Artist Carine Khalife (previously) just completed work on this swimmingly beautiful music video for Great Headless Blank, the title track of a new EP from Makeunder. The video was created using a paint-on-glass method where each frame is lit from behind and photographed, a technique popularized by Russian animator Aleksandr Petrov. Khalife occasionally pushes the tactile aesthetic even further by allowing the film to transform into three dimensions using sculpted claymation. You can read more about the film’s premise on the Creator’s Project.
Catering to musicians and music lovers alike, Los Angeles-based company TAYBLES has created a functional piece of furniture that also acts as a nostalgic throwback to the time of homemade mixtapes. The trio of artists behind the company produces cassette tape coffee tables, each work crafted from hardwood and sealed with clear epoxy. Every table also comes with a classic cassette label affixed to the top, and LED lights hidden within the center of the mixtape’s holes. You can buy your own custom mixtape on the company’s Etsy shop 214Graffiti, and browse more designs on their website. (via So Super Awesome)
Remember the insane marble machine instrument that took the internet by storm a few months ago? The designer, Martin Molin of Wintergatan, just built two new instruments and recorded a video where he uses both to perform an original composition titled All Was Well. The first is a rather complex take on a traditional music box that uses punched paper-tape to control individual notes, and the second is something he calls a Modulin. The Modulin sounds a lot like an electronic theremin but seems to have an interface like a stringed instrument. Molin has also started releasing additional videos that explain how he built the music box. (via Digg)
We’ve long marveled at artist Maskull Lasserre's masterful ability to carve anatomical details into everyday objects. One of his recent sculptures, titled Improbable Worlds, is no exception. For this piece the Canadian artist split an old upright piano in two, slicing through every last component leaving only a single point of connection: a tiny wishbone carved from the wooden piano back. The visual tension created by the piece is astounding, let alone the head-scratching question of how he technically accomplished it, knowing that if the weight of the piano shifted just slightly the piece would snap in half.
You can see more of Lasserre’s recent artworks in his portfolio.
“Andante” was created by MIT’s Tangible Media Group as a way to promote an understanding of the way that music is rooted in the body, an experience that transcends more than just the ears. The group, led by Professor Hiroshi Ishii, gives physical form to abstract digital information, providing delightful visuals to more complicated processes.
In the animated experiment, human and animal characters were programmed to stroll along the keys of a keyboard, playing notes as they walk or dance from one key to the next. Despite the simplicity of the characters’ movements it is quite entrancing to watch each step, especially when a pianist begins to play a duet with one of the small figures. See the full visualization of the “Andante” in the video below! (via Booooooom)
Here’s a clever but of instrumentation and video work. Musician Steve-san Onotera, aka the Samurai Guitarist, recorded himself playing the Beatles’ Here Comes the Sun at an excruciatingly slow pace—almost 30 minutes to play the song once. He then sped the recording up 20 times and played it back, creating a sound that could easily be mistaken for some kind of modulated violin. Shooting during a sunrise was a nice touch. (via Kottke)