London-based sculptor and illustrator Arran Gregory recently opened a solo show entitled ‘WOLF’ at Print House Gallery in London. The exhibition which runs through September 6th, includes both illustrations and a pair of gorgeous faux-taxidermy animals including a wolf and rhinoceros head sculpted from mirrors. You can see much more on his Tumblr and a number of prints are available in his shop. Photos above by Ravi Sidhu and Tida Finch. (via fancy)
Korean artist Lee Kyu-Hak creates beautiful mixed-media paintings (mosaics?) by wrapping small wooden wedges with colored newsprint that mimic the brushstrokes of famous artists. Lee’s artworks appear mostly to be reinterpretations of pieces by Vincent van Gogh, but I think I see a few original compositions as well. See much more over at Yesong gallery.
Here’s some phenomenal new work from photographer Brian Matthew Hart (previously) who is a master of drawing with light. Hart created a number of mosaics using individual exposures, the largest hand above, part of an unfinished diptych, is made from 324 photographs! I definitely urge you to check out his website for plenty more. (via l’acte gratuit
Last week I stayed up well into the night waiting for news of Curiosity’ssuccessful landing on Mars. Although the first few dusty, low-res images were a bit underwhelming they were no less incredible: after traveling for over 8 months and 352 million miles we successfully landed a 2,000 pound car on another planet. Thankfully the wait for incredible imagery is finally over. The folks over at EDS Systems have stitched together a high-resolution interactive panorama of Curiosity’s landing site from where she’ll soon embark on at least two years of research and investigation of the red planet.
The Mending Project was a 2011 installation and performance art piece by Austin-based artist Beili Liu. The work involved an ongoing process wherein visitors were invited to cut pieces of fabric from a giant cloth upon entering the space, the fragments of which Liu then stitched back together creating a giant patchwork that gradually encircled the artist. The concept seems harmless enough if it weren’t for the ominous array of downward-facing scissors suspended above her workspace.
The installation consists of hundreds of Chinese scissors suspended from the ceiling, pointing downwards. The hovering, massive cloud of scissors alludes to distant fear, looming violence and worrisome uncertainty. The performer sits beneath the countless sharp blades of the scissors, and performs an on-going simple task of mending. […] As each visitor enters the space, one is asked to cut off a piece of the white cloth hung near the entrance, and offer the cut section to the performer. She then continuously sews the cut pieces onto the previous ones. The mended fabric grows in size throughout the duration of the performance, and takes over the vast area of the floor beneath the scissors.
Photographer Janne Parviainen (previously) has been experimenting with a fun form of photographic light painting that resembles 3D topographical maps. Exposure times can take over 30 minutes as he carefully moves through the room with a light “tracing” every surface and object. See more in his light topography gallery.