Illustrator and animator Nicolas Monterrat (previously) has brought his wild imagination to historical photographs and artworks that he sets in motion and shares on Ello. The short animations blend images borrowed from old catalogues, newspapers, and textbooks with snippets of abstract footage to create collage-like images that range from humorous to downright terrifying. You can follow more from the Paris-based artist on Tumblr. (via Cross Connect)
The Pylos Combat Agate, an intricately carved 3,500-year-old sealstone discovered in a the tomb of a Greek warrior. All images courtesy of The Department of Classics, University of Cincinnati
More than two years ago researchers from the University of Cincinnati unearthed a 3,500-year-old tomb in the southwest of Greece. The tomb belonged to a Bronze Age warrior nicknamed the “Griffin Warrior,” and contained many treasures, such as four gold signet rings, that have challenged previous notions about the origins of Greek civilization.
Perhaps one of the most important and visually captivating finds from the tomb occurred a full year after its discovery. Researchers uncovered a carved sealstone no larger than an inch and a half wide. The “Pylos Combat Agate” meticulously displays two warriors engaged in battle with bodies strewn at their feet, with some details less than a millimeter wide. The carving is perhaps most astonishing because it predates artistic skills that were not associated with Greek civilization for another millennium.
“What is fascinating is that the representation of the human body is at a level of detail and musculature that one doesn’t find again until the classical period of Greek art 1,000 years later,” said Jack Davis, Carl W. Blegen professor of Greek archaeology at the University of Cincinnati in UC Magazine. “It’s a spectacular find.”
In a testament to the anonymous artist’s skills, it’s also worthy to note that magnifying glasses were not believed to be used for another thousand years. This ability and sophistication shows that the inhabitants of the area were creating art with an interest and knowledge of representational art not previously imagined. This new discovery, explained Davis and fellow dig leader Shari Stocker, is a catalyst to completely reevaluate the timeline and development of Greek art.
You can read more about the miniature carving and the Griffin Warrior’s tomb in UC Magazine. (via Neatorama and The History Blog)
Art historian, dealer, and BBC television host Philip Mould recently posted a video to his Twitter that reveals a gleaming 17th century painting hiding underneath two centuries of yellowed varnish. The protective finish is applied to protect paintings from wear, but over time will begin to discolor. In the short video Mould gently paints a solvent to remove this layer from the work’s surface, slowly brushing it away in circular strokes.
The only details known about the mysterious lady in red is from an inscription on the painting that notes she was 36 when the work was completed in 1618. You can watch Mould remove the last bits of varnish from the subject’s face in the short clip below, and follow more of his painting adventures on Twitter. (via Twisted Sifter)
Last published in 1978, The Wines of Gala is Salvador Dalí’s eccentric guide to wine grapes and their origin. Filled with over 140 appropriated artworks and collages collected and created by Dalí, the book is an equally surreal follow-up to TASCHEN’s reprinting of the artist’s cookbook Les Diners de Gala. In addition to Jean-François Millet’s The Angelus, which was a constant point of reference in Dali’s works, visuals include a Bacchus-like kitten, and a sort of tableau vivant featuring Dali himself.
In keeping with Dalí’s efforts to create artwork based on his emotions, memories, and dreams, the artist chose to organize the wines in the book by how they influenced his mood. The groupings are appropriately imaginative classifications including such section titles as “Wines of Frivolity,” “Wines of the Impossible,” and “Wines of Light.” A section in the book also outlines Dalí’s method of ordering wine by emotional experience, quoting the artist’s famous credo: “A real connoisseur does not drink wine but tastes of its secrets.”
The 296-page wine bible published by TASCHEN is now available for pre-order. (via It’s Nice That)
Cotton MS Vitellius C III is the only surviving Old English illustrated book describing plants and their uses. Recently the British Library, along with the Bibliothèque nationale de France, digitized the 1,000-year-old illuminated manuscript. The ancient book features illustrations of plants and animals alongside various bodily issues that can be treated by their use or consumption. For example, a snake is illustrated by the passage on sweet basil, an herb that has been known to help fight poisonous bites.
Despite the manuscript being an extensive guide, there have been questions posed by several scholars regarding the piece’s exact use.
“Although it might seem like a practical guide to finding plants and preparing remedies, this manuscript’s uses are debated,” explains the the British Library’s Alison Hudson. “First, the illustrations are not always very useful for identifying plants and animals in the wild: take, for example, these depictions of strawberries and elephants [seen below].”
You can flip through the entirety of the guide’s illustrations on The British Library’s website. (via Open Culture and Hyperallergic)
An important element of Ottoman architecture in Turkey was the addition of birdhouses affixed to the outer walls of significant city structures, a safe space for regular avian guests to nest outside of mosques, inns, bridges, libraries, schools, and fountains. The birdhouses were not simple concrete structures, but rather elaborate feats of miniature architecture that ranged from one-story homes to multiple-story bird mansions. Each was designed with a similar design aesthetic to the country’s larger buildings, simultaneously providing shelter to sparrows, swallows, and pigeons while preventing bird droppings from corroding the walls of the surrounding architecture.
In addition to providing shelter, the birdhouses fulfilled a religious vision. They were thought to grant good deeds to those that built the tiny homes. Through their abundance and care, the structures encouraged a love of animals in the Turkish public, citizens who adopted several nicknames for the homes over the years including “kuş köşkü” (bird pavilions), “güvercinlik” (dovecots) and “serçe saray” (sparrow palace).
Only some of these bird mansions remain today, however their place is firmly rooted in Turkish history. Nearly every city in the country contains examples of the bird homes, the oldest example, a 16th-century house attached to the Büyükçekmece Bridge, still surviving in Istanbul. (via Jeroen Apers)
A team of Turkish and Italian archeologists working on a site in southern Turkey discovered an interesting object recently, an ancient smiley face drawn on the side of an off white jug. The faded face is simplistically drawn, two black dots hovering over a crooked arch just below, and is so subtle it was not noticed until it had been transported to a lab for restoration.
“The smiling face is undoubtedly there (there are no other traces of painting on the flask) and has no parallels in ancient ceramic art of the area,” said Dr. Nicolo Marchetti of Bologna University, who led the excavation.
The crew had been at the site of its discovery for the last seven summers, an area that was once the ancient Hittite city Karkemish. The object is unlike anything else they have encountered in the area, however it was not the only important thing unearthed. The team also found 250 clay bullae, or tokens that would have been attached to legal documents, a large basalt relief of two griffons, and the remains of both a fortress and grain silo.
The architectural site will be open to the public next year as the Karkemish Ancient City Archaeological Park. You can visit the ancient smiley close by when it goes on display at the Gaziantep Museum of Archaeology. (via The History Blog)