Paper artist Claire Brewster has been living and working in London for over 20 years, meticulously cutting these birds, flowers and plants from old maps. See more of her work on her blog. (via job’s wife)
I am in awe of these fantastic LEGO sculptures by Bruce Lowell, who frequently models his miniature creations off actual household objects and foods. From a killer KitchenAid Tilt-Head Stand Mixer to simple paint roller everything you see is tiny LEGO bricks. I can’t imagine the amount of time it takes to determine if the needed pieces even exist, let alone putting them all together. Too much fun.
This past September photographer Wittner Fabrice (previously) had the opportunity to visit Vietnam where he managed to execute a number of his unique light stencils in various locations around the country. Keep in mind these are not digital, but rather long-exposure photos created with lights shone through large cut stencils. Though I really enjoyed Wittner’s previous light paintings commemorating the Christchurch earthquake, the picturesque backdrops of Vietnam as well as a clear improvement in technique make these even more special. See much more of the project here.
NASA has just published what it calls the “most amazing highest resolution image of Earth ever”, dubbed Blue Marble. The 64-megapixel image weighing in at 8000×8000 pixels is actually a composite photograph taken on January 4th of this year using a number of captures stitched together from NASA’s Earth-observing satellite Suomi NPP. Make sure to see this sucker full size to really appreciate the details. (via gizmodo via nick ulivieri)
These figurative human and equine sculptures are by a trio of Beijing-based artists who go by the name Unmask Group. Liu Zhan, Kuang Jun and Tan Tianwei met while at the Central Academy of Fine Arts and have been producing sculptural work together since 2001. These seemingly incomplete stainless steel works show figures in a state of dissolution or perhaps just the opposite, emergence. Regardless, the delicate lines and smooth curves left by the absence of materials make them appear almost sensual. These particular pieces were on display at H.T. Gallery through last month. (via my modern met, art source)