Inspired by our perception of flattened images, Korean designer Jongha Choi decided to build a set of furniture that collapses into two-dimensions, conveniently hanging on the wall when not in use. These tables and chairs were produced for his thesis at Eindhoven Design Academy in The Netherlands, and are collectively titled De-Dimension.
“In our current situation, in which modern society experiences the image, in relation to advertising, image circulation and the internet, why do we not question an image’s confinement to a flat surface,” said Choi in his thesis. “Why don’t we try to get more stereoscopic and attempt for direct experience with the image. My question started with this point, and I tried several experiments in order to realize this idea from a personal point of view.”
You can see the collapsible models in action below and read more about Choi’s project on his website. (via Twister Sifter)
Graphic designer Matt W. Moore has always been attracted to the infinite possibilities of mandalas, spending a great deal of time producing graphically-oriented grids on both canvases on walls. When Moore had the chance to take an artist residency in Eden, Utah he decided that he would like to reconsider the motif, gathering elements found scattered on the mountains and nearby valley. The result of his foraging is a series of neatly organized designs, concentric elements composed of bark, cattails, shale, and river stones.
“At first it felt like playing caveman Tetris, somewhat of a flashback to building block castles I made as a child, but as the configurations evolved to be more complex I very much felt like a graphic artist or bricklayer, every measurement had to be dialed and every pebble or twig needed to be carefully placed,” said Moore in a description of the project. “By the end of the series it no longer felt like assemblage art, instead it was more of a painterly process, with the palette to my left and my paintbrush replaced with elemental expressions and flourishes, kind of like painting with mother nature’s paintbrush.”
You can see Moore’s painted mandalas on his website and see a selection of both his natural and graphic work on his Instagram. (via Synaptic Stimuli)
Using public street fixtures as printing elements, the artist collective behind Berlin-based Raubdruckerin (pirate printer) produces shirts and bags imprinted with manhole covers, vents, and utility grates. The overlooked geometric patterns and typographic forms of urban signage make surprisingly nifty graphics for shirts. The collective applies ink directly to the streets and prints on-site in locations like Amsterdam, Lisbon, and Paris and then sell their creations through an online shop. It would be amazing to see something like this come out of Japan. (via Quipsologies)
Artist Rosa de Jong continues to explore the spacious confines of glass test tubes by erecting impossibly small buildings, trees, and other inhabitable structures inside of them. For her series titled Micro Matter the Amsterdam-based artist uses traditional model-making materials and her own handcrafted structures that she suspends inside scientific instruments. You can see some of her latest sculptures on Behance, and she may eventually start selling some of her pieces online, so be sure to signup for an alert.
The Perch Light by London-based architect and designer Umut Yamac sits perfectly at the intersection of form and function: the bird-shaped light is made to look like a folded origami creation that’s illuminated from the inside. Made from actual synthetic paper, the elegant light is counterbalanced and rocks back and forth at the slightest touch or disturbance in the air. Yamac originally designed the light in 2014 as a limited edition of 20, but recently created a new chandelier-style configuration called the Perch Light Family for Moori that launched at Salone del Mobile in Milan. (via Cool Thing of the Day)
Built in Buenos Aires as a performing arts theater in 1919, El Ateneo Grand Splendid's content has undergone several revisions, with its current purpose being a 21,000 square foot bookstore. Despite the switching of functions, the architecture has remained true to the early 20th century vision of Peró and Torres Armengol, the building still boasting ornate frescoed ceilings and detailed trimmings that line the ceiling, handrails, and walls.
The stage and balcony seating is also intact, the spaces now used as reading areas where guests can peruse the store’s many books in front of thick velvet curtains. These attributes were almost destroyed in 2000 when the building was slated for demolition, however before the historic theater could be taken away it was leased to Grupo Ilhsa who built out the bookstore. Now over 1,000,000 people walk through Al Ateneo Grand Splendid’s doors annually keeping the tiered theater very much alive. If you liked this, also check out the Waanders in de Broeren bookstore built inside a cathedral. (via Twisted Sifter)