Landscape photographer Timothy Corbin recently captured some stunning photos of ice-laden tress on the shore of Lake Ontario. It’s amazing is to see the evidence of what must have been hours of violent waves creating layers of ice that now hover over water or ice that’s now perfectly serene. You can see a couple more shots over on his Flickr stream.
I’m really enjoying the perspective and mood in these oil paintings by Valerio D’Ospina. Born in southern Italy but now living and working in Pennsylvania the artist paints gritty scenes from industry including ship yards, trains, and factories as well as broad “urbanscapes” that are captured from a dramatic, almost blurred perspective. His most recent solo show was at Hall Spassov Gallery back in October. (via cosas cool)
Alan Friedman is a fascinating guy. By day he’s a maker of greeting cards and a lover of hats, but in his spare time he’s a self-proclaimed space cowboy who points a telescope skyward from his backyard in downtown Buffalo, directly into the light of the sun. Using special filters attached to his camera Friedman captures some of the most lovely details of the Sun’s roiling surface. The raw images are colorless and often blurry requiring numerous hours of coloring, adjusting and finessing to tease out the finest details, the results of which hardly resemble what I imagine the 5,500 degree (Celsius) surface of Sun might look like. Instead Friedman’s photos appear almost calm and serene, perhaps an entire planet of fluffy clouds or cotton candy. From his artist statement:
My photographs comprise a solar diary, portraits of a moment in the life of our local star. Most are captured from my backyard in Buffalo, NY. Using a small telescope and narrow band filters I can capture details in high resolution and record movements in the solar atmosphere that change over hours and sometimes minutes. The raw material for my work is black and white and often blurry. As I prepare the pictures, color is applied and tonality is adjusted to better render the features. It is photojournalism of a sort. The portraits are real, not painted. Aesthetic decisions are made with respect for accuracy as well as for the power of the image.
Although the photos above are amazing, Friedman offers extremely high-resolution views of his work on his Tumblr and you can pick up some prints over on Photo-Eye. He also recently gave a TEDx Talk. (via geocentrismo)
Sculptor Anna Gillespie lives and works in Bath where she infuses her figurative sculptures with elements collected from nature including numerous acorn caps or beechnut casings. Gillespie also works with bronze and stone, often recreating some of the same environmental elements by hand, a process I imagine is even more meticulous than harvesting and using individual seeds themselves. She most recently had a solo show at Beaux Arts Bath and you can follow her more on Facebook. Gillespie also published a book of her work spanning 2006-2012 where you can see many more stunning images of her sculpture. (via my modern met).
Inspired by Polish scientist Marie Sklodowska Curie, designer Pani Jurek designed a line of single and two-tiered test tube chandeliers that can be filled with water, flowers, or simply left empty. The lights are for sale over on Etsy. (via empty kingdom)
What did you imagine the future would be like when you were a child? Through their Toyota Dream Car Art Contest, Toyota asked kids around the world to write a letter to their future selves describing what their childhood is like, and draw what kind of car they could imagine driving years down the line.
The children’s creative visions are realized in animated videos that turn fantasy into reality and making dreams come true. Wiran Honthumma of Thailand creates a car that has a bathtub and toys, as well as a place to cook food. It’s a vehicle that helps with her babysitting duties.
See the prize-winning car designs in Toyota’s gallery. The ideas range from cars for the blind to a car that runs on solar energy, and more — the possibilities are endless. This is the magic of art: to show the world as we hope it to be.
U.S.A. (burnt/unburnt) is a 2011 installation by Paris-based artist Claire Fontaine (previously) constructed from thousands of green matches that were inserted into a wall at the Portland Institute for Contemporary Art as part art of “Evidence of Bricks” at the 2011 Time-Based Art Festival. Fontaine has made somewhat of a name for herself with her match installations and flaming geography, most recently completing a similar U.S.A. map at Queens Nails Gallery in San Francisco. Unlike the installation in Portland above, the Queens Nails artwork was actually set on fire, and while it may not have gone exactly as intended, the final post-flame artwork is impressive nonetheless. Photographs above for PICA by Dan Kvitka.
Update: Hyperallergic has the scoop in the latest US Map fire.
This blog has seen it’s fair share of pop-up books, and animation using paper, but this might be the first where everything comes together in a single piece. Revolution is an animated short by photographer Chris Turner, paper engineer Helen Friel and animator Jess Deacon that explores the life cycle of a single drop of water through the pages of an elaborate pop-up book. The book contains nine scenes that were animated using 1,000 photographic stills shot over the course of a year. (via faith is torment)