It goes without saying that nearly everything made with graphic design and video software was once produced using a physical process, from newspapers to TV Logos. But some TV stations and film studios took things even further and designed physical logos that were filmed to create dynamic special effects. Arguably the most famous of which is MGM’s Leo the Lion which first appeared in 1916 and would go on to include 7 different lions over the decades.
Recently, television history buff Andrew Wiseman unearthed this amazing behind-the-scenes shot of the Office de Radiodiffusion Télévision Française logo from the early 1960s that was constructed with an array of strings to provide the identity with a bright shimmer that couldn’t be accomplished with 2D drawings. The logo could also presumably be filmed from different perspectives, though there’s no evidence that was actually done.
Another famous physical TV identity was the BBC’s “globe and mirror” logo in use from 1981 to 1985 that was based on a physical device. After filming the rotating globe against a panoramic mirror, it appears the results were then traced by hand similar to rotoscoping. One of the more elaborate physical TV intro sequences was the 1983 HBO intro that despite giving the impression of being animated or created digitally was in fact built almost entirely with practical effects. You can watch a 10 minute video about how they did it below. (via Quipsologies, Reddit, Andrew Wiseman)
Update: It turns out the BBC Globe ident wasn’t rotoscoped or animated, instead it was recorded live using the Noddy camera system and the color was created by adjusting the contrast. Thanks, Gene!
Milan-based Yujia Hu is an artist and chef who really likes to play with his food. The 28-year-old’s newest invention is “shoe shi,” sneakers and other types of footwear crafted from rice, seaweed, and raw fish. The miniature kicks are mostly sneakers, but also include a few pairs of slip on sandals, and are each 100% edible. Every shoe takes Hu about 30 minutes to produce, and often finalizes the work by adding the logo of a recognisable brand such as Nike, Adidas, or Supreme. You can see more of his edible edible shoes on his Instagram and Facebook. (via deMilked)
With a single delicate black line, Berlin-based tattoo artist Mo Ganji (previously) creates the faces of intertwined portraits, the details of flying birds, and the forms of running animals. Each tattoo relies on an unbroken line that varies only slightly in thickness as it weaves in and out of each image, sometimes accompanied by a few accent dots. Seen here is a collection of pieces from the last year, and Ganji shares more new works on Instagram.
Inspired by his daily experience of life in the Pacific Northwest, artist and designer Greg Klassen (previously) fabricates one-of-a-kind tables featuring blue glass rivers, lakes, and waterfalls. The topographical studies mimic bodies of water seen from an aerial view, but the twisting blue pathways are often defined by the wood pieces he selects. While the majority of Klassen’s work serves as functional art, he’s also begun to create more isolated wood and glass sculptures mounted on walls.
Several of Klassen’s most recent tables are available through his online shop, and you can explore more pieces from the last few years on Instagram and Facebook.
Architects Bigert & Bergstrom recently unveiled Solar Egg, an egg-shaped wood-burning sauna that can seat up to 8 people. The project is part of an urban redevelopment effort lead by developer Riksbyggen in the northernmost city in Sweden called Kiruna. Standing 16 feet (5m) tall, the eye-catching egg is comprised of a pine wood interior and highly reflective gold plated steel panels that reflect the environment surrounding the sauna. In the center rests a heart-shaped sauna stove cast from iron. From Bigert & Bergstrom:
In the arctic climate of Lapland the sauna occupies a key position, as a room for warmth and reflection. B&B have taken up this tradition and developed a sculptural symbol that prompts thoughts of rebirth and an incubator that nurtures conversation and exchanges of ideas. The project is a continuation of the artist’s strategy to incorporate the climate into the experience of the artwork which was initiated with the Climate Chambers in 1994.
When not in use, Solar Egg can be broken down into 69 separate components which can be reassembled elsewhere, rendering the entire sauna completely mobile. You can learn more about Solar Egg here. (via Contemporist)
We’ve long marveled at artist John Edmark's (previously) kinetic objects that function as a medium to express a variety of mathematical formulas and concepts. The spiral-like sculptures often defy description and even when looking at them it’s hard to understand how they work, something he refers to as “instruments that amplify our awareness of the sometimes tenuous relationship between facts and perception.” The folks at SciFri recently visited with Edmark in his studio to learn more about how he works and to catch a glimpse of some rather unusual sculptures he’s created over the last few years.