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Created by California-based Roxy Russell, the Medusae Collection is a series of four pendant lamps designed to look like freshwater jellyfish. The lights are made from polyester mylar and measure nearly three feet in height. (via Puddle)
Haus in Schwarz (House in Black) was a 2008 public art piece by artists Erik Sturm und Simon Jung (previously) in the city center of Möhringen, Germany. The piece was meant as a farewell to the building which was slated for demolition, with the matte black paint acting as a sort of final curtain to an exterior that had recently been used by numerous street artists, shown above. Does anyone know what occupies the space today?
The foundation responsible for the construction of the famous Sagrada Família church in Barcelona recently released a video depicting what the final stages of construction will look like as nearly 150 years of building (and delays) finally wraps up in 2026. The breathtaking clip combines footage shot from a helicopter with computer-animated renderings to show what the basilica, designed by Antoni Gaudí, will look like. The structure is said to be “the most extraordinary personal interpretation of Gothic architecture since the Middle Ages.” Read more over on Co.Design. (via Design TAXI)
This is a great new mural by Polish artist and graphic designer Natalia Rak that was painted as part of the Folk on the Street art festival in Białystok, Poland. Rak is known for her extremely vibrant large-scale paintings, much more of which you can see on her blog. (via StreetArtNews)
London-based artist Leonardo Ulian (previously) has completed a new body of work titled Sacred Space. Inspired by Hindu and Buddhist symbolism, Ulian continues his exploration of technology and spiritualism with these carefully sculpted mandalas created with soldered computer and radio components. Via Beers.Lambert:
Ulian’s reflexive use of the geometrical mandala can also be seen as a nod to his ‘past-life’ as an technican, but through his application, Ulian divorces the electronic components from their origins, giving new life to these (now defunct) technological bits, creating a new type of hybridization that is equal parts spiritualization and contemporary critique: “We live in a society that worships electronic technology,” he states “both for necessity but also because it makes us feel better, not unlike its own new form of fashionable spirituality.”
Of particular note in this solo show is an amazing little three-dimensial bonsai tree titled Centrica Bonsai. If you happen to be in London, Sacred Space opens tonight at Beers.Lambert Contemporary. All photos courtesy Oskar Proctor.