Photographer Víctor Enrich Imagines the Same Building in Munich Configured in 88 Ways 









As part of his latest project NHDK, photographer Víctor Enrich challenged himself to digitally reconfigure the same building in Munich, Germany in 88 different configurations. The Barcelona-based artist is known for his warped and skewed interpretations of architecture in locations around the world including an extensive series of images shot in Tel Aviv back in 2010. All of the photos are avilable as prints which you can pickup on his website. (thnx, Nacho!)

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New Environmental Street Art by ROA 


photo © ROA


photo © Jaime Rojo/


photo © Jaime Rojo/


photo © Jaime Rojo/


photo © Jaime Rojo/


photo © ROA


photo © ROA


photo © ROA


photo © ROA


photo © ROA

It’s hard to keep up with Belgian street artist ROA (previously here and here), who has been bringing his spray-painted monochromatic depictions of animals to all corners of the globe. This year he’s been to Portugal, Austria, Canada and the U.K. (just to name a few), and then to the U.S.

“I wanted to draw attention to how they and many other species become a victim of hunting and pollution,” says ROA, referring to a piece he did in Sweden of a narwhal caught in a fishing line. Indeed, ROA’s works are often accompanied by an environmental narrative that highlights the ruthless, man-made world animals are forced to live in. You can see much more of ROA’s work over on Brooklyn Street Art.

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Puzzle Facade: Ars Electronica’s Media Building Turned into a Giant Interactive Rubik’s Cube 


For his thesis project in “Interface Culture” at the University of Arts and Industrial Design Linz, designer Javier Lloret converted the entire facade of the Ars Electronica building in Linz, Austria into an interactive Rubik’s Cube called Puzzle Facade. Lloret created a handheld device the mimics the function of the ubiquitous puzzle toy which then wirelessly communicates with a computer that controls the network of lights installed on the building. From his website:

In Puzzle Facade the player interacts with the specially designed interface-cube. The interface-cube holds electronic components inside that allow for it keep track of its orientation and the rotations of each side of the cube. This data is sent over Bluetooth to a computer that runs the Puzzle Facade designed software. This software changes the lights and color of the large-scale Ars Electronica’s media facade in correlation to the handheld interface-cube.

Due to the nature of this building and its surroundings, the player is only able to see two sides at the same time. This factor increases the difficulty of solving the puzzle, but as the player is able to rotate and flip the interface-cube, it is not a blocking factor.

Although Lloret was the primary designer for the project he relied on a huge team of people to realize the idea. You can learn much more here. (via Vimeo)

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No Reverb Added: An Acoustical Experiment in Drumming 


It’s one thing to record audio of a drummer and then digitally synthesize the reverberation to mimic various environments, but it’s another thing entirely to film a drummer actually playing in all of those environments and then stitch it together into a single track. That’s exactly what Audio Zero and Wikidrummers did with drummer Julien Audigier who played the same drum pattern in a variety of indoor and outdoor locations to show the effects of natural reverb, sometimes even blending multiple tracks into a single shot. Amazing. (via The Awesomer)

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Creative Compulsive Disorder: Remembering Zina Nicole Lahr 



This short clip about artist and maker Zina Nicole Lahr may be as tragic as it is beautiful. Earlier this fall Lahr approached her friend Stormy Pyeatte and asked if they might shoot a quick video for her portfolio. The video was shot and edited in just two days and demonstrates Lahr’s insatiable desire to build, invent, and “bring life to something inanimate,” a process she called her “creative compulsive disorder.” Almost unthinkably, Lahr was killed in a hiking accident in Colorado on November 20th, a few weeks after this was shot.

I didn’t know Lahr, but if this brief glimpse into her life is any indicator it’s clear she possessed an extremely rare spirit that feels completely genuine and infectious. It seems she was involved in practically every genre of creativity we normally cover here on Colossal. Make the most out of every day, folks. Lahr certainly did.

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We Are Nature Vol. III: New Double and Triple Exposure Portraits by Christoffer Relander 









Photographer Christoffer Relander (previously here and here) returns with the third installment of his beautifully executed multiple exposure photographs that blend aspects of nature with portraits of people. Titled We Are Nature Vol. III, the series continues the Finnish photog’s experimentation with layering images in-camera using his Nikon D800, without the use of Photoshop. Prints available on request.

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