For her latest photographic series titled Sand Creatures, Rotterdam-based photographer Claire Droppert hurled clumps of sand through the air and captured the peculiar shapes with a high speed camera. Looking at the final images it was hard not to see the abstract forms of animals and other creatures that emerged from the weightless plumes of sand. Droppert has been sharing the series on Instagram, and you can see more photography on her website. (via Colossal Submissions)
It goes without saying that one of the most ubiquitous sightings on the web are millions upon trillions of pet photos. Cat gifs, funny dog videos, puppy memes, and even an entire currency. But every once in a while an animal (or group of animals), paired with the right photographer, rises above the mammalian fray and enters the realm of art. We’ve seen it here on Colossal with the works of Carli Davidson, Seth Casteel, Theron Humphrey & Maddie, and Sonya Yu & Trotter. Enter the latest contenders: self-taught photographer Elke Vogelsang and her three dogs Noodles, Scout and Loli.
Based in Hildesheim, Germany, Vogelsang is a professional photographer who mostly shoots portraits of people and pets, but in her spare time spends plenty of time with her trio of rescue dogs who frequently find themselves in front of the camera. Two of the dogs are Galgo Español mixes and the youngest, Loli, is a bonafide mut. Regardless of their pedigree, Vogelsang has a knack for capturing the dogs at their most expressive moments, resulting in photos that are equally heartwarming and humorous.
Update: Vogelsang shares some tips with SLR Lounge on getting the most out of your pet photoshoot.
Momentum is a project by artist Alejandro Guijarro who spent three years traveling to the quantum mechanics departments of Cambridge, Stanford, Berkeley, Oxford and elsewhere to shoot large format photographs of blackboards just after lectures. Completely removed from the context of a classroom or laboratory and displayed in a gallery, the cryptic equations from one of the most formidable branches of physics become abstract patterns of line and color. Via the artist’s statement:
Before he walks into a lecture hall Guijarro has no idea what he will find. He begins by recording the blackboard with the minimum of interference. No detail of the lecture hall is included, the blackboard frame is removed and we are left with a surface charged with abstract equations. At this stage they are documents. However, once removed from their institutional beginnings the meaning evolves. The viewer begins to appreciate the equations for their line and form. Colour comes into play and the waves created by the blackboard eraser suggest a vast landscape or galactic setting. The formulas appear to illustrate the worlds of Quantum Mechanics. What began as a precise lecture, a description of the physicist’s thought process, is transformed into a canvas open to any number of possibilities.
Guijarro graduated from the Royal College of Art in 2010 with a MA in fine art and now lives
and works in both London and Madrid. He’ll have work later this year at PhotoEspaña. (via Not Shaking the Grass)
Facades is an ongoing series of work by French photographer Zacharie Gaudrillot-Roy that imagines a world where facades have been completely isolated from buildings. He shares of the project:
The façade is the first thing we see, it’s the surface of a building. It can be impressive, superficial or safe. Just like during a wandering through a foreign city, I walk through the streets with these questions: what will happen if we stick to that first vision? If the daily life of “The Other” was only a scenery? This series thus offers a vision of an unknown world that would only be a picture, without intimate space, with looks as the only refuge.
Our favorite photographer of everything creepy and crawly under the sea, Alexander Semenov, recently released a number of incredible new photographs of worms, several of which may be completely unknown to science. Half of the photos were taken at the Lizard Island Research Station near the Great Barrier Reef in Australia during a 2-week conference on marine worms called polychaetes. Semenov photographed 222 different worm species which are now in the process of being studied and documented by scientists.
The other half of the photos were taken during Semenov’s normal course of work at the White Sea Biological Station in northern Russia where he’s head of the scientific divers team. We’ve previously featured the intrepid photographer’s work with jellyfish (part 2, part 3), and starfish.
Somewhere on the southern tip of the Sinai Peninsula in Egypt, nestled at the foot of a desert mountain range, sits a peculiar sight that is almost completely out of place: hundreds of seats for an outdoor movie theater. Estonian photographer Kaupo Kikkas recently visited the desolate location and brought back these amazing shots of a decaying dream. He shares via his blog that the theater was built not too long ago by a man from France with considerable means. Tons of old seats and a generator were hauled in from Cairo, not to mention a giant screen that looked like the sail of a ship.
Everything was set for opening night, with one small problem. Kikkas says the locals weren’t particularly keen on the whole idea and decided to discreetly sabotage the generator. A single movie was never screened. So now it sits in the middle of a desert, a random movie theater that was never used. You can still see it on Google Maps. (via Lustik, Abandoned Geography)