Comical Ceramic Figures Produced With Ancient Materials by Luciano Polverigiani 

South American artist Luciano Polverigiani creates ceramic objects that lay at the intersection of fine art sculptures and toys, figures that are designed with both a playful and thoughtfully considered eye. Each work is produced from various clays and mud, and then fired with eucalyptus wood in a gas kiln at the ideal temperature for vitrification. Although much of Polverigiani’s work is about experimentation with enamel and color glazes, the artist limits himself to materials that were readily available to ancient civilizations. You can view more of his ceramic figures on his Behance.

See related posts on Colossal about , , , , .

Super Satisfying Video of a Woodcarver Making ‘Fibonacci’ Spiral Shavings 

In this all too brief video woodworker Paul Sellers gives us a close-up view as he creates a number of ultra satisfying ‘Fibonacci’ spiral shavings. Between the soothing music, camerawork, and the mathematical perfection of each spiral as it rises from the wood, I could watch something like this all day. Somebody call somebody and turn this into an episode of Slow TV? (via Boing Boing, The Awesomer)

See related posts on Colossal about , , , .

Announcing the Winners of the 2017 A’ Design Awards & Competition (Sponsor) 

Tribeca Loft Residential Apartment by Andrew Franz Architect PLLC

The A’ Design Award & Competition is the world’s largest annual juried design competition. Each year the competition accepts entries from over 110 categories, including graphic design, fashion and apparel, photography, toys and games, furniture, architecture, and visual communication.

A’ Design Prize winners receive marketing services such as press release preparation and distribution, lifetime license to use A’ Design’s award winner logo, a public relations campaign, an award trophy, an exhibition of selected projects, and a gala night invitation.

Included below is a selection of some of our favorite preliminary entry winners.

Multi functional chair by Yi-An Hung, Yestudio

Into The Water (Women In Water Series) Series of artworks by Sonia Alins

Pasta Nikita Packaging by Nikita Konkin

DuoSkin On-Skin User Interface by Cindy Hsin-Liu Kao

Binhi Multifunctional Bench by Ito Kish

To learn more about the A’ Design Award & Competition, visit whatisadesignaward.com.

To register, visit competition.adesignaward.com/registration.php.

Miniature Power Line Towers Sprout from the Bristles of Toothbrushes by Takahiro Iwasaki 

Japanese artist Takahiro Iwasaki (previously) works with the finest bristles of toothbrushes and brooms to construct architectural structures as part of his ongoing series titled Out of Disorder (Brushes of World). Inspired by the industrial history of Japan, Iwasaki builds fragile radio towers, power lines, and other buildings by gluing tiny cut piece of brush filament cut from the objects open which they rest. The artist recently exhibited with URANO Gallery at Art Stage Singapore 2017, and you can see more of his miniature works on Artsy and Ocula Magazine.

See related posts on Colossal about , , .

Animals Etched onto Dirty Cars by Illustrator Nikita Golubev 

Over the last few weeks, Moscow-based artist and illustrator Nikita Golubev has taken to the streets to etch images of animals onto the sides of completely filthy vehicles. The reductive process involves creating “clean” spots by wiping or scraping his images onto the gritty surface of each car. You can see more from his “Dirty Art” series on Facebook. (via Twisted Sifter)

See related posts on Colossal about , , , .

An Intricate Cross-Section of the Brain Depicted With Thousands of Layers of Gold Leaf 

Self Reflected, 22K gilded microetching, 96″ X 130″, 2014-2016, Greg Dunn and Brian Edwards. The entire Self Reflected microetching under violet and white light. (photo by Greg Dunn and Will Drinker)

Self Reflected, 22K gilded microetching, 96″ X 130″, 2014-2016, Greg Dunn and Brian Edwards. The entire Self Reflected microetching under violet and white light. (photo by Greg Dunn and Will Drinker)

Taking nearly two years to complete, artist and neuroscientist Dr. Greg Dunn, along with his collaborator Dr. Brian Edwards, have mapped the neurons in the brain for a series of images titled Self Reflected. Produced through a technique they call reflective microetching, the two cross-disciplinary artists track the neural choreography in the mind, creating brilliant images that glow with a metallic luminescence.

The works depict a thin slice of the human brain at 22x the normal scale, each created through a combination of hand drawing, neuroscientific data, algorithmic simulation of neural circuitry, photolithography, strategic lighting design, and 1,750 sheets of 22k gold leaf.

“My work is neonaturalist, art based on natural forms and influenced by scientific advancements that allows us to perceive the universe beyond human senses,” explains Dunn in his artist statement. “Neonaturalism harmonizes unfamiliar scientific imagery and techniques with an experimental artistic scaffolding.”

