Artist and camouflage extraordinaire Liu Bolin just opened a new exhibition at Galerie Paris-Beijing in Paris featuring a number of new works that depict the artist perfectly hidden amongst urban backdrops. Remarkably the effect is achieved without the use of special effects or Photoshop, rather Bolin is painstakingly painted head-to-toe by a group of assistants using photographs of the area behind him as a guide. “My intention was not to disappear in the environment but instead to let the environment take possession of me”, he says. Bolin’s intent is not to simply hide himself as an individual but suggests the works are statement regarding damage caused by economic and urban development. The show runs through March 10th. (via designboom)
Ontario-based graphic designer Andrew Knapp noticed that his 4.5 year old border collie, Momo, would always hide when fetching sticks instead of dutifully returning them. After photographing a few of the shots Knapp hatched an idea for a series of urban and rural landscapes with the dog hiding somewhere in the frame. He’s a well-camouflaged pup, definitely the ‘Where’s Waldo’ of the internet. You can follow Momo’s hide and seek adventures at GoFindMomo.com and on Instagram. (thnx, kate!)
As part of a promotional effort to promote a new line of lighting solutions, IKEA Portugal partnered with LIKE Architects to create this fun illuminated walkway in the Belém Cultural Centre in Portugal. The lamps are programmed to have oscillating intensities, with each light possessing a unique pattern that results in a sort of shimmering maze of bare lightbulbs. See much more over on Domus. (via yellowtrace)
It is one of my great regrets that I didn’t head up to New York over the last few weeks to catch Ann Hamilton’s groundbreaking installation, The Event of a Thread, at the Park Avenue Armory. Perhaps the only saving grace of not seeing it in person, or having not covered it on Colossal as coverage bounced around the web, is this gorgeous new video by my friend Paul Octavious who managed to catch a final glimpse of the installation before it closed last weekend. As visually stunning as it appears, I’m certainly left asking… “So what does it all mean!?” A field of swings suspended 70 feet in the air, a gargantuan white curtain attached to a network of ropes and pulleys, readers sitting at giant wooden tables reading to nearby pigeons. Via the Armory:
Visual artist Ann Hamilton combines the ephemeral presence of time with the material tactility for which she is best known to create a new large-scale installation for the Wade Thompson Drill Hall. Commissioned by the Armory, the event of a thread references the building’s architecture, as well as the individual encounters and congregational gatherings that have animated its rich social history. A multisensory affair, the work draws together readings, sound, and live events within a field of swings that together invite visitors to connect to the action of each other and the work itself, illuminating the experience of the singular and collective body, the relationship between the animal and the human. The address of the readers to the pigeons shifts at the end of each day, when a vocalist on the drill hall’s balcony serenades their release to flight. Each day’s song is cut with a record lathe, and the resulting recording is played back the next day.
To read more about the artists intent and purpose you can read her artist statement (PDF). Thanks to Paul for letting me use his imagery here, you can see more photos he shot by following him on Instagram.
For nine decades Fulton Market Cold Storage Company operated in Chicago’s meatpacking district with a full ten stories of freezing storage situated close to major railways. Last summer the company decided it was time to start fresh in a state-of-the-art facility outside of Chicago, so the building was sold to SRAM, a bike component manufacturer who will use the space for its global headquarters. Architects Perkins + Will were hired to help convert the ice-encrusted space into a new, modernized office building and were also tasked with the most epic refrigerator defrost in history. Luckily photographer Gary Jensen was asked to snap some incredible photos prior to the thawing which was actually caught on video (sorry no embed). See more photos on his website. (via gapers block)
Update: I’ve been asked to clarify that the building owner is technically Sterling Bay and the architect of the conversion is Hartshorne and Plunkard. SRAM is a potential tenant in the building and Perkins & Will is their architect.
For the past two years Colossal has come to you directly from coffee shops, dining room tables, couches, restaurants, hotels, and once from a small fishing craft in the Gulf of Alaska. I’ve written a handful of posts from a moving vehicle, one from a CTA rail car, and a few more from airplanes. Because of my job, work on Colossal often started hours before the sun came up when I poured entire pots of coffee on myself, with barely enough consciousness to muster the thought: LOOK AT THIS THIS AMAZING THNG. For 30 months Colossal has never been edited from a desk, during the day.
As of this post, that changes. I’m stupidly excited to announce that Colossal has grown enough that it’s now able to support my family and that today for the first time I will begin editing full-time. This abundance of time will let me focus on regular daily updates as well as a clogged pipeline of new projects and collaborations that will roll out over the next few months. Thanks to everyone who has clicked, tweeted, bookmarked, emailed or otherwise shared links from this blog, it’s because of you this is all possible.
OF NOTE: One of the main reasons Colossal exists is through limited advertising in partnership with Nectar Ads, an ad network for the visual arts. If you’re at all interested in getting your company, gallery, or event in front of millions of artists, photographers, and designers, please get in touch.
I’m Not There is an ongoing series of portraits by photographer PoL Úbeda Hervàs who lives and works in Barcelona. He says the series came from changes in his life that left him unsure of who he is, but decided to leave the shoes as a small reminder that there was at least some fragment of his personality left behind, more than just a shadow. (via ignant)