Designer David Graas recently released this great lighting object, a 3D-printed hood depicting a sprouting city that fits on top of an LED bulb. Titled Huddle, the light comes in both a pendant and floor version and is available in his shop. (via DesignTAXI)
For her diploma project at the École cantonale d’art de Lausanne in Switzerland, product designer Qiyun Deng created a beautiful set of utensils and and serving bowls made from bioplastic PLA, a material most often derived from vegetable fats, oils, or starches. Titled Graft, the delicately crafted design of each piece serves as a reminder of the biodegradable materials used to create them: a celery stem becomes a handle for a fork, a stalk of fennel becomes a knife, a slender carrot a spoon.
While Graft is just a concept at this point, I imagine these could sell extraordinarily well given the right price. But could you actually bring yourself to toss such a beautifully designed object in the compost bin? Learn more over on Deng’s website. (via THEmag)
Self-taught chef Rhiannon over at Cakecrumbs has been working on a fun series of planetary cakes that are designed to be scientifically accurate with different types of cake representing various layers within Earth and Jupiter. For her Jupiter Cake the center is the theoretical rock/ice core (mudcake), followed by a layer of liquid metallic hydrogen (almond butter), and finally the liquid molecular hydrogen (colored vanilla). She layered her Earth Cake similarly and finished it off with some absurdly detailed continent design made with marshmallow fondant.
Due to high demand she just posted an extremely detailed tutorial including a video that explains how to make spherical concentric layer cakes. Which is now a thing. That I will have at my birthdays now and forever. (via I F’ing Love Science)
For the last thirteen years Serpentine Gallery has invited a guest architect to design a temporary structure on the London gallery’s front lawn. In what is billed as “the most ambitious architectural program of its kind worldwide,” designs have come from such visionaries as Ai Weiwei in 2012 and Frank Gehry in 2008. This year, Japanese architect Sou Fujimoto (who at 41 become the youngest to accept the invitation) constructed a large network of 20mm steel poles and latticed metal that covers an area of 3,800 square feet.
While the white pavilion is impressive in its own right, the gallery further commissioned London-based United Visual Artists to create a network of LED lights that are meant to mimic the natural forms of an electric storm. At night the normally grounded structure becomes an electrified geometric cloud that flashes and pulsates with light. The installation is further enhanced by an accompanied soundtrack of precisely timed soundbites including the buzzing of electrical plants, effectively creating an auditory effect of thunder. A somewhat similar intervention took place here in Chicago a few years ago when LuftWerk transformed Anish Kapoor’s Cloud Gate. (via Wired, Huffington Post)
Created in 2009 by Japanese artist Aki Inomata, these fantastic little cityscapes atop hermit crab shells were part of a body of work titled “Why not hand over a shelter to hermit crabs?.” Keeping the welfare of the animal in mind, Inomata studied the needs of the hermit crab to select a compatible shell and used a CT scanner to image the interior of sea shells so she could adapt her own miniature sculptures into suitable homes. The small buildings and skylines were then designed atop the plastic shell forms to mimic the architecture of various cities including New York, Tokyo, Bangkok and elsewhere.
As hermit crabs outgrow their shells it becomes necessary to find a new, larger home. With this project Inomata hoped to draw a parallel to our own need as humans to migrate or find shelter in a new city. Photographs of the final works were on display at Ai Kowada Gallery. (via designboom)
UK-based artist Mat Lucas works by day as a graphic designer and by night runs a Tumblr of experimental art called 89—A. Lucas tells me that many of his GIFs begin as a problem he’s facing while learning various graphics and video applications like Cinema4D, After Effects, and Photoshop. The byproduct of his experimentation are often ethereal geometric forms that pulsate, rotate and contract in various hypnotic patterns. Above are some of my favorite pieces but you can see much more here. If you liked this also check out the work of Matthew DiVito and Paolo Čerić.
For the last several years artist and illustrator Chandler O’Leary has traveled extensively around the U.S., documenting her travels in several sketchbooks. But where some people might jot down a few brief ideas, perhaps a detailed sketch or two, Chandler instead turns each spread into a fully realized watercolor artwork complete with notes, diagrams, and other minutiae that helps capture the essence of each place she visits. A graduate of RISD, she is also the proprietor of Anagram Press in Tacoma, Washington. You can follow more of her travels via her blog, Drawn the Road Again. (via Metafilter)