How do you advertise a life drawing course? You could photocopy posters from the last session for the umpteenth time and hang them on a wall, or maybe take out a tiny ad in the local paper and hope some people show up. Except that’s what we’ve been doing for decades. Creative duo Wriggles & Robbins decided to take a new approach in this brief clip advertising drawing courses at The Book Club in London. Using photographed stills of the students’ work-in-progress the team created this lovely stop motion video the that does an extraordinary job of capturing the energy, perspective and fun of a life-drawing class. Really cool, I wish it went on for another minute or so. (via it’s nice that)
These days I usually work with Thai Unryu [mulberry paper], but I have hundreds of papers in my studio from all around the world. I treat the paper almost as a pigment, layering colors one on top of the other to create different colors. My pieces are about a foot wide. Then I roll one layer on top of the other in all different thicknesses. I seal the roll with acid-free, archival glue stick, and then cut the long piece into sections with scissors or pruning shears. I have pruning shears of all different sizes to accommodate different widths.
Approach a sculpture by artist Diet Wiegman and you might be left scratching your head at this random assembly of trash and objects, but shine a light on this same pile of detritus and suddenly a perfectly formed shadow appears: the unmistakable form of Michael Jackson, Michelangelo’s David or even a faithful recreation of the Earth’s surface as it reflects off a metal tray. In no way limited to shadows, the the artists career which spans nearly 50 years (most of what you see above was created in the 1980s) has also involved ceramics, paint, and photography. Two other accomplished artists, Tim Noble and Sue Webster, have also created similar shadow sculptures, though most of these works by Wiegman appear to pre-date them a bit. You can see 38 light sculptures on his blog and read a bit more over on Alafoto. (via ignant)
Swiss photographer Pierre Pellegrini shoots some phenomenal long-exposure photographs of trees. The strong perspective and foggy atmosphere seemingly ever-present in his work creates images that are both beautiful and eerie. You can see hundreds more of his images over on Art Limited and on his personal website.
The work of Serbian-born artist Ana Kraš gained international attention beginning when she was a young girl. As a student in Belgrade without the benefit of computers, she often made prototypes and designs by hand, a habit informing her practice up to the present. Kraš’s approach to design is refreshingly simple – to make user-friendly objects requiring minimal production.
Approaching design this way allows her to focus on small details that add a playful twist to otherwise modest pieces. Kraš may be best known for her “Bon Bon” lamps, painstakingly made by hand, in a process that is a meditation to her.
In her film for The Avant/Garde Diaries, Kraš takes us into the private world of her creativity, her studio, her romance, and New York City itself, the metropolis she now calls home.
Artist Federico Uribe (previously here and here) just released a lovely new collection of work made from electrical and a/v cables called, appropriately, Contectado. Uribe works almost exclusively with multitudes of repurposed objects to create vibrantly colored sculptures and 2D artworks like this. Via Now:
Uribe creates sculptures which are not sculpted but constructed and weaved, in all kinds of different ways, curious and unpredictable, repetitive and almost compulsive. They follow the classics canons of figurative and abstract art, but the result is absolutely unusual, whimsical, of enormous efficacy and communicability. When observed from close, his works reveal various kinds of interpretations; they invite us to touch them, to discover the detail and connection between one element and another. When viewed form further away, they offer volumes, forms, textures and color. Distance, proximity and perception are key factors in the interaction between Uribe’s work and its viewers.
You can see many more artworks from this series on his website.
Italian sculptor Aaron Demetz (previously) will have several new figurative sculptures on view at Gazelli Art House in London starting March 28, 2013 as part of the show The Tainted with Korean sculptor Shan Hur. The new works continue to explore Demetz exploration of the human figure and show his incredible skill in carving wood. Via the gallery:
For The Tainted, renowned Italian artist Aron Demetz will present a new body of sculptures, which are a continuation of his long-standing fascination with the human figure. Working in wood, Demetz uses this material to highlight both the harmony and conflicts that exist between man and nature. These works are not only a reflection of human emotion but hark back to far more primitive origins of the first interactions between people and their surroundings.
The stark contrast between the smoothly carved figures and the eroded wood surfaces is absolutely amazing in these new works. See many more images from the upcoming exhibition at Gazelli Art House. (via global art news)
Artist CW Roelle lives and works in Providence, Rhode Island where he creates dense and detailed illustrations using carefully bent wire. While taking a life drawing course in 1997 Roelle was suddenly overcome with the urge to bend the lines he had already committed to paper. That night, and for many nights after, he began to recreate his line drawings with metal wire. You can see much more of his work over on Facebook, and he has some pieces available at 13FOREST. (via faith is torment)