All images via Reverse Innovation
Combining two of my favorite winter (or rather any season) activities is the project Librottiglia, a newly designed set of wines which feature short stories built into their labels. The texts are printed on textured paper stock, minimally designed, and secured to the bottle with a single piece of twine, providing an alternative to both digital methods of reading and traditional books. Not only are the selected works aesthetically matched to the bottle, but the content is also curated to align with the taste profiles, the characteristics of the work conceptually paired to each blend.
Three writers were selected to contribute to the project, each bringing their unique style to their matched wine. Journalist and satirist Danilo Zanelli contributes the mystery “Murder” to a Roero Arneis, “The Frog in the Belly,” a fable by Patrizia Laquidara is paired with an Anthos, and Regina Marques Nadaes’s love story “I Love You, Forget Me” compliments the winery’s Nebbiolo Roero.
The project is a partnership between the product design agency Reverse Innovation and Italian winery Matteo Correggia, and is named based off of the Italian translations of the words book (libro) and bottle (bottiglia). You can learn more about the project on Librottiglia’s website. (via designboom)
As part of her ongoing series titled My Old New Chair, visual artist Tatiane Freitas repairs broken wood furniture by replacing the missing pieces with translucent acrylic. Much like the Japanese practice of kintsugi or medieval parchment repair, her designs restore functionality to the chairs while acknowledging the history of each piece. One chair from the series was recently included in the Clairvoyance exhibition at Guy Hepner in New York, and you can see more of her latest work on her website and Instagram. (via Dark Silence in Suburbia)
Side note: did you know the country of Sweden offers tax breaks to people who choose to repair household appliances and bicycles instead of throwing them away?
“Tail Chair” (2005), wood chair and lacquered wood, 100x150x200 cm, images courtesy of Tatiana Blass
In an installation titled Tails from 2006, Tatiana Blass (previously), presented several wooden chairs and other sculptural objects that seem to melt into the ground. The works merge with the floor through additions of specifically cut lacquered wood or fiber glass, solid forms that give the illusion of both brightly colored and woodgrain patterned liquid. The Brazilian artist is represented by Galeria Millan in Sao Paulo. You can see more of her past and present works on her website.
“Tail Chair” (2005), wood chair and lacquered wood, 100x150x200 cm
“Sofia” (2006), wood and lacquered painting, 200x180x150 cm
“Golden Cashew” (2006), wood chair and lacquered wood, 100x150x200 cm
“Tail #2” (2005), acrylic ball, lacquered wood, and fiber glass, 40x180x150 cm
Installation view, “Tails,” (2006)
Designer Alec Thibodeau just unveiled his newest letterpress-printed lunar calendar design for 2017. The calendar is calibrated for the Eastern time zone but is accurate to within a day for anywhere in the Northern Hemisphere. The piece was designed, drawn, and printed in Providence, Rhode Island with help from DWRI Letterpress. Limited edition prints are available through Thibodeau’s website. (via This Isn’t Happiness)
Last year we were thrilled to discover this little paper world constructed by artist Charles Young who conceived of the idea as a 365-day creative project to explore different architectural forms through paper, every single day for a year. Except… it turns out he never stopped. The tiny paper metropolis has now grown to 635 buildings, many with moving parts that Young expertly animates and shares daily on his Tumblr. The entire papercraft city will be on view from November 10-26, 2016 at the NEoN Digital Arts Festival in Dundee, Scotland.
#1 (Grand Prize) Takayuki Fukada, Japan / All images courtesy IAPLC & Aquabase.
Since the 1990s, an intrepid group of aquascaping artists have gradually raised the bar of what’s possible with the design of a traditional aquarium. Using only natural elements, the aquariums you see here are years in the making to ensure plants and animals all exist in harmony while trying to achieve merits on an exhaustive list of aesthetic criteria. Over 2,000 participants from 60+ countries submit designs for the annual International Aquatic Plants Layout Contest (IAPLC) and here are some of our favorites from this year.
The 2016 winner was Takayuki Fukada (who also won last year’s grand prize) and you can see more photos on Facebook courtesy André Albuquerque of AquaA3.
#2 Chao Wang, China
#3 Junichi Itakura, Japan
#4 Katsuki Tanaka, Japan
#5 Adriano Montoro Nicácio, Brazil
#6 Yoyo Prayogi, Indonesia
#12 Yi Ye, China
#14 Yanfei Qian, China
#18 Wei Chen, China
#19 Yucheng Pan, China
#21 Hoai Nam Vu, Vietnam
#27 Juan Puchades Rufino, Spain