Justin Kamerer aka Angryblue re-released two of his great Weapons of Mass Creation prints with cooking and art themes and added a new one: Music. The three screenprints have editions of 150 and will sell out pretty quick so head over to his shop. (via omg posters)
Wow. Starting with a goofy portrait of his father’s photocopied face artist Miquel Endara embarked on an ambitious stipple drawing, using 3.2 million dots from assorted Micron pens to recreate the image on paper. Watch the wonderfully shot video above condensing 210 hours of drawing to see how he did it and also check out his website where he has a zoomable high-res version of the image. I have a terrible feeling my dad is going to ask me for a portrait using 3.3 million dots. (via stellar)
I’m in love with these stunning drypoint prints by Düsseldorf-based artist Angie Hoffmeister. Drypoint is a printmaking technique in the intaglio family where images are etched onto a plate using a sharp metal or diamond point. Give anything some extra eyes and I’m usually a fan, but there’s also something about using a more traditional and laborious printmaking technique to make such intriguing imagery that I really respect. You can see much more of her work here. (via)
For a second year, street art collective Mentalgassi has partnered with Amnesty International and Wieden + Kennedy creative team Lisa Jelliffe and Kirsten Rutherford to help highlight some of the year’s most prominent human rights abuse cases playing out around the world. Via Unurth:
This year the German street art collective have created work that appears in 26 sites across Wales, Ireland, Germany and Denmark. The 6 individuals highlighted in this year’s work include Fatima Hussein Badi, who faces the death penalty in Yemen after an unfair trial, Jabbar Savalan, who is in prison in Azerbaijan for his peaceful anti-government activism (including comments he made on Facebook), and Natalia Estemirova, a Russian human rights activist whose murder has not been brought to justice.
Mentalgassi transformed large portaits of each individual into segmented strips that are applied to the slats of fences. At first the images aren’t readily visible and only come into focus suddenly from extreme angles, reinforcing the campaign’s theme, ‘making the invisible visible‘. (via unurth)
Okay municipalities of the world, pay attention. For a third consecutive year the city of Kaunas, Lithuania approached artist Jolanta Šmidtienė to assist with their annual holiday decorating. Recognizing the city’s somewhat dire financial state the artist challenged herself to build something that wouldn’t rely on any administrative funds set aside for the event. The result: an enormous 13-meter tall Christmas tree made from nearly 40,000 recycled green bottles and zip ties. At night the tree is lit from the inside resulting in a glowing, translucent, emerald green spruce that’s making headlines across the country. I would love it if Chicago had the ambition to do something like this. (via design you trust, delfi, lrytas.lt)
Washington-based painter Tyree Callahan modified a 1937 Underwood Standard typewriter, replacing the letters and keys with color pads and hued labels to create a functional “painting” device called the Chromatic Typewriter. Callahan submitted the beautiful typewriter as part of the 2012 West Prize competition, an annual art prize that’s determined by popular vote. I don’t know how practical painting an image with a color typewriter is, but if Keira Rathbone can do it… (via dark silence in suburbia)