Two new portraits this morning from one of my favorite artists Kumi Yamashita (previously). The first one is part of her Constellation series titled Mana #2. The portrait is made from a single unbroken sewing thread wrapped through a dense network of galvanized nails, a process that takes several months. The second artwork, Mother #2, is part of her ongoing Warp and Weft series where Yamashita works with a panel of black denim and then meticulously cuts threads from the fabric to form an image. If you happen to be in California, both works will be in a group show from April 20th through June 1st, 2013 at Scott White Contemporary Art in La Jolla. You can also now follow the artist over on Facebook.
Artist Jeremy Miranda lives and works in Salem, Massachusetts where he works with acrylic paint to create images influenced by nature, technology, and memory. Among my favorite of his works are his split level landscapes connected by ladders that depict hidden worlds just under the surface of the ocean. Miranda has original paintings and prints available through Etsy, Enormous Tiny Art, and Sebastian Foster. (via not shaking the grass)
The folks over at Redbull (previously for cranberry bog wakeboarding) are currently holding a photography competition called Red Bull Illume which is billed as “the world’s premier international photography competition dedicated to the world of action and adventure sports.” One of the latest entries to the competition is this awesome set of photos captured by photographer and light painter Patrick Rochon in conjunction with Snap! Orlando who brought on a team of wakeboarders including Mike Dowdy, Adam Errington, and Dallas Friday. The trio rode special wakeboards affixed with LEDs designed by Snap! while Rochon shot from the shore. You can read more over on Redbull Illume, and for more illuminated hijinx check out L.E.D Wakeboarding by Jacob Sutton. (via we seek)
Singapore-based artist Keng Lye creates near life-like sculptures of animals relying on little but paint, resin and a phenomenal sense of perspective. Lye slowly fills bowls, buckets, and boxes with alternating layers of acrylic paint and resin, creating aquatic animal life that looks so real it could almost pass for a photograph. The artist is using a technique very similar to Japanese painter Riusuke Fukahori who was featured on this blog a little over a year ago, though Lye seems to take things a step further by making his paint creations protrude from the surface, adding another level of dimension to a remarkable medium. See much more of this series titled Alive Without Breath over on deviantART. (via ian brooks)
Update: I have some additional details from the artist that I’d like to add here, as this post seems to be getting a lot of attention. Via email Lye shares with me:
I started my first series in 2012 where all the illustrations were “flat” and depth was created using the layering of resin and acrylic over the different parts of the illustration. This year, I started on the octopus and it was purely an experiment; I just wanted to see whether I could push this technique to a higher level. After applying acrylic paint straight onto the resin, I incorporated a 3-D element in this instance, it was a small pebble for the ranchu and octopus. For the turtle, I used an egg shell for the turtle shell and acrylic paint for the rest of the finishing. The whole idea here was to give the art work an even more 3D effect therefore you can have a better view from any angle. I think there are still many other techniques to explore.
So to be clear the elements that extrude from the top of the resin are actually physical pieces that have been painted to match the layers of acrylic and resin below.
In 2001 artist Peter Gibson began a guerrilla street art campaign to encourage the city of Montreal to build more bike lanes. What began as a project borne of activism eventually became an art project that continues to this day. Assuming the name Roadsworth stating, “where Wordsworth is a poet of words, Roadsworth is a poet of roads,” the artist has cleverly modified roads, sidewalks, parking lots and any other publicly visible asphalt surface he can transform with paint. If you want to learn more, the artist recently took a moment to share some thoughts with My Modern Met and you can see much more of his work on his website.
Update: Colossal reader Roula adds via Facebook: The first image “is a visual translation of ‘nid de poule‘—chicken nest, which is the quebecois expression for potholes.”
The folks over at Teehan+Lax have just released a new tool (you’ll need Google Chrome and a pretty kickin’ internet connection) that lets you scrape public data from Google Street View to create sweeping hyperlapse videos. What’s a hyperlapse? Via Teehan+Lax:
Hyper-lapse photography—a technique combining time-lapse and sweeping camera movements typically focused on a point-of-interest—has been a growing trend on video sites. It’s not hard to find stunning examples on Vimeo. Creating them requires precision and many hours stitching together photos taken from carefully mapped locations. We aimed at making the process simpler by using Google Street View as an aid, but quickly discovered that it could be used as the source material. It worked so well, we decided to design a very usable UI around our engine and release Google Street View Hyperlapse.
The team turned their new UI over to one of their motion designers, Jonas, who made the stunning clip above. Incredible. Some other great examples of art made with Google Street View: Address is Approximate and this clip from Giacomo Miceli. (via it’s nice that)
French artist Bernard Pras works almost entirely within the realm of assemblage and anamorposis, a visual illusion where a distorted projection—often made from paint or a collection or objects—must be viewed from a specific vantage point to reconstitute the intended image. His latest piece, a portrait of Malian actor Sotigui Kouyaté, is comprised of numerous objects including clothes, paint, wood, rubber, and other objects found or scavenged around the installation site. Only when viewed through the lens of his camera is the image clearly visible. Watch the video above to see everything come together. Pras currently has a solo show at MazelGalerie in Brussels, Belgium and you can see a collection of his work here (flash).