I just spotted this new work-in-progress by one of my favorite artists Maskull Lasserre (previously). Incarnate (Three Degrees of Certainty II) is nearly perfect rendering of a human skull from a thick stack of outdated computer manuals. Looking at these particular titles I can’t help but think these books have been called to a much higher purpose.
Atomic: Full of Love, Full of Wonder was a 2005 installation by artist Nike Savvas at the Australian Centre for Contemporary Art in Melbourne. The piece involved an immense array of suspended bouncy balls creating a dense field of color in the gallery space that was gently moved in waves by a nearby fan. How fun would it have been to walk through this? Savvas most recently exhibited a series of complex geometric thread installations at Breenspace. (via job’s wife)
I’m really enjoying this pair of perfectly executed stop motion videos shot by animation studio stoptrick featuring the origami work of Sipho Mabona. Mabona also just completed a fun origami installation for the Japanese American National Museum in L.A. featuring a swarm of locusts folded from uncut sheets of U.S. currency. (via laughing squid)
I first discovered the work of Judith Braun about a year ago and wrote a short piece about her beautifully symmetrical finger drawings that she refers to as “fingerings”. Braun’s work recently exploded in both scale and complexity, shifting from the abstract to the literal in this new mural entitled Diamond Dust. The piece was painted over several days in February in front of a live audience at the Chrysler Museum of Art in Norfolk, Virginia using fingerprints created from the fine powder of ground charcoal. Diamond Dust is on display through June 1. (via job’s wife)
A new Banksy piece popped up yesterday in the UK featuring an adeptly stenciled origami crane snagging a goldfish from a small canal. While the work has yet to appear on the artist’s website for positive verification, Street Art News seems to think it’s the real deal. Photos by the lonely villein. (via juxtapoz)
Raleigh-based artist and landscape architect Scott Hazard uses carefully layered photographs to create delicately torn concentric shapes symbolizing plumes of smoke, clouds, and mysterious portals in walls. Hazard has also used adaptations of the same technique to create a number of fantastic typographic works he calls Text Constructs.