Fine art photographer Christopher Boffoli (previously) just released a new body of work as a continuation of his Big Appetites series where he imagines tiny people living in a world of giant food. Boffoli opens a new exhibition tomorrow night called Portion Control at Winston Wächter Fine Art in New York where he’ll also have a few copies of his forthcoming book Big Appetites. All images courtesy the artist.
Since launching early last year the popular video recording app Vine has found itself capturing the height of world conflicts, the candid moments of celebrities, and the whimsical short films of creative artists.
One such person is Twitter video producer Ian Padgham who maximizes the use of every fractional second permitted by Vine’s brief 6-second recording limit. A master of stop motion, he often relies on a small wooden artist’s model which he manipulates to create surprisingly humanistic motion—an extraordinary feat given the linear nature of Vine. Make one tiny mistake halfway through and your recording is ruined. No editing allowed.
Padgham used Vine to shoot everything from 360 degree panoramas of Alcatraz to absurdly detailed nods to Eadweard Muybridge. Flooded with comments from other users as to the animator’s secrets, he’s also shot a few ‘how to’ clips showing some of his techniques. (via laughing squid)
For the last month or so photographer Yume Cyan has been shooting some magical long exposure photographs of fireflies in a forested area around Nagoya City, Japan. By keeping the camera’s shutter open at a low aperture Cyan captures every bioluminescent flash of each insect resulting in dotted light trails that criss-cross the frame. You may remember a similar series of photographs also shot in Japan from back in 2011. You can see these a bit larger over on 500px.
Back to the Future is a documentary short about Argentinean photographer Irina Werning’s incredible photography project where she recreates cherished old photographs of people. I always assumed that Werning must be obsessed with details to take photos that so closely resembled images made decades earlier, but I didn’t expect the amount of labor that goes into making a single shot. From arranging the right wardrobe, to creating backdrops and perfectly mimicked bad lighting, let alone traveling to meet each of her subjects, each photograph is really a significant undertaking. Filmed by Jamie Jassett.
After months of too much work, planning, and sleepless nights I’m proud to announce the launch of the Colossal Shop, as well as the complete redesign of the Colossal Blog, and as if that weren’t enough, a shiny new identity created by design powerhouse Scott Reinhard.
First, the shop. For years I’ve been meeting artists, designers, and artisans I’ve encountered through articles on Colossal and while it’s been extraordinarily fun to gather their work here on the blog, it’s also been amazing to have their objects in my home. Through their encouragement and my own desire gather together some of my favorite designed objects, toys, and limited edition art pieces into an online store, the Colossal Shop was born. We’ll be adding many more things over the next few weeks so stay tuned.
Next, the new look. The old Colossal site was getting a little shabby as it was never designed to work on mobile devices and lacked a bit of polish. So I set about a redesign and while I was plugging away learned that Chicago designer Scott Reinhard had recently left a long stint at the MCA and was open for business. We chatted briefly and got to work. The new logo is big, refined, and very flexible, expect to see new interpretations of it all the time. Thanks Scott! The new blog itself is now equally flexible and can be viewed on almost any device. If you see any bugs or weirdness please let me know.
Now, back to work. I’m sorry posts have been almost glacial at times here on Colossal, things should pick up swiftly now. A huge thanks to Eric Hazen and developer Derek S. Moore for helping with some heavy content and development work the last few weeks.