Argentinean artist Alexandra Kehayoglou (previously) produces handmade wool rugs that appear like aerial snapshots of dreamy pastoral landscapes. Mimicking lush environments filled with trees and moss, her hand-tufted works can take up to several months to complete depending on size. One of her most recent pieces is a carpeted runway for designer Dries Van Noten made in collaboration with artist Danish artist Olafur Eliasson. Another piece, titled No Longer Creek and curated by Artsy, was included at this year’s Design Miami/ Basel from June 14-20.
You can take a look at more of Kehayoglou’s tufted wool landscapes on Instagram, Artsy, and on her website.
Chilean textile artist Serena Garcia Dalla Venezia creates thoughtfully composed arrangements of hand-sewn fabric balls, producing texture and depth by grouping together dozens of differently sized and shaped spheres. Appearing almost like organic growths, her works seem to be transforming before your eyes, which makes sense when you consider her fascination with accumulation and chaos. You can see more of Venezia’s smaller works and large-scale installations on her website. (via The Jealous Curator)
Italian artist Francesco Camillo Giogino, also known as Millo (previously), is known for his site-specific street murals that adorn buildings with a cast of curious characters painted in primarily black and white. Millo adds subtle color to his works, highlighting hearts, thermometers, and vegetation with shades of red and green. His most recent mural (seen above) is titled In Bloom and was painted in Milan. You can see more of his murals on his website, and on Facebook.
German artist Felix Jaensch has an uncanny ability to translate the ruffle of parrot feathers or the lumpy fur of orangutans into lifelike LEGO sculptures. He shares many of his original designs on Flickr and a few pieces including the red fox are available is DIY kits through MOC Nation. He’s also trying to get support on LEGO Ideas for his guinea pig design. (via Matt’s Brick Gallery)
Liz West is no stranger to multi-colored environments, previously covering the floor of an historic UK church with dazzling reflective orbs. Her latest project, Our Colour, is located at this year’s Bristol Biennial and gives the audience the feeling of being dropped into the center of a rainbow by flooding a long hallway with a series of gel-filtered lights. The work changes from a deep violet to an ecstatic red, allowing one to traverse through an immersive collection of colors.
The installation was designed with a human’s psychological and emotional response to color in mind, as West consulted experts in human perception during the development of the work. While observing the audience’s reaction to the piece she has learned that often after traveling through the spectrum of colors they return to the color they find most comfortable—pausing a moment to absorb their favorite shade.
If slowly scrolling through this post isn’t enough to get the sensation that you are traveling through West’s rainbow-filled work, see the piece for yourself through September 10, 2016. (via Designboom)
It’s been awhile since we’ve written about Meg Hitchcock‘s work (previously), first covering her practice in 2011 when she spent 135 hours gluing tens of thousands of individuals letters from the Koran to transcribe the Book of Revelation from the Christian New Testament. Hitchcock continues to produce religious-based text works that dissect the word of God, discouraging her audience from a literal reading by ignoring punctuation and spacing in the sentences she forms. Recently her text drawings have become a bit more figural, forming feet, scarves, and niqabs on paper with thousands of sourced letters.
“The labor-intensive aspect of my work is a meditation practice as well as an exploration of the various forms of devotion,” said Hitchcock in an artist statement. “A long history in evangelical Christianity formed my core beliefs about God and transcendence, but I later relinquished the Christian path. I now gravitate toward Eastern Mysticism, and am deeply moved by Islam. My work is a celebration of the diverse experiences of spirituality and the universal need for connection with something greater than oneself. In the end, the holy word of God may be nothing more than a sublime expression of our shared humanity.”
Hitchcock’s work is currently presented in the group exhibition “This is Not a Book” at the San Jose Institute for Contemporary Art through September 11, 2016. (via Booooooom)