Photographer Christoffer Relander (previously) just finished a new series of photographs titled We Are Nature using double and triple exposures that incredibly are all done in-camera with a Nikon D700. I love the direction his work is taking. See more on Behance.
You might remember Berlin-based photographer Bjoern Ewers for his role in art directing the Inside Instruments project for the Berlin Philharmonic that went viral a few months ago. His latest work involves a series of bubble photographs titled Orbital that capture the hypnotizing whorls of colorful soap film in contrast with a stark black background. If you’re interested in prints he has several over on Artflakes. (via behance)
The art of street photography has always fascinated me. It’s such a strange mixture of skill, perseverance, editing, and even bravery, yet still relies on these incredible coincidences that result in once-in-a-lifetime photographs. One great resource for street photography is iN-PUBLiC, a collective of 21 photographers including Jesse Marlow, Matt Stuart, Nick Turpin, and Nils Jorgensen among many others. They have a fantastic blog (RSS) you should subscribe to and a wonderful picture of the month gallery that goes all the way back to December 2001. Have fun!
By his own account London-based photographer Joel James Devlin has spent enormous amounts of time over the past few years examining and perfecting the effects of moving light through long exposure photographs. In the amazing photos above Devlin has experimented with lights on various bodies of water in a series called Light Waves and Dark Currents and the others are the result of 50-minute exposures of airplane trails over the skies of London. See much more on his website, and if you liked this also check out the work of Lee Eunyeol, and Barry Underwood.
These lovely, ethereal photos of mist-filled forests were captured by brothers Andrei and Sergiu Cosma of PhotoCosma who live and work in Romania. They plan trips together, light, shoot and process each image as a team, resulting in some truly remarkable perspectives. You can see much more of their work on 1x.com and in their very extensive gallery featuring a wide range of natural wonders. (via reddit)
I first discovered the gripping portraiture of accountant turned self-taught photographer Lee Jeffries back in December and have been following his journey ever since. His gritty and powerful portraits, most often of the homeless, have since appeared on CNN, Time and the Independant, and he’s even landed behind the camera from Olympian Sir Roger Bannister. Most recently he has a great interview over on 500px. I enjoyed this question:
Most of your portraits are closely cropped to reveal just the subject’s face. Can you explain your decision behind that?
It’s true… my images can be biased to front on views that closely frame the face. Processing in black and white reinforces the contrasts and shapes in the portrait. Infused with light and shadow, I make a conscious effort to place the emphasis on the relief of the face and the strength of the photograph lays in the emotional connection to the subject. I try to magnify the character… tell their story so that it is no longer possible for the viewer to remain indifferent. My photographs become an intimate and personal document which narrates a myriad of emotion.
Jeffries also has a number of prints now available through YellowKorner.