In this incredible clip captured yesterday on a dashcam, a tremendous mudslide crashes over a road bringing a massive surprise with it. The footage, which rivals a scene from a Spielberg or Michael Bay film, was shot during a rainstorm in Taiwan’s Badouzi Coastal Park, and it appears nobody was hurt. Watch the mountain peak around 00:03 for a hint of things to come.
In one of the best collaborations this blog has seen in ages, professional illustrator Mica Angela Hendricks has been collaborating with her 4-year-old daughter on a series of wonderful drawings that pass back and forther between mother and daugher until reaching an always unexpected final form. Each drawing begins with Hendricks drawing a detailed retro-ish head, after which her daughter snatches away the sketchbook to create rudimentary body (or animal!) parts as well as other random details. Afterward Hendricks goes back in to polish things up a bit and behold: dinosaur women, slug ladies, and beaver astronauts are born. Of the collaboration Hendricks shares:
Sometimes I would give her suggestions, like “maybe she could have a dragon body!” but usually she would ignore theses suggestions if it didn’t fit in with what she already had in mind. But since I am a grownup and a little bit (okay a lot) of a perfectionist, I sometimes would have a specific idea in mind as I doodled my heads. Maybe she could make this into a bug! I’d think happily to myself as I sketched, imagining the possibilities of what it could look like. So later, when she’d doodle some crazy shape that seemed to go in some surrealistic direction, or put a large circle around the creature and filled the WHOLE THING in with marker, part of my brain would think, What is she DOING?!? She’s just scribbling it all up! But I should know that in most instances, kids’ imaginations way outweigh a grownup’s, and it always ALWAYS looked better that what I had imagined. ALWAYS.
Over the last few weeks Ethan Schlussler has been working on a beautifully designed 30-foot-high treehouse and quickly became tired of “climbing a ladder six and a half million times a day,” so he decided to build a human-powered elevator out of an old bicycle. At first I was expecting something pretty tedious to pedal in order to lift the weight of a full-grown man, yet as soon as he starts pedaling in the video it seems to work almost like magic. It really is a clever idea. (via MAKE)
Onithology. Collage on asuka and watercolor paper, stainless steel, motor and electronics. 2013.
Colibri. Graphite and colored pencil on paper, stainless steel, delrin, motor, electronics. 2011.
Violetear. Acrylic and graphite on paper, stainless steel, delrin, aluminum, motor and electronics. 2011.
Since graduating from the Royal College of Art, artist Juan Fontanive has been exploring moving images and kinetic sculptures. My favorite of his lastest works are these three flipbook machines using drawings, acrylic paintings, and collages of birds. Two of the original machines above, Ornithology and Colibri are currently available through the New Museum.
In a drawing style reminiscent of the whorl patterns found in van Gogh paintings, artist Nicolas Jolly draws using a kind of crosshatcing that looks like the patterns of fingerprints. The thousands of tiny black ink lines vary in length, direction, and thickness to create landscapes, portraits, and other scenes that seem to be pulsing with energy. You can see many of his drawings close-up in his Fingerprints gallery and several are available as prints over on Society6. (via Behance)
This last 4th of July Dallas-based photographer Nick Pacione camped out below a firework show and captured these awesome shots using a macro lens. He used a special rack focus technique that changes focus during the exposure to create some wonderfully abstract images that at times don’t even look like fireworks. See more from Explosions in the Sky, and if you liked this also check out the work of David Johnson.
So I’m not exactly sure what’s going on in this video from designer Dave Razor. Suffice to say there are lots of fingers, bizarre sounds, and generally it’s all a little creepy. And yet I can’t stop watching. (via Jason Sondhi)
Here on Colossal we’ve seen an entire 1969 Mustang Coupe made from paper, and a stunning stop motion timelapse of a rebuilt Triumph Spitfire, but this new sculptural piece by artist Eric van Hove might take the cake for labor-intensive automotive art. After receiving a Cda-Projects Grant the artist headed to Morroco to create V12 Laraki, an excruciatingly detailed Mercedes V12 engine built from 53 materials that were hand-forged from 35 master craftsmen from various regions in Morocco.
Nine months in the making,V12 Laraki began when van Hove dismantled a mercedes engine and then set about creating faithful reproductions of every single component, some 465 parts and 660 bolts made of casted copper. Contracting with artists around Morocco the engine was made with white cedar wood, high Atlas red cedar wood, walnut wood, lemon wood, orange wood, ebony wood of Macassar, mahogany wood, thuya wood, Moroccan beech wood, pink apricot wood, mother of pearl, yellow copper, nickel plated copper, red copper, forged iron, recycled aluminum, nickel silver, silver, tin, cow bone, goat bone, malachite of Midelt, agate, green onyx, tigers eye, Taroudant stone, sand stone, red marble of Agadir, black marble of Ouarzazate, white marble of Béni Mellal, pink granite of Tafraoute, goatskin, cowskin, lambskin, resin, cow horn, rams horn, ammonite fossils of the Paleozoic from Erfoud, Ourika clay, geometric terra cotta with vitreous enamel (zellige), green enamel of Tamgrout, paint, cotton, argan oil, cork, henna, rumex. In case you were interested.
While the engine is of course not meant to be functional, the piece acts as an incredible testament to Moroccan craft, as well as a fascinating amalgam of natural resources and materials found in the region. You can learn more about the project on the artists website and over on Facebook.