Starting with a recording of raindrops hitting the skylight in his old apartment, this track titled Order from Chaos from London-based artist Max Cooper‘s newest album Emergence is the culmination of three years work merging his interests in science, music and visual arts. French visual effects artist Maxime Causeret was asked to provide the visuals and the result is a mesmerizing blend of biological simulations and music video. Cellular forms appear to collide, merge, and even compete for resources while brain-like structures explode and crash across the screen. Cooper explains a bit of the science behind the art:
Maxime Causeret selected this track to work with, under the brief to map the emergent rhythm to an exploration of emergence in living form. His video shows the raindrops initially, then going into simple cellular forms and then showing the important idea of cooperation between simple cells to form more robust colonies of life. This develops into a visualisation of the idea of endosymbiosis, where simpler smaller organisms can live inside larger cells, each providing a benefit to the other, and eventually forming parts of the same organism as they evolve to be entirely dependent on each other.
Fullscreen, headphones, you know the drill. This is definitely worth getting lost in for a moment. You can listen to Cooper’s full album here.
Alexei Lyapunov and Lena Ehrlich are the two members of People Too, an illustrative team from Novosibirsk, Russia that draws elaborate scenes on pieces of sheet music. The colorful works capture both pastoral and urban landscapes, detailing vignettes of people fishing, dancing, and commuting. Musical notations from the songs are often incorporated into the illustrations—notes becoming steps, hills, or trunks of trees.
You can purchase the pair’s altered sheet music on Society6, as well as see a greater breadth of their illustrative portfolio on Behance. (via Lustik)
Artist Carine Khalife (previously) just completed work on this swimmingly beautiful music video for Great Headless Blank, the title track of a new EP from Makeunder. The video was created using a paint-on-glass method where each frame is lit from behind and photographed, a technique popularized by Russian animator Aleksandr Petrov. Khalife occasionally pushes the tactile aesthetic even further by allowing the film to transform into three dimensions using sculpted claymation. You can read more about the film’s premise on the Creator’s Project.
Catering to musicians and music lovers alike, Los Angeles-based company TAYBLES has created a functional piece of furniture that also acts as a nostalgic throwback to the time of homemade mixtapes. The trio of artists behind the company produces cassette tape coffee tables, each work crafted from hardwood and sealed with clear epoxy. Every table also comes with a classic cassette label affixed to the top, and LED lights hidden within the center of the mixtape’s holes. You can buy your own custom mixtape on the company’s Etsy shop 214Graffiti, and browse more designs on their website. (via So Super Awesome)
Remember the insane marble machine instrument that took the internet by storm a few months ago? The designer, Martin Molin of Wintergatan, just built two new instruments and recorded a video where he uses both to perform an original composition titled All Was Well. The first is a rather complex take on a traditional music box that uses punched paper-tape to control individual notes, and the second is something he calls a Modulin. The Modulin sounds a lot like an electronic theremin but seems to have an interface like a stringed instrument. Molin has also started releasing additional videos that explain how he built the music box. (via Digg)
We’ve long marveled at artist Maskull Lasserre's masterful ability to carve anatomical details into everyday objects. One of his recent sculptures, titled Improbable Worlds, is no exception. For this piece the Canadian artist split an old upright piano in two, slicing through every last component leaving only a single point of connection: a tiny wishbone carved from the wooden piano back. The visual tension created by the piece is astounding, let alone the head-scratching question of how he technically accomplished it, knowing that if the weight of the piano shifted just slightly the piece would snap in half.
You can see more of Lasserre’s recent artworks in his portfolio.