Over the last few weeks, Moscow-based artist and illustrator Nikita Golubev has taken to the streets to etch images of animals onto the sides of completely filthy vehicles. The reductive process involves creating “clean” spots by wiping or scraping his images onto the gritty surface of each car. You can see more from his “Dirty Art” series on Facebook. (via Twisted Sifter)
Each image created by Chinese illustrator Jin Xingye seems suggest a moment from an untold story, where people and creatures appear to share surreal, tender moments from within a larger narrative. You can see more of his recent work over on Behance. (via This Isn’t Happiness)
Illustrator and animator Anna Taberko (previously) continues to produce lovely kaleidoscopic animations that depict the blooming of flowers, the evolution of animals, and the flight of bees. Most of her pieces begin life as traditional hand-drawn cel animation before being digitized and turned into sequential loops. You can follow more of Taberko’s work on Instagram and GIPHY.
Moscow-based embroidery artist Lisa Smirnova (previously here and here) continues to stitch beautifully rich illustrations of people, capturing the subtle details of eyes, hair, and shadows, thread by thread. Smirnova brings an almost painterly quality to her embroideries that are each infused with bright splashes of color and occasional patchworks of materials. Collected here are a number of pieces from the last year or so, but you can find additional recent projects on Behance.
In this collection of illustrations titled Dones d’aigua (water women), Spanish artist and illustrator Sonia Alins depicts several women immersed almost completely underwater, just a head or foot poking out from the uncertain depths of cloudy liquid. A haunting tension emerges not only from the clever split view created by utilizing translucent paper to mimic water, but also from the slightly ambiguous situation of the figures. It’s not always immediately clear if the women are swimming or drowning. You can follow more of Alins’ work on Instagram or Behance, and a few of her pieces are available as prints. (via Supersonic)
Illustrator and graphic designer Simon Prades (previously here and here) creates illusion and intrigue through old school methods of illustration, choosing to loyally stick to pen and ink as his go-to medium. Despite choosing to clean up and sometimes color his work digitally, Prades’ physical mark making remains apparent, such as in the realistic details provided in his subjects’ faces.
The German illustrator tends to focus on select colors when creating work for clients such as The New York Times, The New Yorker, Rolling Stone, and The Atlantic, staying within a palette of bright greens and yellows, and muted blues. You can see more of Prades’ recent editorial work on his Instagram, Tumblr and Behance.