Tag Archives: 3d

Digital Sculptures of Female Forms Rendered in Flowers by Jean-Michel Bihorel 

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All images via Jean-Michel Bihorel

French 3D artist Jean-Michel Bihorel has been rendering films for the past 6 years, while also keeping up with personal projects that utilize the same professional tools. In his latest works, he has produced two digital sculptures of the female form composed of a sample of dry flowers. In the first work the body is completely shaped from the floral sample, the woman shown in different poses that demonstrate her whole form. The second rendered figure is focused on just the torso, and has a cracking marble skin that reveals flowers inside. You can see more of Biohrel’s digital sculptures on his Behance.

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A New 3D Graffiti Mural in Hong Kong by Peeta 

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Venice-based artist Peeta merges his passions for graffiti writing, sculpture, and design in his large-scale spray murals that look like swirling three dimensional objects that float just above a wall or canvas. The trompe l’oeil artworks take on the form of graffiti-like letterforms but aren’t necessarily meant to be read or deciphered. Instead the pieces focus more on the use of line, shadow, and color to build impressive voluminous shapes that explode in every direction.

Peeta created this latest mural for the HKWALLS festival. The piece occupies a giant facade on a busy Hong Kong intersection above the Golden Computer Arcade and draws its color for neighboring buildings and signs. You can see his behind-the-scenes process over on Behance.

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Ghostly Portraits Painted Onto Layers of Netting by Uttaporn Nimmalaikaew 

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“Nostalgic” (2014), translucent fabric, wooden bed, size is not fixed, all images courtesy of Uttaporn Nimmalaikaew

Thai artist Uttaporn Nimmalaikaew paints portraits on layers of fine netting or tulle, deftly producing an analog 3D effect with subjects who appear to be sitting in chairs or lying down on beds. When circling the paintings they morph and shift, changing form depending on the viewer’s distance and location to the piece. These subjects are often his family, a way for the artist to pause his loved ones’ aging process and preserve them in time.

Nimmalaikaew first discovered the technique while a student at Silpakorn University in Bangkok after a stray speck of paint landed on a mosquito net in his studio. Witnessing the dimensionality the surface afforded the paint, he began to explore new ways in which to paint on the utilitarian material.

For each piece Nimmalaikaew begins with a digital drawing which he then prints life-size to determine the subject’s form and texture. He then begins to paint the layers with oil paint in a style that he calls “tulle-painting style.” In an 2014 interview he explained, “Over time, I have learnt that the tulle demands a different way of creating realistic light and shadow for the material. The top layer gives details for the optical illusion. Then I connect each layer with clear copolymer line to make it all fit together and create depth in the image.”

You can see more of the 33-year-old artist’s work on Yavus Gallery or the artist’s Facebook. (via Juxtapoz and Booooooom)

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”Nostalgic” (2014), translucent fabric, wooden bed, size is not fixed

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”Nostalgic” (2014), translucent fabric, wooden bed, size is not fixed

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“My Buddhist saint (My Dad)” (2015)

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“My Buddhist saint (My Dad)” (2015)

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Raw & Rendered: Experimental 3D Artworks by Joey Camacho 

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In early 2014, Vancouver-based graphic artist Joey Camacho set out to learn more about rendering images using Cinema 4D and Octane Render, with the goal of creating a new piece each day. His first attempts were pretty rudimentary, but it wasn’t long before his exploration and experimentation began to pay off with increasinly subtle details inspired by biology, sound, and geometry. Only several months into his ‘Progress Before Perfection‘ project, he started getting requests for prints as his images were shared widely around Tumblr and elsewhere. You can see more of his work on Behance and prints of many pieces are available through his website.

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Architectural Renderings of Life Drawn with Pencil and Pen by Rafael Araujo 

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Nautilus

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Caracol

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Double Conic Spiral, process

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Double Conic Spiral. Ink, acrylic/canvas.

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Calculation (Sequence) #2. Acrylic, china ink/canvas.

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In the midst of our daily binge of emailing, Tweeting, Facebooking, app downloading and photoshopping it’s almost hard to imagine how anything was done without the help of a computer. For Venezuelan artist Rafael Araujo, it’s a time he relishes. At a technology-free drafting table he deftly renders the motion and subtle mathematical brilliance of nature with a pencil, ruler and protractor. Araujo creates complex fields of three dimensional space where butterflies take flight and the logarithmic spirals of shells swirl into existence. He calls the series of work Calculation, and many of his drawings seem to channel the look and feel of illustrations found in Da Vinci’s sketchbooks. In an age when 3D programs can render a digital version of something like this in just minutes, it makes you appreciate Araujo’s remarkable skill. You can see much more here. (via ArchitectureAtlas)

Update: Rafael Araujo prints are now available in the Colossal Shop.

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Full Turn: 3D Light Sculptures Created from Rotating Flat Screen Monitors at High Speed 

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Full Turn is a kinetic light sculpture by Benjamin Muzzin created as a diploma project for his bachelor degree at ECAL. The piece was constructed from two flat screen monitors placed back-to-back and spun at extremely high speed resulting in three-dimensional light forms that hover in thin air. Of the work he says:

With this project I wanted to explore the notion of the third dimension, with the desire to try to get out of the usual frame of a flat screen. For this, my work mainly consisted in exploring and experimenting a different device for displaying images, trying to give animations volume in space. The resulting machine works with the rotation of two screens placed back to back, creating a three-dimensional animated sequence that can be seen at 360 degrees. Due to the persistence of vision, the shapes that appear on the screen turn into kinetic light sculptures.

Music by Montgomery Clunk. (via Prosthetic Knowledge, Creative Applications)

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