The 2011 Christchurch earthquake was the largest natural disaster in New Zealand’s history, claiming the lives of 181 people and leaving behind nearly $30 billion in rebuilding costs. Touched by the events of that February day, photographer Fabrice Wittner set out to confront the destruction the best way he knew how: by making art. His Enlightened Souls project utilizes large, human-sized stencils that are painted with light during long exposures, creating thin portraits that appear almost like holograms. Many more images and process shots can be seen here. Images courtesy the artist. (via behance)
Hi-Fructose has a brief interview with artist Gehard Demetz as well as several exquisite photos of new work. Demetz carves almost lifelike wood sculptures of children that appear riddled with gaps and are often impacted with objects. The artist currently has work at the Venice Biennale through December 8th.
For the past year LA-based photographer Mark Laita has been traveling to various locations around the U.S. and Central America photographing some of the world’s most deadliest snakes, a series entitled Serpentine. Of the project he says:
The sensual attractiveness of snakes, which coexists with their threatening, unpredictable and mysterious nature is truly unique. This dichotomy, in which their beauty seems to be heightened by their danger, and vice-versa, is what I find so fascinating. Add to these contradictions the rich symbolism of serpents and you have a wonderfully compelling subject.
Laita works with collectors, breeders, zoos, and even anti-venom labs who let him photograph their snake collections. But as you can imagine snake handling can be dangerous work. Just last week on a photo shoot in Costa Rica, he tangoed with a Black Mambo (last photo), the longest venomous snake in Africa that can grow up to 14 feet long. So what kind of risk did you take at work today?
Another rarity on Colossal, digital art. These pieces by Adam Martinakis are definitely worth your time.