Self Reflected was funded the National Science Foundation, and its first iteration is on permanent view at the Franklin Institute in Philadelphia, PA. Fine art prints and microetchings can be purchased on Dunn’s website. You can watch the work twinkle as it engages with a light source in the short video below. (via My Modern Met)

Self Reflected (detail), 22K gilded microetching, 96″ X 130″, 2014-2016, Greg Dunn and Brian Edwards. The brainstem and cerebellum, regions that control basic body and motor functions. (photo by Greg Dunn and Will Drinker)

Self Reflected (detail), 22K gilded microetching, 96″ X 130″, 2014-2016, Greg Dunn and Brian Edwards. The brainstem and cerebellum, regions that control basic body and motor functions. (photo by Greg Dunn and Will Drinker)

Self Reflected (detail), 22K gilded microetching, 96″ X 130″, 2014-2016, Greg Dunn and Brian Edwards. The thalamus and basal ganglia, sorting senses, initiating movement, and making decisions. (photo by Greg Dunn and Will Drinker)

Self Reflected (detail), 22K gilded microetching, 96″ X 130″, 2014-2016, Greg Dunn and Brian Edwards. The thalamus and basal ganglia, sorting senses, initiating movement, and making decisions. (photo by Greg Dunn and Will Drinker)

Self Reflected, 22K gilded microetching, 96″ X 130″, 2014-2016, Greg Dunn and Brian Edwards. The entire Self Reflected microetching under white light. (photo by Greg Dunn and Will Drinker)

Self Reflected, 22K gilded microetching, 96″ X 130″, 2014-2016, Greg Dunn and Brian Edwards. The entire Self Reflected microetching under white light. (photo by Greg Dunn and Will Drinker)

Self Reflected (detail), 22K gilded microetching, 96″ X 130″, 2014-2016, Greg Dunn and Brian Edwards. The visual cortex, the region located at the back of the brain that processes visual information.

Self Reflected (detail), 22K gilded microetching, 96″ X 130″, 2014-2016, Greg Dunn and Brian Edwards. The visual cortex, the region located at the back of the brain that processes visual information.

Self Reflected (detail), 22K gilded microetching, 96″ X 130″, 2014-2016, Greg Dunn and Brian Edwards. Raw colorized microetching data from the reticular formation.

Self Reflected (detail), 22K gilded microetching, 96″ X 130″, 2014-2016, Greg Dunn and Brian Edwards. Raw colorized microetching data from the reticular formation.

Self Reflected (detail), 22K gilded microetching, 96″ X 130″, 2014-2016, Greg Dunn and Brian Edwards. The pons, a region involved in movement and implicated in consciousness. (photo by Greg Dunn and Will Drinker)

Self Reflected (detail), 22K gilded microetching, 96″ X 130″, 2014-2016, Greg Dunn and Brian Edwards. The pons, a region involved in movement and implicated in consciousness. (photo by Greg Dunn and Will Drinker)

Self Reflected (detail), 22K gilded microetching, 96″ X 130″, 2014-2016, Greg Dunn and Brian Edwards. The parietal gyrus where movement and vision are integrated. (photo by Greg Dunn and Will Drinker)

Self Reflected (detail), 22K gilded microetching, 96″ X 130″, 2014-2016, Greg Dunn and Brian Edwards. The parietal gyrus where movement and vision are integrated. (photo by Greg Dunn and Will Drinker)

Self Reflected (detail), 22K gilded microetching, 96″ X 130″, 2014-2016, Greg Dunn and Brian Edwards. The motor and parietal cortex, regions involved in movement and sensation, respectively. (photo by Greg Dunn and Will Drinker)

Self Reflected (detail), 22K gilded microetching, 96″ X 130″, 2014-2016, Greg Dunn and Brian Edwards. The motor and parietal cortex, regions involved in movement and sensation, respectively. (photo by Greg Dunn and Will Drinker)

Self Reflected (detail), 22K gilded microetching, 96″ X 130″, 2014-2016, Greg Dunn and Brian Edwards. The midbrain, an area that carries out diverse functions in reward, eye movement, hearing, attention, and movement. (photo by Greg Dunn and Will Drinker)

Self Reflected (detail), 22K gilded microetching, 96″ X 130″, 2014-2016, Greg Dunn and Brian Edwards. The midbrain, an area that carries out diverse functions in reward, eye movement, hearing, attention, and movement. (photo by Greg Dunn and Will Drinker)

Self Reflected (detail), 22K gilded microetching, 96″ X 130″, 2014-2016, Greg Dunn and Brian Edwards. The laminar structure of the cerebellum, a region involved in movement and proprioception (calculating where your body is in space).

Self Reflected (detail), 22K gilded microetching, 96″ X 130″, 2014-2016, Greg Dunn and Brian Edwards. The laminar structure of the cerebellum, a region involved in movement and proprioception (calculating where your body is in space).

See related posts on Colossal about , , .

Page 2 of 8181234...»