Salvador Dali, “The Ship,” 1942-43, watercolor on paper, remake by Justin Nunnink
Dante Gabriel Rossetti, “The Day Dream,” 1880, oil on canvas, remake by Tania Brassesco and Lazlo Passi Norberto
Four years ago, Booooooom creator Jeff Hamada asked the internet to join in on an art challenge to recreate their favorite old master paintings as contemporary photographs. The Remake Project sparked many professional and amateur artists to create elaborate sets, paint their bodies, paint their friends’ bodies, and take their own shot at works by artists from Dali to Magritte. This collection of original paintings and their contemporary counterparts has now taken the form of a book released through Chronicle Books titled Remake: Master Works of Art Reimagined.
The book features side-by-side page layouts of a selection of works from the original contest, displaying the photographic re-interpretations next to their old-world inspiration. Photographs range from the strikingly similar to loose interpretations, a grand spectrum of re-creations represented from the project’s open call. Remake: Master Works of Art Reimagined is now available in the Colossal Shop.
Rene Magritte, “The Lovers,” 1928, oil on canvas, remake by Linda Cieniawska
Ramon Casas i Carbo, “After the Ball,” 1895, oil on canvas, remake by Tania Brassesco and Lazlo Passi Norberto
Jacques Louis David, “The Death of Marat,” 1793, oil on canvas, remake by Adrianne Adelle
Edward Hopper, “Nighthawks,” 1942, oil on canvas, remake by Bastian Vice and Jiji Seabird
In a fantastic attempt at urban renewal, the government of Mexico recently collaborated with a group of local street artists called Germen Crew to paint a 20,000 square meter mural across the facades of 209 homes in the district of Palmitas in Pachuca, Mexico. The project was intended to bring about visual and social transformation by temporarily providing jobs and, according to some reports, reduce crime and violence in the neighborhood. You can see a few more photos of the endeavor here. (via StreetArtNews)
Joni Niemelä captures the moments within nature often looked over, the extreme details seen best through macro photography and an imaginative eye. One of Niemelä’s photographic obsessions is the carnivorous plant Drosera, more commonly known as the “Sundew,” a nickname which refers to droplets that collect on the plant similar to morning dew.
Sundews belong to the largest genera of carnivorous plants, including more than 194 species that lure, capture, and digest insects by using glands that cover their leaves. Through Niemelä’s macro photography he is able to zoom in on each dew-like drop, adding a mystical feel to the hungry plant.
Niemelä explains, “Sundews have always fascinated me, and I have been photographing these alien-like plants for several years now. My first first photo series ‘Drosera’ was mostly bright and vibrant, so I wanted to have some contrast to that in my second series of Sundews. I think the colors and the mood of ‘Otherworldly Blues’ reflect aptly the true nature of these carnivorous plants.”
You can see more of the Finish artist’s carnivorous plant and nature photography on his Instagram and Facebook page.
Street artist Blu (previously) just wrapped up work on this monumental mural on the streets of his new home in Rebibbia, Rome. The painting depicts a clump of technicolor greenery as it swallows the facade of a 7-story residential building, and is part of a series of works by a neighborhood group called “Mammut” that is trying to redevelop abandoned green spaces in throughout the city. You can see more photos of the new piece over at Gorgo Magazine.
Hey it’s Friday and it’s summer, so here’s Italian sculptor Valeriano Fatica carving an awesome dragon head out of a watermelon. I especially love how he accomplished the details of the scales that seem to gradually emerge from the flesh of the melon. You can explore a bit more of Fatica’s fruit and vegetable carving here. (via Laughing Squid)
All images @Brian Kane, photography by Nate Wieselquist and Simone Schiess
Created as a set of billboards along two Massachusetts highways, “Healing Tool” is a temporary public art installation by artist Brian Kane produced to temporarily relieve stress and promote introspection during one’s monotonous daily commute.
Kane’s digital billboards circulate between pictures of surrounding natural environments, creating “unvertisements” that promote nothing instead of shoving products, restaurants, and services in consumers’ faces from above. The piece builds upon a body of work Kane has been producing that places digital experiences into real world situations. “Healing Tool” is named after the Photoshop tool used to patch over errors in photographs, just as his project is patching over unnatural blips of landscape (billboards) seen from the highway.
The pieces change depending on the time of day. Daylight hours feature natural images of areas surrounding the billboards, while evening hours display high-resolution images of the moon and Milky Way that allow viewers a clear glimpse of the cosmos despite urban light pollution.
Kane explains, “By removing the marketing message from the advertising space, we create an unexpected moment of introspection. People are allowed to interpret an image based on their own experience, and not necessarily with the singular focus of the advertiser’s intent.” (via The Creator’s Project and Junkculture)
Far more than just popsicle sticks and yarn, Jay Mohler‘s Ojos de Dios or “God’s Eye” mandalas update the craft often seen at sleepaway camps and elementary classrooms. Upwards of 15 colors of yarn are included in his elaborate mandalas, producing pieces that span up to 48 inches in diameter.
Mohler has been crafting Ojos de Dios since 1966, inspired by both Huichol natives of Mexico, and monks from Tibet. The Asheville, North Carolina-based artist began making 8-sided pieces when they grew in popularity as folk art in the 1970’s American Southwest, selling them at tourist gift shops around Albuquerque, New Mexico. Most recently Mohler has been producing 12-sided works that he recognizes as potentially spiritual objects, but explains, “I create these for artistic satisfaction rather than as any sort of spiritual talisman.”
Not only does Mohler sell his own elaborate pieces, but he also creates DIY kits for fans to make their own work. You can buy both his finished pieces and kits on his Etsy page and find detailed instructions for making your own mandalas here. (via The Jealous Curator)