Italian artist Pixel Pancho was recently invited by Underdogs to create a number of murals and other interventions in Lisbon, Portugal. One of my favorite pieces was this awesome collab with street artist Vhils (previously), known for his instantly recognizable “subtractive” style of etching imagery into walls. The steampunkish android holding a derelict boat was placed on a building next to the the Tagus river near where it empties into the Atlantic Ocean. Images courtesy Underdogs and Miguel Vinagre. (via StreetArtNews)
Butterfly. 25″ x 14″ x 22″ H. Legs: bike brake parts, pieces of windshield wipers, bike chains. Abdomen: old acetylene light tank. Thorax: car suspension part, small spoon parts, cream chargers. Head: headlights, bike parts. Butterfly trunk: clock springs. Hair: pieces of a typewriter daisy wheel. Antennae: brake cables, drawer knobs.
Rhinoceros beetle. 13″ x 11″ x 6″ H. Legs: bike brake parts, bike derailleur chain, bike chain ring. Head and horn: small bike brake, pieces of a typewriter daisy wheel. Antennae: small bike parts. Thorax: shoe tree, bike Luxor headlight. Abdomen: motorbike light, shell-shaped drawer handles.
Rhinoceros beetle, detail.
Three-spined stickleback. 34″ x 5″ x 13″ H. Body: moped fenders and chain guards. Bones: tablespoons. Gills: car door parts. Fins: cake tins, fish slices, compasses. Tail: motorbike silencer, fish slices. Eyes: flashlights. Head: Solex front fenders.
Moth. 31″ x 16″ x 7″ H. Wings: moped chain guards (rusted and patinated). Abdomen: motorbike headlights. Thorax: very old car headlamp. Legs: large upholstery tacks, car boot hinges, pieces of windshield wipers, bike brake parts, chain guards. Head: old rear position lamps, bike parts, pieces of a daisy wheel. Butterfly trunk: clock springs. Antennae: aluminium heating resistor.
Wasp. 11″ x 6″ x 16″ H. Abdomen: steel tips for boots, bike headlights. Thorax and head: steel tips and bells from bikes and typewriters. Eyes: vintage watch case. Antennae: spectacles arms. Legs: bike brakes, bike chain, spoon handles. Wings: glass.
Red ant. 25″ x 16″ x 9″ H. Thorax and head: sauce spoons, car parts. Eyes: marbles. Abdomen: bike or motorbike headlights. Antennae: small bike chains. Legs: cream chargers, brake parts, chains, alarm clock feet, spoon handles.
Dragonfly. 37″ x 49″ x 15″ H. Abdomen: patinated copper/brass bicycle pump, car horn part, parts of old acetylene bike lights (at the ends). Thorax: two motorbike rear lights, shell-shaped drawer handles, big upholstery tacks. Head: car or lorry old stop lights, parts of acetylene bike lights, parts of a daisy wheel for typewriter (hair from the mouth). Legs: tubes, bike cable guide, wing nuts, wire. Wings: umbrella ribs, wire, wire netting for hen coops.
When looking at these perfectly assembled sculptures by French artist Edouard Martinet (previously) it’s difficult to believe the raw materials he used ever existed in another form. Yet every head, thorax, leg, wing, and eye from these assorted creatures was once part of a car, bicycle, typewriter, or other found object. Reading through his material lists it becomes clear how completely thorough and judicious Martinet is in selecting the perfect objects to realize his vision, truly a master of his craft. Via Sladmore Contemporary:
His degree of virtuosity is unique: he does not solder or weld parts. His sculptures are screwed together. This gives his forms an extra level of visual richness – but not in a way that merely conveys the dry precision of, say, a watchmaker. There is an X-Factor here, a graceful wit, a re-imagining of the obvious in which a beautifully finished object glows not with perfection, but with character, with new life. Martinet takes about a month to make a sculpture and will often work on two or three pieces at the same time. It took him just four weeks to make his first sculpture and 17 years for his most recent completion!
If you want to see these new pieces up close, Martinet opens a new exhibition at Sladmore Contemporary in London, November 27 through January 31, 2014. You can see several additional new works on his website.
I’m really enjoying this series of stretched and interlinked classic cars by UK-based illustrator Chris Labrooy. Labrooy graduated from the RCA with an MA in design products and has since been using various 3D tools to explore the intersection of typography, architecture, product design and visual art. His has exhibited at the design museum in London and his work appears in numerous illustration and design publications. You can see more in his portfolio and over on Debut Art. (via Devid Sketchbook, Laughing Squid)
Even though I thought I could fully anticipate what this video would look like, I still wound up being delightfully surprised. Shot and edited by Joel Schat at the 2013 Balloon Festival in Albuquerque, New Mexico. (via swissmiss)
Chinese artist Zheng Chunhui recently unveiled this exceptionally large wooden sculpture that measures some 40 feet (12.286) meters long. Four years in the making, the tree carving is based on a famous painting called “Along the River During the Qingming Festival,” which is a historical holiday reserved to celebrate past ancestors that falls on the 104th day after the winter solstice. On November 14th the Guinness World Records arrived in Fuzhou, Fujian Province where the piece is currently on display to declare it the longest continuous wooden sculpture in the world. You can see many more photos over on China News. (via Shanghaist)
Korean artist Do Ho Suh (previously here) has just completed his largest artwork to date at Seoul’s National Museum of Modern and Contemporary Art. Titled Home Within Home Within Home Within Home Within Home, the giant installation represents two previous residences the artist lived in at 1:1 scale, one structure inside the built with jade-colored silk evoking the feel of a 3D blueprint. The smaller structure is a traditional Korean home where Suh grew up a child which he then suspended inside a replica of his first residence in the United States, a modern apartment building in Providence, Rhode Island. The piece is so large that visitors are invited to walk inside and virtually explore it which you can do through May 14, 2014. Learn more over at Lehmann Maupin and MMCA. (via My Modern Met, Wallpaper*)
The variety of the work is striking, yet even through their unique methods and mediums, the selected artists exhibit a desire to question traditional modes of artistic consumption. Here, notions of aesthetics and the politics of looking are always under scrutiny. Many of the works offer reinterpretations of art historical canon, simultaneously venerating and veering away from their antiquated source material. One senses a reverence for historical precedent, as well as a drive to reinvent contemporary ideas of artistic practice. Also of significance are the themes of fantasy and transformation. Through metamorphosis of the human figure (and the spaces it inhabits), these artists challenge preconceived notions of artistic authority, and pave the way for a new understanding of the impact of contemporary art.
Currently on view at this year’s annual Sculpture by the Sea in Bondi, Australia is this fun piece titled Diminish and Ascend by artist David McCracken. The welded aluminum stairsteps appear to create an infinite path into the sky, depending on the angle and/or the presence of clouds. Reminds me somewhat of Do Ho Suh’s piece Karma in New Orleans. Photos courtesy William Patino, Paul Davis, and Leighton Wallis.