints will be completed early next month and are currently available for pre-order on Tugboat Printshop’s website. You can see of behind-the-scenes process photos and videos of Overlook on Flickr.
We’ve seen a number of artists working with pencil leads over the last few years, where the narrow dimensions of graphite are carved into minuscule objects. This recent piece by Nebraska-based artist Cindy Chinn is particularly ingenious, an entire carpenter’s pencil is turned into a tiny train, trestle, and bridge. “This piece was designed using straight lead pieces for the rails, with the tiny carved train placed and securely glued on top of the rails,” Chinn shares. “The train engine is only 3/16″ of an inch tall. The pencil is 5-5/8″ long and mounted in a wood shadowbox frame as shown in the photos.”
The works of Yrjö Edelmann are so precise that they translate without question as photograph. Even with double, triple, and quadruple takes it is nearly impossible to imagine that the pieces have been produced from precisely placed oil paint. The objects Edelmann depicts are not perfectly wrapped pieces, but rather haphazardly taped and constructed, often on irregularly shaped canvases to heighten the trompe-l’œil effect. Scotch tape and twine hold the wrapping paper in place, with wrinkles covering the bright and often reflective package’s surface.
Currently on view at the Place Des Festivals in Montreal, Impulse is a new public art installation comprised of 30 completely illuminated seesaws and a series of video-projections on nearby building facades. When the seesaws are used they “activated” and begin to emit tones resulting in various musical harmonies. The project is part of a collaboration between CS Design and Toronto-based Lateral Office.
“Once in motion, the built-in lights and speakers produce a harmonious sequence of sounds and lights, resulting in a constantly evolving ephemeral composition,” say organizers of the event. This past summer the project was selected as a winner of the 6th annual Luminothérapie event.
Impulse will be on display through January 31, 2016, and you can see a bit more over on Arch Daily. (via Dezeen)