Float is an upcoming documentary about the world of indoor rubber powered model airplanes. After watching it and doing some reading online, I’ve learned that the people who compete in free flight duration aeronautics are a special breed. Imagine spending 40 years of your life building self-propelled airplanes that weigh as much as a paperclip but maintain altitude for over 30 minutes. Oh, and you’d like to compete with others who do the same thing? Just catch the next flight to Serbia.
Current designs of these airplanes can fly for over 30 minutes on a single wound rubber motor, and the world record for time aloft is over one hour. These planes fly indoors, in large open spaces such as sporting arenas and aircraft and blimp hangers. The majority of participants in this hobby are over the age of 50, and the hobby itself is aging. As the digital age envelopes the younger generations, this hobby is becoming a lost art.
The goal of FLOAT is to document the hobby in its current state, and most importantly bring much needed attention and an injection of new and excited participants to help perpetuate this beautiful hobby.
According to the producers the final release date is still to be determined. As the interest in model airplanes has waned, so have the sporadic competitions from which footage can be shot, so keep an eye out at film festivals in a year or so. You can learn more about Float on their Kickstarter page. (thnx, tim!)
Alabama artist Walton Creel uses a .22 caliber rifle to construct portraits of animals on thick sheets of aluminum, one bullet at at time.
When I decided I wanted to make art using a gun, I was not sure what direction I would have to take. I knew I did not want to use it simply as an accent to work I was doing, but as the focus. My main goal was to take the destructive power away from the gun. To manipulate the gun into a tool of creation and use it in a way that removed it from its original purpose, to deweaponize it.
Several photos and videos from the third annual 2011 Kinetica Artfair going on this very moment in London through February 6.
An unusual event now in its third year, this London fair brings together kinetic, electronic, robotic, sound and light art works. [...] An edgy underground atmosphere pervades the exhibition, both literally, being held in the vast basement space of the Ambika P3 gallery, and stylistically with a host of international artists who are, in the best sense, geektastic.
When I was a kid we were lucky to have a stick, an old car tire, and and on a really good day maybe some mud. There’s certainly nothing wrong with that, and there’s nothing wrong with this incredible play structure, either. The Knit Fort is a gorgeous playspace created by Matt Ganon Studio. The carefully interlinked walls allow for a flexible, organic form that can be pushed and pulled to create new shapes and spaces.
The assembly technique, similar to knitting, allows the addition or subtraction of columns responding to the site context without altering the design. Depending on the scale, the surface can remain elastic allowing the occupant to manipulate and deform the profile. The shape can be expanded or contracted to alter the apertures of the space. The participatory aspect of the surface prolongs the process of creation and allows fine tuning the boundary of the space.
If I was a kid this would cease being a fort and quickly become a permanent residence. (via ok great)