For the past few months Indianapolis-based artist Tasha Lewis has been traveling around the country creating guerrilla installations using a swarms of 400 cyanotype butterflies printed on cotton fabric (cyanotype is a photographic printing process that results in blue images, just like blueprints). Each blue insect is embedded with powerful magnets allowing her to place them on any metallic surface without causing damage, which as far as impermanent street art goes, is brilliant. Of her work she says:
My current body of work was drawn from an investigation into the cultural/scientific/historical context in which the cyanotype was born. Popularized by scientists, and botanists in particular, the cyanotype is intrinsically tied into the scientific recording boom of the late 19th and early 20th century. These are the times of the curiosity cabinet, the prints of Anna Atkins and a rush of explorers/scientists to colonial lands only to bring back specimens from foreign ecosystems. [.. ] The cyanotype is a process of documenting. The resultant image is a kind of scientific stand-in for the actual object in question. It is the trace of the original. In this way, like cyanotype’s use for building blue prints in more recent centuries, my work is formed as the re-presentation of something real; it is somehow not quite the object itself.”
Tasha has published photos of numerous installations on her Tumblr, definitely worth a look. (via empty kingdom)
I’m not sure I fully understand the meaning behind this great sculpture made of resin and recycled computer keys by Babis Cloud, but I certainly enjoy looking at it. The piece is titled Hedonism(y) Trojaner, derived from the giant mythological Trojan horse built by the Greeks that was used to sneak an elite force of soldiers into the city of Troy under the charade of presenting the city with a gift. On some level I suppose Babis is making a reference to the negative aspects of technology (viruses, irrational dependence on computers), but you can read a bit more explanation over on iGNANT. If you liked this also check out the work of Sarah Frost.
Horse in Motion, a mechanical flipbook installation by Wendy Marvel
Ascension, a mechanical flipbook installation by Wendy Marvel
View of a prototype FlipBooKit
In 2011 kinetic artists Mark Rosen and Wendy Marvel created a series of wonderful mechanical flipbooks based on the work of Eadweard Muybridge, the guy responsible for pioneering photographic studies of motion. After touring a few art galleries and making a well-received appearance at the 2012 Maker Faire the duo teamed up with manufacturing designer Steven Goldstein to create kits that mere mortals such as you and I can use to create nostalgic moving pictures of our own design. If you’re as ridiculously excited about this project as I am, head on over to Kickstarter to pledge a few bucks.
UK-based illustrator Carne Griffiths creates these striking portraits with uncommon mediums such as tea brandy, vodka, whiskey, graphite and calligraphy ink. His drawings most frequently explore human and floral forms, as says he’s “fascinated by the flow of line and the ‘invisible lines’ that connect us to the natural world.” The four pieces above are part of a limited edition postcard set just released by Griffiths, each of which comes in a fancy custom-illustrated, wax-sealed envelope. He also has a solo show at Ink-d Gallery in Brighton that closes this Saturday. (via behance)
Photographer Daniel Kukla who has a background in both biology and anthropology has a new series of work called The Edge Effect where he photographed square mirrors propped on easels in locations around Joshua Tree National Park to catch the reflection of the horizon behind him. The resulting images create the bizarre effect of looking at a paintings sitting in the middle of the desert. Of the work Kukla says:
In March of 2012, I was awarded an artist’s residency by the United States National Park Service in southern California’s Joshua Tree National Park. While staying in the Park, I spent much of my time visiting the borderlands of the park and the areas where the low Sonoran desert meets the high Mojave desert. While hiking and driving, I caught glimpses of the border space created by the meeting of distinct ecosystems in juxtaposition, referred to as the Edge Effect in the ecological sciences. To document this unique confluence of terrains, I hiked out a large mirror and painter’s easel into the wilderness and captured opposing elements within the environment. Using a single visual plane, this series of images unifies the play of temporal phenomena, contrasts of color and texture, and natural interactions of the environment itself.
You can see his website for several more photos and Kukla tells me limited edition prints are available by getting in touch with him. (via junk culture and triangulation)
I’ve been traveling a bit so I’m a bit late to this as I know it’s been on a lot of news outlets lately. Regardless, filmmaker Chris Tangey shot this incredible footage of a ‘fire devil’ near Alice Springs, Australia on September 11th. In the unedited, raw footage recently provided by Tangey you can watch as the tornado—which is technically more of a dust devil—towers over 100 feet (30 meters) high. The Huffington Post explains that while footage like this is rare, these vortices of fire are actually pretty common.
Artist Carolina Fontoura Alzaga constructs impressive chandeliers using chains, wheels and other parts from old bicycles as part of a series she calls CONNECT. Alzaga has lived in Brazil and Mexico and now works out of a studio in Los Angeles where the Etsy Blog recently caught up with her to conduct the interview and tour above. Of her work she says:
This developing body of work draws inspiration from the aesthetics of victorian era chandeliers, DIY and Bike Culture, and follows an art tradition of utilizing non artistic materials for sculpture.
This series addresses class codes, power dynamics, reclaimed agency, and ecological responsibility. The traditional chandelier is seen as a bourgeois commodity, a cachet of affluence, excess, and as such power. The recycled bicycle parts become a representation of the dismissed, invisible, and powerless, but are also an affirmation of self-propelled movement. The bicycle chandelier thereby creates a new third meaning of reclaimed agency.
I think if I ever had need for a chandelier it would definitely be one of these. Alzaga has a number of pieces currently available in her shop. (via laughing squid)