Full Turn is a kinetic light sculpture by Benjamin Muzzin created as a diploma project for his bachelor degree at ECAL. The piece was constructed from two flat screen monitors placed back-to-back and spun at extremely high speed resulting in three-dimensional light forms that hover in thin air. Of the work he says:
With this project I wanted to explore the notion of the third dimension, with the desire to try to get out of the usual frame of a flat screen. For this, my work mainly consisted in exploring and experimenting a different device for displaying images, trying to give animations volume in space. The resulting machine works with the rotation of two screens placed back to back, creating a three-dimensional animated sequence that can be seen at 360 degrees. Due to the persistence of vision, the shapes that appear on the screen turn into kinetic light sculptures.
The folks over at MyLapse just created this fascinating glimpse of Barcelona using a technique that turns timelapse footage into a kaleidoscope, similar to the Mirror City video we saw back in July. Beautiful.
For the last decade, self-confessed tinkerer and “organic mechanic” Blair Somerville has owned and operated the Lost Gypsy Gallery, a sprawling menagerie of kinetic sculptures, automata, and electronic doohickies. Located in in a remote corner of New Zealand’s South Island, the gallery has become Somerville’s life work, a testament to artistic ingenuity, and an offbeat tourist attraction where visitors can experience first-hand his interactive “Fine Acts of Junk”.
Filmmaker Joey Bania takes us inside this enchanting yet totally bizarre wonderland in his new documentary short Lost & Found, funded in part by BBC Worldwide Young Producers’ grant. NSFW-ish language here and there.
In this new short from Marc-Antoine Locatelli, dancer Lucas Boirat is seen battling with various geometric forms of light that launch and morph as part of a carefully choreographed dance that marries human motion with motion graphics. It reminded me a bit of Proeigon. Gifs courtesy Vimeo.
As part of his ongoing effort to transform weapons into musical instruments, artist Pedro Reyes (previously) constructed a fully mechanized orchestra. Titled Disarm, the collection of eight new instruments were built through a collaboration with several musicians and Cocolab, a media studio in Mexico City.
The team acquired a variety of rifles, pistols, and shotguns seized from drug cartels by the Mexican army and used them to build the musical devices that are controlled by computers and can be pre-programmed to play music. In the video above the Creator’s Project recently sat down with Reyes to learn more about how he “transforms negative instincts into creative instincts.” It’s well worth a watch to see the instruments in use.
You can see more photos of Disarm over at Lisson Gallery in London where it debuted earlier this year. Additionally, many of the Disarm instruments will be at the Carnegie Museum of Art in Pittsburgh starting October 5, 2013 and the artist is also giving a talk on October 1st.
Directed and produced by Susie Sie in conjunction with CypherAudio, this short clip titled Cymatics shows what happens when when lycopodium powder (a highly flammable substance composed of clubmoss spores) sits on top of a vibrating stereo speaker. Shot at various angles with a 100mm macro lens it’s easy to mistake the footage for something digital, something the artist has explored previously with other materials in her videos Silk and Emergence. Recommend full-screen for this one.