Manchester-based designer and illustrator Si Scott is known for his energetic and flowing style of illustration that has graced the packaging and advertising for some of the world’s top brands including Nike, Dove, Coca Cola, and many others. Among some of his most impressive works are his stylized illustrations of insects and other wildlife, drawn by hand with pen and ink. I strongly urge you to check out his Resonate series for Silent Studios/Silent Records, and there’s plenty more to see over on Facebook.
Singapore-based artist Keng Lye creates near life-like sculptures of animals relying on little but paint, resin and a phenomenal sense of perspective. Lye slowly fills bowls, buckets, and boxes with alternating layers of acrylic paint and resin, creating aquatic animal life that looks so real it could almost pass for a photograph. The artist is using a technique very similar to Japanese painter Riusuke Fukahori who was featured on this blog a little over a year ago, though Lye seems to take things a step further by making his paint creations protrude from the surface, adding another level of dimension to a remarkable medium. See much more of this series titled Alive Without Breath over on deviantART. (via ian brooks)
Update: I have some additional details from the artist that I’d like to add here, as this post seems to be getting a lot of attention. Via email Lye shares with me:
I started my first series in 2012 where all the illustrations were “flat” and depth was created using the layering of resin and acrylic over the different parts of the illustration. This year, I started on the octopus and it was purely an experiment; I just wanted to see whether I could push this technique to a higher level. After applying acrylic paint straight onto the resin, I incorporated a 3-D element in this instance, it was a small pebble for the ranchu and octopus. For the turtle, I used an egg shell for the turtle shell and acrylic paint for the rest of the finishing. The whole idea here was to give the art work an even more 3D effect therefore you can have a better view from any angle. I think there are still many other techniques to explore.
So to be clear the elements that extrude from the top of the resin are actually physical pieces that have been painted to match the layers of acrylic and resin below.
Photographer Suren Manvelyan took the web by storm back in 2011 with his Animal Eyes series, where he captured spectacular macro photographs of various critter’s eyes. Manvelyan is back with a new series of extreme close-ups which seem to peer right into the soul of various animals, even though it’s not exactly clear whose soul you’re looking at. I left captions off the photos above, but you can use the list below in order of appearance to check your answers. I got exactly one right.
An artist’s medium is as varied as imagination allows and you’ll find hundreds, maybe even thousands of them here on Colossal. But occasionally a medium itself is altered to create an artwork, as is the case with Seattle artist Diem Chau (previously here and here) who works within the narrow confines of graphite pencil leads and colored crayons to carve her delicate sculptures of animals and people. A native of Vietnam, Chau and her family came to America as refugees in 1986 and would later receive a BFA from Cornish College of the Arts after which she began exhibiting her works in New York, Miami, Seattle and Los Angeles.
Luckily we’ll finally get a glimpse of Chau’s miniature carvings here in Chicago at Packer Schopf Gallery opening this Friday. Almost everything you see here will be on view and the artist will be giving a talk at 1pm the following day on April 6th, 2013. See more of her new A-Z series on Flickr and on her blog.
Irving Harper: Works In Paper is a new book from Skira Rizzoli that collects the paper works of industrial designer Irving Harper. Harper worked as the director of design at George Nelson Associates during the 1960s and is known for designing the Marshmallow Sofa for Herman Miller (as well as the firms’ iconic logo) and the ball and sunburst clocks for Howard Miller. Privately the designer was also an artist and created numerous paper sculptures depicting animals, masks, and other figures. Via Rizzoli:
Encompassing influences as diverse as Picasso, Egyptian hieroglyphs, the art of Oceana and Africa, the architecture of Paris, and the American beech tree that shades the Rye, New York home he has lived in for over 50 years, the artist’s private meditations reveal an informed aesthetic consciousness expressing itself as pure joy. Harper’s private work delivers on the promise of modernism: humble materials elevated by brilliant design and craftsmanship, and integrating the natural world to create objects in a universally understood language.
London-based artist Louise McNaught creates mixed-media paintings of animals and insects using a wide variety of paint, pencil, ink, and backdrops that vary from traditional canvas to celestial star charts. Via her artist statement:
McNaught primarily uses a neon colour palette to depict the presence of nature in her work, where the animals are God-like, sublime and ethereal in their luminescence. Not wishing to limit herself or her subject matter, McNaught has a mixed-media approach which usually manifests in painted-drawings on traditional and sometimes unusual supports, such as celestial maps. […] By drawing the viewers attention to the animals presence and energy, McNaught is hoping to share with the viewer the awe that the natural world inspires within her.
Artist Vik Muniz (previously here and here) has three new works made from gold scrap metal that will be on view as digital prints at the Armory Show in New York starting March 7th, 2013 through Rena Bransten Gallery. Muniz is known for creating images using multitudes of discarded objects and trash, and you may have seen his work in the 2010 documentary Waste Land.
Side note: for the first time ever the Armory Show has partnered with Artsy to offer a gorgeous full-blown preview of the fair featuring hundreds of works in beautiful high-definition. For those of us who can’t make it to many of the art fairs, more like this please? (via hyperallergic)