In this new short film, director Alex Gorosh walks us through next week’s total solar eclipse and explains why it’s so important to see it. The mix of archival footage, scientific explanation, and a brief outdoor simulation to demonstrate scale similar to his 2015 video about the solar system, all make a compelling emotional argument that this eclipse shouldn’t be missed. Just make sure you’re prepared.
Crown shyness is a naturally occurring phenomenon in some tree species where the upper most branches in a forest canopy avoid touching one another. The visual effect is striking as it creates clearly defined borders akin to cracks or rivers in the sky when viewed from below. Although the phenomenon was first observed in the 1920s, scientists have yet to reach a consensus on what causes it. According to Wikipedia it might simply be caused by the trees rubbing against one another, although signs also point to more active causes such as a preventative measure against shading (optimizing light exposure for photosynthesis) or even as a deterrent for the spread of harmful insects. (via Kottke, Robert Macfarlane)
MIT Media Lab's Tangible Media Group has created a system to fold materials into various origami shapes when inflated, turning specifically designed paper, plastic, and fabric into representations of swans, helixes, or other 3D figures with minimal human interaction. The project, aeroMorph, utilizes special software to program the geometry needed for each three-dimensional shape and exports the information as digital fabrication files. After this, specific markings are heat-sealed onto the provided material on a large robotic platform, allowing it to bend at specific joints when filled with a steady stream of air.
The creators believe aeroMorph could be applied to future wearables, toys, robotics, and automated packaging. You can see the results from several of the project’s self-folding experiments in the video below. (via Laughing Squid)
Photographer Franco Banfi and a team of scuba divers were following a pod of sperm whales when suddenly the large creatures became motionless and began to take a synchronized vertical rest. This strange sleeping position was first discovered only in 2008, when a team of biologists from the UK and Japan drifted into their own group of non-active sperm whales. After studying tagged whales the team learned this collective slumber occurs for approximately 7 percent of the animal’s life, in short increments of just 6-24 minutes.
The image, Synchronized Sleepers, was a finalist in the 2017 Big Picture Competition in the category of Human/Nature. You can see more of the Switzerland-based photographer’s underwater photography on his website and Instagram. (via kottke.org)
Artist and writer Chris Rodley utilized a deep learning algorithm to create these really lovely illustrations of dinosaurs composed of plants. The images were generated with an online service called DeepArt that lets you upload a “target” image and then apply a visual style to it. For step one he fed the network images of common dinosaurs and then applied the styles of 19th-century fruit engravings and botanical illustrations. The results are a sort of 21st-century artificial intelligence channeling Giuseppe Arcimboldo. You can read a bunch more about all the technical mumbo jumbo over on Sploid. (via Kottke)
If you’re like me, the only possible reaction to these recent photographs by marine biologist Alexander Semenov is “What is that? What is that?! WHAT IS THAT!?” Semenov is the head of the diving at Moscow State University’s White Sea Biological Station where he brings nearly a decade of underwater photography experience to a wide variety of research and exploration projects. He focuses mostly on invertebrate animals found in the Arctic ocean: squishy, wiggly, translucent creatures from jellyfish to worms found deep underwater, most of which have never been documented with such detail and clarity.
Semenov shares about his work in an artist statement:
My key specialism is scientific macrophotography in natural environments. This practice makes it possible to observe animals that cannot be properly studied under laboratory conditions, such as soft bodied planktonic organisms or stationary life forms living on the seafloor. My personal goal is to study underwater life through camera lenses and to boost people’s interest in marine biology. I do this by sharing all my finding through social media and in real life through public lectures, movies, exhibitions and media events.
Seen here are a collection of images from the last year including expeditions to the Southern Kuril Islands, the Southern Maldives, the White Sea, and the Mediterranean, but there’s hundreds of additional photos on Flickr.