Art

Hypnotic New Kinetic Sculptures by Anthony Howe

January 15, 2016

Christopher Jobson

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Di-Octo. All stainless steel kinetic wind sculpture. Silent operation. 25’6″h x 10’w x 4’6″”d (7.8m h x 3m w x 1.4m d) 1,600lbs (725kg)

Artist Anthony Howe (previously) continues to amaze with his gargantuan kinetic sculptures powered by wind or motors that cycle continuously through hypnotic motions that resemble something between the tentacles of an octopus and an alien spacecraft. Weighing up to 1,600 lbs (725kg), each artwork is first built digitally to test how it will move and react to the force of wind once fabricated in the real world. Seen here are three new sculptures titled Di-Octo, In Cloud Light III, and Switchback. You can see more recent work in his portfolio.

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In Cloud III. 7.6 meter tall all stainless kinetic wind powered sculpture. Engineered for extreme high winds yet spins in 2mph. (25′ h x 10’w x 5’d, 1,500lbs), shown here not on pedestal.

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Switchback. Gear motor powered, variable speed, all stainless kinetic sculpture for interior or exterior installation. 112″h x 60″w x 34″d.

 

 



Amazing

New-Generation Animators: Go Behind-The-Scenes With Three Animators Working by Hand

January 14, 2016

Christopher Jobson

For Colossal readers it shouldn’t be a surprise that we delight in seeing what artists and designers make with their bare hands, especially when it comes to animation. Monocle recently sat down with three top-notch animators who eschew digital animation in favor of stop-motion and other manual techniques. Go behind-the-scenes with Vera van Wolferen, Lucie Sunkova, and Daisy Jacobs (previously) as they talk about their process and animation techniques. For quick reference you can watch the films they’re working on in the interviews below.

 

 



Animation Art Photography

Dreamy Animated Light Paintings by Lucea Spinelli

January 13, 2016

Christopher Jobson

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NYC-based photographer Lucea Spinelli has a special appreciation for light and motion in her series of moving images titled Phōtosgraphé. She utilizes chairs, swing sets, and park benches as backdrops and props for luminous forms that seem to bounce effortlessly through the frame. In some pieces the light mimics the pathway of ghostly human figures while in others it sparkles like fireflies or expands like a rainbow. You can see more from the series here.

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Design

Functional Shelves and Tables Built From Fallen South American Trees

January 12, 2016

Kate Sierzputowski

"Bilbao (Treet Shelf)," native wood, stainless steel, and glass, 150”x50”x30”

“Bilbao (Tree Shelf)”

Artist and designer Sebastian Errazuriz allows natural form to dictate his furniture design, building shelves and tables that conform to the tree structures that inspire his work. Highlighting the tree’s shape as focal point, Errazuriz keeps his designs simple, placing only thin panes of glass to add the functionality needed for shelves or tabletops. The trees he incorporates into his designs are sourced from forests in South America, readapting their fallen branches while keeping the integrity of trees’ original shape (like the root system seen in his Tree Table below).

Although Errazuriz’s designs tend to be minimal, he is also fond of adding a dash of the absurd. “It’s important to me that a project consist of just a little twist,” he said, “because I ultimately want people to see the obvious, the everyday differently.”

The Chilean artist received his Master’s in Fine Arts from New York University and is currently based in New York City. Errazuriz is represented by Cristina Grajales Gallery and Salon94. You can see more images of his work on his Facebook and Instagram. (via My Modern Met)

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“Bilbao (Tree Shelf)”

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Bilbao (Tree Shelf), detail

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Bilbao (Tree Shelf), detail

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Bilbao (Tree Shelf), detail

"Metamorphosis Shelf"

“Metamorphosis Shelf,” carved wood, 2010 , 56 3⁄4” x 127” x 14 1⁄2”, edition of 12

"Metamorphosis Shelf"

“Metamorphosis Shelf,” carved wood, 2010 , 56 3⁄4” x 127” x 14 1⁄2”, edition of 12

"The Tree Coffee Table"

“The Tree Coffee Table,” native wood, stainless steel and glass

"The Tree Coffee Table"

“The Tree Coffee Table,” native wood, stainless steel and glass

"The Tree Table"

“The Tree Table,” native wood, stainless steel, and glass, 150”x50”x30”

"The Tree Table"

“The Tree Table,” native wood, stainless steel, and glass, 150”x50”x30”

 

 



Art

Fantastical Paintings of Animals Within Post-Apocalyptic Environments by Martin Wittfooth

January 12, 2016

Kate Sierzputowski

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Martin Wittfooth transposes the temperament we typically associate with large animals to those much smaller, painting foxes and birds as the heroic victors of this works while making larger animals much more passive and calm. Each of his paintings feature these creatures in environments that deviate from the peaceful surrounding we would expect—trash and decay littering the the ground while smog fills the sky.

“As a species we share a pretty significant degree of similar reactions to the natural world: there are forms in nature that we seem to have innate responses to,” said Wittfooth in an interview with beinArt. “Like a sense of awe or respect for large mammals, and revulsion for spiders and snakes. I’m interested in this kind of shared pattern recognition and instinctive responses. I’m pretty invested in trying to imbue my paintings with some sense of ‘presence’ and hence am working with subject matter that can impart an emotional reading of it, not just a rational (strictly observing) analysis.”

The Brooklyn-based painter’s work is included with 27 other artists fascinated with the wild form in the new book Juxtapoz Wild. You can see more of Wittfooth’s work on his Facebook page here. (via Juxtapoz)

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Art

Warped Human Forms Hand-Carved from Wood by Paul Kaptein

January 12, 2016

Christopher Jobson

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Perth-based artist Paul Kaptein works with large blocks of laminated wood to reveal warped and distorted human figures, some pierced with a smattering of holes linked with drawn lines like star constellations. The hand-carved busts and figurative sculptures are additionally punctuated by gaps formed from the laminating process, creating the impression of digital glitches or images skewed by poor reception. Kaptein says he’s interested in examining the undefined area between expansion and contraction, or interconnection and incompleteness. Even as the viewer walks around each piece, it continues to surprise as the warped nature of each artwork continues to push and sink in seemingly every direction.

Kaptein currently has work on view as part of an exhbition titled “Future Perfect” at Krause Gallery in New York through January 26, 2016, and you can see more in his online gallery. (via Booooooom, Designboom)

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Art

Painting in the Dark: The Struggle for Art in a World Obsessed With Popularity

January 11, 2016

Christopher Jobson

In the age of social media and the oversaturation of information, seeking recognition as an artist or designer can at times be a difficult, self-defeating effort. Creative individuals understandably have high expectations for the reception of their work, and hope for a public response that correlates with the labor spent on its production. In Adam Westbrook's new video essay we get a fantastic argument against the perceived value of modern popularity tied to social media likes and shares. Namely: the career of Vincent van Gogh.

Vincent van Gogh didn’t pick up a pencil with the intention of creating art until the age of 27, and the initial attempts weren’t particularly promising. Still, he persevered in the face of financial ruin, actual starvation, and crippling mental demons while sharing his paintings with an audience of exactly one: his brother Theo. Although his brother was rarely impressed, he continued to paint and create. Incredibly, it would be a full decade before Van Gogh sold his first painting or saw any sort of minimal success. Watch the video above to hear more about Van Gogh’s creative struggle along with some poignant thoughts about the creative process.

This is the third video essay in a series on creativity by Westbrook. See also The Long Game Part 1: Why Leonardo DaVinci Was No Genius and The Long Game Part 2: The Missing Chapter—also embedded below for quick viewing. (via Vimeo Staff Picks)