Self-taught photographer Darren Moore creates ethereal black and white landscapes using a method called daytime long exposure, where a special filters are attached to a camera lens to reduce the amount of light. These neutral density filters allow for the shutter to open for extended periods of time in broad daylight, from 30 seconds to upward of 15 minutes for a single exposure. Moore shoots mostly in locations around England, where he frequently visits causeways, breakwaters, shipwrecks, and other features along the shore.
You can see more of Moore’s photography over on Flickr and in his online gallery. He’ll also have work later this April in a group show at the Patchings Art Centre.
Broken Mirror/Evening Sky is a series of images by New York photographer Bing Wright who captured the reflections of sunsets on shattered mirrors. The final prints are displayed quite large, measuring nearly 4′ across by 6′ tall, creating what I can only imagine to be the appearance of stained glass windows. The series was on view early this year at Paula Cooper Gallery where you can learn more about the works, and you can see more on Wright’s website. (via Found Inspiration Moving Forward)
Every year tourists flock to Japan to capture the annual blooming of cherry blossoms, an event so thoroughly documented you can find online calendars that estimate the precise moment to visit each city around the country to catch the trees in full bloom. For Tokyo the optimal time must have been this morning when photographer Noisy Paradise snapped this breathtaking shot just at dawn over the Meguro River. Photo courtesy the photographer.
Sailing Hay Bales
Summer Toboggan Run
Isar Nuclear Power Plant
Stock of Wood
River Vils At Schalkham, Bavaria
Autumn In The Vineyard
Perched at the window of his Cessna 172, photographer Klaus Leidorf crisscrosses the skies above Germany while capturing images of farms, cities, industrial sites, and whatever else he discovers along his flight path, a process he refers to as “aerial archaeology.” Collectively the photos present a fascinating study of landscapes transformed by the hands of people—sometimes beautiful, sometimes frightening. Since the late 1980s Leidorf has shot thousands upon thousands of aerial photographs and currently relies on the image-stabilization technology in his Canon EOS 5D Mark III which is able to capture the detail of single tennis ball as it flies across a court. You can explore over a decade of Leidorf’s photography at much greater resolution over on Flickr. All images courtesy the artist.
Photographer Alberto Seveso (previously) just released a new series of ink plumes photographed underwater against a black background titled Blackground. The Italian photographer and illustrator now lives and works in Bristol, UK where he does commercial work for digital brands, magazines, and album covers. Seveso was also kind enough to let us use an image from Blackground as part of small Colossal design refresh for the next few months.
Artist Vik Muniz (previously here, here, and here) is known for his gigantic composite installations and sculptures created from thousands of individual objects. In this new collaboration with artist and MIT researcher Marcelo Coelho, Muniz takes the opposite approach and explores the microscopic with a new series of sandcastles etched onto individual grains of sand.
The process of getting a sandcastle onto a speck of rock was anything but straightforward and involved over four years of trial and error utilizing both antiquated and highly technical methods. Muniz first drew each castle using a camera lucida, a 19th century optical tool that relies on a prism to project a reflection of whatever is in front of you onto paper where it can be traced. The drawings were then sent to Coelho who worked with a number of microscopic drawing processes for several years before deciding to use a Focused Ion Beam (FIB) which has the capability of creating a line only 50 nanometers wide (a human hair is about 50,000 nanometers wide).
Lastly, Muniz photographed the final etchings and enlarged them to wall-sized prints. He shared with the Creator’s Project: “When someone tells you it’s a grain of sand, there’s a moment where your reality falls apart and you have to reconstruct it. You have to step back and ask what the image is and what it means,” a fascinating play on scale and perception. Watch the new video above from the Creator’s Project to see how the project came together.
The sandcastles are on view starting today as part of a comprehensive exhibition of Muniz’ work spanning the last 25 years at the Tel Aviv Museum of Art. (via The Creator’s Project)