From a very young age, mixed-media artist Samantha Bryan was obsessed with flight, and while she never became a pilot, it’s a passion she carried through school and into her artistic career as a sculptor. The central subject of her artwork is the creation of fairy-like aviators going about their daily lives, often riding in whimsical flying contraptions. Richard Foot and Arron Fowler of R&A Collaborations recently shot this great stop-motion profile of Bryan as she talks about her inspiration and creates a few of her delicately crafted pieces. (via The Kid Should See This)
Banksy just published photos of a new piece titled Girl with a Pierced Eardrum, a take on Vermeer’s famous Girl with a Pearl Earring, replacing the girl’s earring with an outdoor security alarm. The mural appears in his hometown of Bristol, UK where he last painted the Mobile Lovers piece earlier this year.
Spanish street artist Pejac (previously) just stopped by Istanbul where he painted three new trompe-l’œil pieces in the district of Uskudar titled Lock, Poster and Shutters. Painted with brushes, acrylic paint, pencils and sandpaper the works are located very close together are intended to represent the “perception and illusion of freedom.” He mentions the literal translation of Trompe l’oeil from French as “eye trap,” and says “in the case of these three windows, the trap works in both directions: from outside to inside and from inside to outside.”
Installed earlier this month on the western coastline of New Providence in Nassau, Bahamas, “Ocean Atlas,” is the lastest underwater sculpture by artist Jason deCaires Taylor (previously), known for his pioneering effort to build submerged sculpture parks in oceans around the world. Taylor’s cement figures are constructed with a sustainable pH-neutral material that encourages the growth of coral and other marine wildlife, effectively forming an artificial reef that draws tourists away from diving hotspots in over-stressed areas.
Towering 18 feet tall and weighing in at more than 60 tons, Ocean Atlas is reportedly the largest sculpture ever deployed underwater. The artwork depicts a local Bahamian girl carrying the weight of the ocean above her in reference to the Ancient Greek myth of Atlas, the primordial Titan who held up the celestial spheres. The piece was commissioned by B.R.E.E.F (Bahamas Reef Environment Educational Foundation), as part of an ongoing effort to build an underwater sculpture garden in honor of its founder, Sir Nicholas Nuttal. You can see a bit more over on Atlas Obscura and at the Creator’s Project, who are working on a documentary about the piece.
Update: Creator’s Project just published their coverage of Ocean Atlas.
Collage artist Eugenia Loli uses photography scanned from vintage magazines and science publications to create bizarre visual narratives that borrow from aspects of pop art, dada, and traditional surrealism. Loli’s background is almost as diverse as the imagery she employs, having been born in Greece and living in Germany and the UK before settling in California. She previously worked as a nurse, a computer programmer, and as a technology journalist, but has only recently found a calling in collage work with publication in numerous magazines since 2013.
Loli gives much of her work away as high-resolution files which you can download and print directly from hrt Flickr account for personal usage. She also has a collection of official, signed art prints available here. (via Asylum Art, iGNANT)
Furniture-maker-turned-sculptor James McNabb (previously) just opened a new exhibition of work titled Metros at Robert Fontaine Gallery in Miami. McNabb continues his exploration of architectural shapes using an improvised form of woodworking frequently described as “sketching with a bandsaw.” Without regard to the design or stability a true architect might utilize, he instead works with more abstract shapes cut from repurposed and exotic woods which in turn become component pieces for larger sculptures resembling wheels or tables. McNabb shares via email:
I compare hyperrealistic painting to fine woodworking. Both are slow, tedious, detail oriented process that require great care and consideration through every stage of making. In contrast, I compare my style of rapid bandsaw mark making to the fast paced nature of spray can art. It’s my attempt at “urban woodworking”.
Metros will be on view through October 28, 2014 and you can see more of McNabb’s recent work right here.