Artist Gregor Gaida (previously) lives and works in Bremen, Germany. His figurative sculptures often depict aggressive, even violent people engaging with eachother under unknown circumstances, as with this pair of mischievous aluminum boys titled Attaboys. Gaida says that he often bases his figures off of images found in magazines and books.
The found footage is often no more than an impulse that is no longer discernible in the further development of the shape. Analogous to photography, my objects are three-dimensional snapshots. The characters are frozen in movement and often cropped along imaginary image borders. I transport the fragmented character of photos into the third dimension. Simultaneously, when dealing with color and options of shaping, painterly characteristics appear. Thus, the life-sized special interventions are formally attributed to sculpture but are equally part of painterly and photographic categories.
Attaboys appears to be a reinterpretation of another set of sculptures from 2008, Kind und Kreide II, where two similar boys are seen drawing a line with chalk. I don’t know if the artist intends to draw a parallel between the two works, but I’m going to go with it. It leaves me wondering what they’ll be up to in four years from now. If you happen to be in Germany you can see Gaida’s work at PARROTTA Contemporary Art in Stuttgart through August 4th. All imagery courtesy the artist and PARROTTA Gallery. (via anita leocadia)
I absolutely love the perspective in this pair of images by German photographer Christopher Hassler shot in a tunnel using a fisheye lens. See more of his work over on Facebook.
Musician Michael Andrews (best known for his cover of the Tears for Fears song “Mad World” recorded with Gary Jules for the Donnie Darko soundtrack) just completed this fantastic collaboration with over 100 students from Dan Diego-based High Tech High International who drew over 3,000 frames for a video for his new single “Bubbles in Space”. I can’t think of anything I did in high school art that approaches anything this awesome. Great job guys. See the making of here.
Photographer Hengki Koentjoro (previously) was born in Semarang, Central Java, Indonesia in 1963 and later graduated the Brooks Institute of Photography in Santa Barbara, California where he studied video production and minored in fine art photography. He now lives and works in Jakarta where he takes these breathless, surreal photographs of the Southeast Asian landscape in locations like Java and Banten. Via his artist statement:
Photography is not just a way of expressing his most inner soul but also creating a window to the world where through his pictures the unseen and the unspoken can be grasped. Driven by the desire to explore the mystical beauty of nature, he develops his sense and sensibility through the elements of fine art photography. His freedom of expression is more reflected in the elaboration and exploration of black and white.
When looking at Koentjoro’s images and processing technique I find myself unable to believe such profoundly beautiful places exist in reality. You can see much more of his work on Flickr and Behance. Prints are available by request.
BlinkingCity is a unique collaboration between Marcella Campa and Stefano Avesani. The duo created this colorful abstract collage using several maps from the rapidly transforming Hutong neighborhoods in Beijing. Here’s how they describe it:
Blinking City is a project investigating the inadequacy of traditional maps for city environments characterized by fast pace transformation and urban growth. As soon as the map is done, the city it describes has already gone. We transferred one of the Blinking City pattern, based on a collage of several Hutong neighbourhoods of Beijing, onto a wall of a dilapidated courtyard house in Xianyukou district, located in the core of the city.
See much more of the project over on Behance.
Artist Sayaka Ganz was born in Yokohama, Japan and grew up living in Japan, Hong Kong and Brazil, and now lives and works in Fort Wayne, Indiana. Ganz was deeply impacted as a child by Japanese Shinto beliefs that all objects and organisms have spirits, and was also taught that objects discarded before the end of their usefulness “weep at night inside the trash bin” (this is so wonderful I’m going to start teaching this to my son immediately). As her artistic side developed, she infused her artwork with these beliefs, using discarded and reclaimed household objects as a medium for her sculptures. Ganz says:
I only select objects that have been used and discarded. My goal is for each object to transcend its origin by being integrated into an animal/ organic forms that are alive and in motion. This process of reclamation and regeneration is liberating to me as an artist.
Building these sculptures helps me understand the situations that surround me. It reminds me that even if there is a conflict right now, there is also a solution in which all the pieces can coexist peacefully. Though there are wide gaps in some areas and small holes in others, when seen from the distance there is great beauty and harmony in our community. Through my sculptures I transmit a message of hope.
What you see here is only a small fraction of her work, you can see much more in her Motion, Displays, and Scrap Metal galleries. You can also see more work on Facebook. (via cosas cool)
Robot Repair is a bi-coastal (NYC/LA) music company that composes music and sound design for advertising, TV, film and art projects. In this clever promotional video they demonstrate how they use over 180 different musical instruments.