Although powered by simple rotary engines, these kinetic sculptures by Netherlands-based sculptor Jennifer Townley are dizzying in complexity. Repetitive patterns twist, merge, and cascade as individually sculpted elements rotate on a single axis, an intricate fusion of art and mathematics. From Townley’s artist statement:
The works derive from her fascination with science, with an emphasis on physics, engineering and mathematics. Geometric patterns in Islamic art or mathematical drawings of Dutch artist M. C. Escher often serve as an inspiration. Images where lines and figures match each other so perfectly they could be repeated indefinitely. This infinity, regularity and obedience is what Townley also finds fascinating about mechanical machines; they are robust, strenuous and seemingly immortal. She is captivated by how a machine can convert a simple circular motion (rotary engine) into a very complicated nonlinear or chaotic movement pattern.
First Flakes of Winter; Mixed Media 2010; 9″ x 2″ x 2.5″
Started From The Bottom Now We Here pt2; Mixed Media 2013; 9″ x 2″ x 2.5″
Banksy Is Your Gran; Mixed Media, 3volt filament bulb 2015; 2.25″ x 2″ x 2.5″
El Torero; Mixed Media 2013; 4″ x 4″ x 4.5″
Summer in the Winter; Mixed Media 2013; 3″ x 2″ x 2.5″
Frolic; Mixed Media 2013; 3″ x 2″ x 2.5″
The Troubadour II; Mixed Media 2014; 1″ x 1″ x 1.5″
Der Stuhl. Die Puppe. Das Entartete. Das Genie; Mixed Media 2013; 2.5″ x 3″ x 3.25″
Ornate jewelry boxes set the stage for tiny painted scenes filled with nearly-microscopic human figurines. The boxes are meticulously crafted by Canadian-Trinidadian artist Talwst, who uses mixed media to explore the narrative of art history in combination with elements of contrasting cultures. Although his vintage boxes may cast an ancient light on the scene, the boxes encapsulate a present day cultural commentary through their arrangements.
Talwst works out of his studio in Toronto, Ontario and has a solo exhibition at the Art Gallery of Mississauga through April 12th. TALWST will also be collaborating with VICE magazine this year to produce a body of work that will appear on newsstands this September. (via BOOOOOOOM)
Illustrator and street artist Diogo Machado (aka Add Fuel) transformed this plain looking electrical box on the streets of Lisbon into a surprising illusion by making it look like a cracked exterior is revealing a blue tile interior. The piece is an extension of Fuel’s ongoing Street Ceramic work, where modern interpretations of tile patterns are installed onto building facades. You can see more views of this piece on StreetArtNews.
For most of us, a sketchbook is a playground of ideas, random thoughts, and plenty of mistakes. For Milan-based artist Marco Mazzoni it’s a place where new artworks are born, realized to perfection from margin to margin. In his colored pencil drawings Mazzoni tends to focus on dense arrays of intertwined flora and fauna, as well as depictions of female herbalists from 16th—18th Century, Sardinia—portraits that can be viewed as equally beautiful or unsettling.
These animal-filled porcelain bowls were meticulously crafted by hand and designed by Hella Jongerius for a commission by Nymphenburg, a Bavarian porcelain manufacture since the mid-18th century. The series was produced as a celebration of the animal collection found in their archives, and incorporates 3D creatures within the simple glazed bowls.
The ceramics display animals that look as if they have been temporarily and calmly placed upon the delicate bowls—curious foxes, birds, and miniature hippos happily plopped into their fragile environments. The displays are also hand painted with floral decorative patterns originally found on Nymphenburg’s cups and saucers, adding subtle detail to the glossed ceramic works. (via Jongeriuslab)
Transit is a 2010 sculpture by Mumbai-based artist Valay Shende depicting a life-size work truck that carries figures of 22 people. Created over a period of 18 months, the piece was constructed from thousands of reflective stainless steel disks that have been individually spot welded together. Shende conceived of Transit as commentary on a dramatic rash of farmer sucides in India over the last decade. The truck’s rearview mirrors display video footage of roadways in London, Mumbai and Dubai, as if the vehicle is moving from the perspective of the driver’s seat but in reality it remains stationary. Transit is currently on view at the Mumbai City Museum, and you can read more about it on Indian Express. Images courtesy Sakshi Gallery. (via Jeremy Mayer)