Illustrator and graphic designer Simon Prades (previously here and here) creates illusion and intrigue through old school methods of illustration, choosing to loyally stick to pen and ink as his go-to medium. Despite choosing to clean up and sometimes color his work digitally, Prades’ physical mark making remains apparent, such as in the realistic details provided in his subjects’ faces.
The German illustrator tends to focus on select colors when creating work for clients such as The New York Times, The New Yorker, Rolling Stone, and The Atlantic, staying within a palette of bright greens and yellows, and muted blues. You can see more of Prades’ recent editorial work on his Instagram, Tumblr and Behance.
London-based tattoo artist Mike Boyd is a dedicated traveler, viewing the act as a necessary component to developing his style of cubist-focused tattoos. His bright and angular work features Picasso-like faces and segmented bodies, impactful tattoos that make it difficult to discern skin from canvas.
In case you aren’t interested in making a lifetime commitment to one of Boyd’s pieces, he has a series of limited edition prints available on his website. You can see more of his permanent work, as well as keep updated on his travels to various tattoo studios, on his Instagram. (via Illusion)
Artist Me Kyeoung Lee has spent the last two decades documenting the tiny convenience stores and corner shops that dot the streets of South Korea. She illustrates the stores, which are now quickly disappearing, with a dedication to the small details that make each unique. Mismatched chairs can be seen lined up out front, while tall cherry blossom or persimmon trees shade the buildings’ entrances.
Me Kyeoung Lee draws each of her illustrations with acrylic pens, and chooses to sketch each at noon to avoid the hazy shadows cast by early mornings or late afternoons. You can see more of her illustrated documentation on her website. (via Booooooom, Creative Boom)
Turkish art director and visual artist Hüseyin Şahin has an uncanny eye for combining disparate photographs into cohesive scenes, where technology, nature, and humankind collide. Sahin works with a variety of digital photographs which he then edits into collages that he shares on Instagram and Behance. (via ARCHatlas)
Produced between 2006 and 2009, Australian designer and illustrator Dan McPharlin's Analogue Miniatures are a marvel of papercraft. The tiny analogue synthesizers and pieces of recording equipment were pieced together with paper, framing mat board, string, rubber bands and cardboard, and appeared in everything from art shows to editorial spreads in magazines like Esquire. McPharlin is widely known for his retro sci-fi illustration work that appears on album covers and in limited edition prints, and he brings this aspect of fiction to these paper models as well. None of the objects are meant as exact replicas or recreations of real-life devices, but are instead speculative objects that draw aesthetic attributes from the audio technology of the 70s and 80s.
You can see many more pieces from Analogue Miniatures on Flickr. (via Strictly Paper)
Minneapolis-based artist Alex Kuno imagines a world of twisted organic beings that borrow elements of plant life, anatomy, and the natural world. The artist admits that his illustrations are likely to creep some people out, but purposefully includes ideas that highlight life and growth, creating a dichotomy of revulsion and delight as the viewer carefully untangles each artwork. The mixed-media drawings are made primarily using ink, watercolor, graphite and chalk. You can see more of Kuno’s artwork on Instagram and limited edition prints are available in his shop. (via Booooooom)