When stopping to consider these masterful ceramic objects by artist by Matthew Chambers, a flood of familiar images came to mind as I tried to understand what I was looking at. The aperture of a camera, the protective shell of a curled up armadillo, ocean waves, bowls of pasta, or portals to other dimensions; all valid reactions to these hand-built ceramic vessels and sculptures that contain dozens of thin concentric layers.
For the last 8 years Chambers has been working from a 215 square foot studio in Newport on the Isle of Wight where he creates each piece without the aid of sketches or designs, preferring to experiment as he works. Each “layer” is an individual section thrown on a potter’s wheel which he then assembles with other layers to make a solid sculpture. How something so precisely geometric can be formed from clay by hand is nothing short of astounding.
Chambers most recently had work at New Craftsman Gallery. You can also read a studio visit from Ceramic Arts Daily, and a more in-depth interview about his process on Ideas in the Making. (via Rhubarbes, Contemporist)
Sheffield-based muralist and artist Phlegm just unveiled this awesome mechanical shark mural for PangeaSeed’s Sea Walls: Murals for Oceans festival in San Diego. The piece is done in Phlegm’s signature black and white illustrative style that often depicts shady masked figures manning the controls of unwieldy machines or contraptions. The Murals for Oceans project involves a collaboration with internationally renowned artists in an attempt to focus attention on major environmental issues involving the ocean. You can see many more pieces by Phlegm spanning the last few months on his blog. (via StreetArtNews)
Irish artist Nuala O’Donovan sculpts intricate hand-built porcelain forms that resemble fractal patterns found in nature. Borrowing from shapes found in coral, teasel flowers, and pinecones, O’Donovan examines not only patterns, but irregularities that arise from random or unexpected events. From her artist statement:
The result of using the characteristics of fractal geometry in making decisions regarding the form of the sculptural pieces, is that the form is resolved but retains a sense of potential change. The viewer engages with the piece by allowing their own visual experiences to influence their view of the outcome of the form and its future possibilities. I hope that this aspect of my work also evokes the transitory quality of living organisms, combining traces of history, the present and the future, in the patterns that make up their surfaces and forms.
O’Donovan most recently exhibited with Tansey Contemporary at SOFA Chicago and has numerous exhibitions around the UK in 2015. You can see much more on her Facebook page and her website. Photos by Sylvain Deleu and Janice O’Connell. (via Juxtapoz)
Switzerland-based illustrator and artist Christo Dagorov created this unusual series of pencil drawings that transform the texture of lips into trees, the aerial layout of a city, and even other human forms. You can see more of his work here. (via I Need a Guide)
Earlier this year we mentioned Thomas Yang over at 100copies used the prints from bicycle tire treads to create a poster of the Empire State Building. Yang has since explored three additional landmarks around the world that merge his passion for cycling and architecture including depictions of the Eiffel Tower, the Tower Bridge, and China’s Forbidden City. While it appears the individual prints are sold out, they are still available as a full set. (via Arch Atlas)
These fun little flip books made in Japan feature a number of unexpected designs that make use of negative space and secret “compartments” that are gradually revealed as you flip through the books. There are several books in the series published by Mou Hitotsu no Kenkyujo and you can pick them up on Amazon. Here’s the bug one. (via Travelry)
Update: Flipbooks are now available in the Colossal Shop.