I’m loving these digital paintings by artist YDK Morimoe who lives and works in Tokyo. (via vorkurs)
I have some pretty exciting news to kick off the week. About four months ago I received an email from an editor at Wired asking if I might be interested in writing for them occasionally. After mulling things over for a few seconds I decided I was extremely interested. I pitched my first few ideas and now in the December issue you can flip to page 80 and find a piece I wrote on figurative sculptor Evan Penny (previously). I can’t tell you how thrilled and honored I am to be contributing to one of my favorite magazines, and want to thank my editor, Sarah Fallon, for helping me learn the ropes. The article isn’t online just yet, but I’ll be sure to link it up soon.
In more news, I was recently interviewed by my good friend Philip Haritgan over on Hyperallergic. If you’re interested in how Colossal got started, about how I curate content, or if you’d like to see my son’s art blog debut, head on over. A huge thanks to Philip and the great folks at Hyperallergic for the opportunity!
A few minutes ago New Zeland-based Barefoot Dynasty launched their latest product: Happy Cloud Coasters. The coasters are made from Portugese cork, are dirt and water resistant, and come packaged in a fancy recycled paper box. Just a hunch, but I think they’re going to sell a gazillion of these.
The world of Spanish artist Dara Scully is filled with childlike fantasy, her photos blending the lines between fact and fiction, each loaded with rich narrative potential. Acting frequently as the protagonist, Scully places herself in a world where bicycles are strapped to hot air balloons, where she parties with miniature elephants, and has adventures rivaling those of Alice in Wonderland. I can only hope an enterprising children’s book publisher will reach out to her soon. Follow along via Flickr. (thnx, dara!)
Artist Bruce Munro has unveiled his latest light installation at Holbourne Museum in Bath. The field of more than 5,000 Christmas lights atop acrylic stems sprawls across the museum grounds intending to mimic the way a barren desert bursts into bloom after a brief rainfall. See much more over at the Daily Mail. (via notcot)
After graduating from the Tasmanian School of Art in 2002, Sean Edward Whelan left Australia to discover the mysteries of Japan, settling in Joetsu, Niigata where he began working as an English teacher and now works as an illustrator and artist. His lovely pencil drawings depicting a rich texture of traditional Japanese buildings, bridges and lanterns, create singular super structures in the shape of people. I can’t tell you how much I love these. Whelan had his first solo show earlier this year at No Vacancy Gallery in Melbourne, and you can see much more of his work here and here.
If you like these illustrations, you might also like the works of Vasco Mourao and Sagaki Keita. All images courtesy the artist.
Update: There’s now a nice interview with Whelan over on Charles and Ford.