Netherlands based designer Rogier Wieland (previously) has just completed another one of his impressive stop motion ads for Moleskin that relies almost entirely on notebooks to create nearly every aspect of the animation including the precisely cut typography. The making-of video is pretty great too and I’ve included it here as well.
This is bar-none one of the creepiest things to ever appear on Colossal, but it’s Halloween and this clip is so well animated I couldn’t pass it up. UK artist and illustrator Erica Luke depicts rot and and decay with this super spooky stop motion video made with facepaint. Sound by Matthew Perryman. Man this gives me the heebie jeebies.
This latest music video for Wax Tailor featuring Aloe Blacc was shot by the crew over at Australian firm Oh Yeah Wow (previously) who spent over three months carefully moving a crocheted, four-legged octopus (a quadropus!) by hand using stop-motion. The end result is technically incredible despite a somewhat gloomy ending, the team’s ability to create the illusion of being underwater using just a few sparse props is commendable in and of it itself. See more making of photos here. Directed by Darcy Prendergast and Seamus Spilsbury.
Horse in Motion, a mechanical flipbook installation by Wendy Marvel
Ascension, a mechanical flipbook installation by Wendy Marvel
View of a prototype FlipBooKit
In 2011 kinetic artists Mark Rosen and Wendy Marvel created a series of wonderful mechanical flipbooks based on the work of Eadweard Muybridge, the guy responsible for pioneering photographic studies of motion. After touring a few art galleries and making a well-received appearance at the 2012 Maker Faire the duo teamed up with manufacturing designer Steven Goldstein to create kits that mere mortals such as you and I can use to create nostalgic moving pictures of our own design. If you’re as ridiculously excited about this project as I am, head on over to Kickstarter to pledge a few bucks.
Mysteries of Vernacular is an ongoing video series by NYC-based Myriapod Productions that explores the etymology of individual words through a carefully animated book. According to Myriapod the series will eventually include 26 stories, each of which takes nearly 80 hours to research, construct and animate. Since taking Latin in high school I’ve been keenly aware of the bizarre ways in which different cultures appropriate and modify language, but this series really casts an engaging light on the whole messy ordeal. (via flavorwire)
This new music video from Marc Donahue and Sean Michael Williams starring Beau Brigham was shot over a six month period in two states and is the second part of a two part series that explores some interesting ideas in animation and what they describe as “lyric lapsing”. According to the producers the final edit is comprised of some 15,000 stills and involved 6-8 hours of work to produce just 3-4 seconds of footage. I urge you to stick with it for at least a minute as there are some increasingly amazing sequences after that. (via booooooom)
This post contains a number of extremely large animated GIFs which might taken a moment to fully download. Sorry for any inconvenience.
Director Kevin Parry (previously) recently directed a wonderful music video for Kalle Matson, shot by Andrea Nesbitt, featuring a number of visual special effects that appear to slingshot the camera through wide views of San Francisco. Parry has a full gallery of smaller animations where you can see some of the isolated shots, but I had him export seven large, absolutely bandwidth-sucking versions, five of which are above. For two more, see also Ocean Bay Bridge and Market Street. Regarding how this was all accomplished he says via email:
The zooms are done by setting up a camera at each end location and filming the camera zooming in and out. The middle parts are done by putting a camera on the front of my scooter and driving the spanning distance. All that footage is then animated after the fact, only using a very small amount of the frames that were actually filmed. And everything is lined up, cropped, etc. to fit my needs. The spins are done by carefully mapping out a circle around whatever target, and picking roughly 36 locations to shoot a still from. Those photos are then processed, and lined up after the fact.
You might remember Kevin’s video from a few months ago, A Stop Motion History of the World. Again, sorry for dumping these giant images in your RSS reader, but worth it, right?