Munich-based artist Veselka Bulkan (previously) continues to craft these whimsical veggies that dangle from embroidery hoops. Each piece is an amalgam of embroidered leaves affixed to felted carrots, beets, radishes and other colorful roots. Bulkan sells many of her creations via her online shop, Little Herb Boutique, and you can see her process on Instagram. (via Illusion)
All images via Ali Alamedy
Turkey-based artist Ali Alamedy had been building miniature sets for seven years when he came across documentation of Charles Miner's photography studio from the early 1900s. Inspired by the way sunlight was used to illuminate studio sets, Alamedy decided to build his own version in 1:12 scale. The project took him over nine months, using hundreds of feet of wood, and building more than 100 miniature objects designed specifically to fit the era.
Due to few images being available of photography studios at that time, Alamedy read extensively to figure out what tools, techniques, styles, and colors were used within the studios (all images were in black and white). One of the hardest challenges during the completion of the model was the camera, as each fold in the bellow in real life is just 3 cm. The final 1:12 scale camera has 124 2 mm folds that were all meticulously created by hand.
You can take a look at more of Alamedy’s miniature scenes on his Instagram and Facebook. (via PetaPixel).
Embroidering rackets rather than swinging them, Danielle Clough (previously) uses thick thread to create multi-colored images of aloe and other fauna on vintage tennis rackets, the strings acting as her loom. Recently the Cape Town-based artist and designer was commissioned by Vans to embroider four pairs of shoes—a task that lead to kicks decorated with kiwis and pears, Pussy Riot, and a rat seen below.
Clough has also begun to embroider on fences, taking her craft to public arenas such as this years Upfest where she will be completing her first public street art embroidery. You can see more detailed images of her work on her Instagram, and a behind the scenes look at her process on her blog.
Brighton-based artist Charlotte Bailey was fascinated by the traditional Japanese mending technique called kintsugi, where a broken ceramic object is repaired with gold, silver or platinum, to accentuate the damage and ‘honor’ its history. In this interpretation, Bailey utilizes an embroidery method to reassemble a broken vase—a sort of hybrid between kintsugi and darning with a beautiful result. She first wraps each broken piece in fabric and then uses gold metallic thread to painstakingly patchwork the pieces together. While the process isn’t meant to make the vase functional again, it does produce a striking sculptural object. We’d love to see many more of these. You can follow more of her embroidery work on Facebook.
Update: Artist Zoe Hillyard has been using a similar technique to create ceramic patchwork since 2010.
Jardin, 2016. Japanese mulberry paper, gilt edged paper. 27.5″ x 34.25″ x 2.5″
Working with compact rolls of Japanese mulberry paper in a myriad of colors, artist Lisa Nilsson painstakingly creates anatomical figures and textile patterns using a centuries-old technique called quilling. In her latest artworks Jardine and Gospel, Nilsson was inspired by the patterns of an Islamic carpet and an 8th century gospel cover. The carpet piece alone was nearly 8 months in the making as she created ornate figures of flowers, stars, and other patterns to fill a 27″ by 34″ inch frame, much of which was improvised as she worked outward from the center. For Gospel she in incorporated bright gilt edged paper to mimic the actual gold used for traditional religious book covers.
You can see more views of these artworks on Nilsson’s website, and she was recently intereviewed about the new pieces on All Things Paper.
Gospel, 2016. Japanese mulberry paper, gilt edged paper. 19 3/8″ x 22 3/8″ x 2 3/8″
Still the sky was blue
LA-based artist Michelle Kingdom continues to impress with her masterful command of thread and needle. Her stitched tableaus and landscapes depict individuals caught in the middle of intriguing yet ambiguous situations like something out of a dream, with characters lost in worlds out of their control or in the process of searching for meaning. She shares about her process:
Decidedly miniature in scale, the scenes are densely embroidered into compressed compositions. While the work acknowledges the luster and lineage inherent in needlework, I use thread as a sketching tool in order to simultaneously honor and undermine this tradition. Beauty parallels melancholy, as conventional stitches acquiesce to the fragile and expressive.
You can explore more of Kingdom’s work on her Tumblr and Instagram. (via Lustik)
It had already become the past
Tomorrow will insist
Because reality takes shape in the memory alone
Here we can whisper
Some imagined future
Promises cannot obscure the sun
Truth breaks a thousand times