I’m loving these cross-stitched germs, microbes and other super tiny things by Alicia Watkins over at Watty’s Wall Stuff. The pieces are available a la carte, in sets, or as DIY patterns. (via This Isn’t Happiness)
After a wildly successful Kickstarter last year, the Impossible Project have finally made their handy iPhone polaroid printer, The Impossible Instant Lab, available to the general public. The portable lab allows you to turn any photograph on your iPhone or iPod Touch into a bonafide polaroid print in just moments, harkening back to ye olden days when photos were regarded more as physical artifacts that could be shared in real life. Learn more about it over on Co.Design.
Watching any film by Wes Anderson it’s impossible to ignore the director’s obsessive visual aesthetic. From his harmonizing use of color to impeccably constructed sets, every minute detail is considered and designed. Korean filmmaker Kogonada just released this supercut of one particular Anderson hallmark: the use of perfectly centered shots. Kogonada has become well-known for his videos that isolate the visual tools of directors including pieces on Kubrick, Malick, and Tarantino. (via Coudal)
Assembled from hundreds of cutout plants and animals from repurposed textbooks, artist Andrea Mastrovito created a striking installation where a colony of bats clings to the ceiling, a flight butterflies swarm the gallery walls, and all matter of insects, mamammals and plants intermingle across the floor. The sprawling artwork spans the realms of collage, diorama and trompe-l’œil and was inspired in part by H. G. Wells’ science fiction novel The Island of Doctor Moreau. Titled The Island of Dr. Mastrovito and The Island of Dr. Mastrovito II the piece was first installed at Governors Island in New York back in 2010 and again last year in a different configuration at Mudac in Lausanne, Switzerland. Via the artist:
His starting points for this site-specific work are the two most common forms of home recreation—books and television. The title of his installation refers to H. G. Wells’ famous novel The Island of Doctor Moreau, in which the archetypal “mad” scientist experiments upon animals in order to give them human traits. In this “Island,” the artist substitutes himself for the doctor, trying to instill a new life into that which was once alive in a different way (books from paper, paper from wood, and wood from trees). Mastrovito imagines that the outside fauna take control of the abandoned house and become its proper inhabitants. Approximately 700 books were brought under the artist’s knife to cut out real-size images of animals. This trompe-l’oeil, or paper diorama, also suggests the strength of images, the infinite possibilities that knowledge—through books—can give us in order to create and re-create the world that we can only imagine.
You can see much more of Mastrovito’s work over on his website.
It’s been over two years since we last featured the work of French duo Lucie Thomas and Thibault Zimmermann of Zim&Zou (previously here and here). The pair of graphic designers create paper sculpture, installations, and illustrations for leading luxury brands, books, magazines as well as their own edification. Collected here are a number of works from the last few years and you can explore much more over on their website and on Behance.
Momentum is a project by artist Alejandro Guijarro who spent three years traveling to the quantum mechanics departments of Cambridge, Stanford, Berkeley, Oxford and elsewhere to shoot large format photographs of blackboards just after lectures. Completely removed from the context of a classroom or laboratory and displayed in a gallery, the cryptic equations from one of the most formidable branches of physics become abstract patterns of line and color. Via the artist’s statement:
Before he walks into a lecture hall Guijarro has no idea what he will find. He begins by recording the blackboard with the minimum of interference. No detail of the lecture hall is included, the blackboard frame is removed and we are left with a surface charged with abstract equations. At this stage they are documents. However, once removed from their institutional beginnings the meaning evolves. The viewer begins to appreciate the equations for their line and form. Colour comes into play and the waves created by the blackboard eraser suggest a vast landscape or galactic setting. The formulas appear to illustrate the worlds of Quantum Mechanics. What began as a precise lecture, a description of the physicist’s thought process, is transformed into a canvas open to any number of possibilities.
Guijarro graduated from the Royal College of Art in 2010 with a MA in fine art and now lives
and works in both London and Madrid. He’ll have work later this year at PhotoEspaña. (via Not Shaking the Grass)