Bordalo II (previously) has created a series of bisected animals, colorful plastics forming one half of the creature while a combination of wood and metal created a muted mirror on the other side. In one piece the Portuguese artist created a turtle with legs that extend to the ground, appearing to crawl along the side of a a low wall in Moncton, Canada. Other works are more monumental, such as a rabbit that extends two stories in Vila Nova de Gaia, Portugal, and a raccoon that seems to dangle head first from a building in Pittsburgh.
The globally-placed installations are the newest evolution of his series Trash Animals, large public works that address the impact our carelessly tossed waste has on the environment around us. You can observe his process for collecting plastic and other waste, as well as follow more of his recent work, on Instagram.
Italian illustrator Alfred Basha (previously) continues his ongoing project of fusing animal forms with the branches of trees. The popular illustrations have recently been turned into both shirts and prints and you can see more of his recent work on Instagram.
Anja Wulfing adds large animals into the black and white scenes of found vintage photographs, turning the attention away from the somber faces of its subjects and to the creatures that pose quite naturally behind their backs. The surprising inclusions are painted in by Wulfing, and often take the form of birds—such as crows, owls, ducks, and the occasional rooster. The animals either join the members of the photograph or merge with its occupants, sometimes replacing the heads of those posing to create hybrid and humorous creatures.
You can see more of Wulfing’s subtle animal additions on her Instagram and Behance. (via Lustik)
In 2005 Kito Fujio quit his job as an office worker and became a freelance photographer. And for the last 12 years he’s been exploring various overlooked pockets of Japan like the rooftops of department stores, which typically have games and rides to entertain children while their parents are shopping. More recently, he’s taken notice of the many interesting cement-molded play equipment that dots playgrounds around Japan.
The sculptural, cement-molded play equipment is often modeled after animals that children would be familiar with. But they also take on the form of robots, abstract geometric forms and sometimes even household appliances. Fujio’s process is not entirely clear, but it appears he visits the parks at night and lights up the equipment from the inside, but also from the outside, which often creates an ominous feel to the harmless equipment.
Speaking of harmless, the nostalgic cement molds have been ubiquitous throughout Japan and, for the most part, free of safety concerns. That’s because the cement requires almost no maintenance; maybe just a fresh coat of paint every few years. The telephone (pictured below) is evidence of how long ago the equipment was probably made.
The sculptural cement equipment was a style favored by Isamu Noguchi, who designed his first landscape for children in 1933. Many of his sculptural playground equipment can be found in Sapporo but also stateside at Piedmont Park in Atlanta.
Fujio has made his photographs available as part of a series of photobooks (each priced at 800 yen) that he sells on his website. (Syndicated from Spoon & Tamago)
All images © Pippa Dyrlaga.
Yorkshire-based artist and printmaker Pippa Dyrlaga has a lovely portfolio of cut paper works. Each piece is cut from a single sheet of paper and is infused with a rich pattern of repetitive cuts that form the scaly details of twisting snakes to the patterned plumage of parrots or the fur of cats. Dyrlaga has degrees in Contemporary Art Practice and Art and Design and Curation from Leeds Metropolitan University and now works on a variety of freelance and commissioned projects. She also translates many of her pieces into limited edition screen prints which she sells in her shop. (via Yatzer)
Illustrator and amateur naturalist Kelsey Oseid is focused on detailing the natural world, illustrating the animal kingdom’s many classes and orders on posters created with watercolor and gouache. The posters highlight more known orders such as Carnivora and Rodentia, while also showcasing the diversity of animals in lesser known orders like the Chondrichthyes and Artiodactyla. Oseid numerically labels the more common names of each animal in the footer of her works, pointing out where one can find the capybara, naked mole rat, and hammerhead shark.
The Minneapolis-based illustrator’s first book, What We See in the Stars: An Illustrated Tour of the Night Sky, comes out September 26 from Ten Speed Press. You can take a look at Oseid’s sketches and inspiration for her illustrations on her Instagram, and grab a poster for yourself on her Etsy. (via My Modern Met)