This new music video from Marc Donahue and Sean Michael Williams starring Beau Brigham was shot over a six month period in two states and is the second part of a two part series that explores some interesting ideas in animation and what they describe as “lyric lapsing”. According to the producers the final edit is comprised of some 15,000 stills and involved 6-8 hours of work to produce just 3-4 seconds of footage. I urge you to stick with it for at least a minute as there are some increasingly amazing sequences after that. (via booooooom)
This post contains a number of extremely large animated GIFs which might taken a moment to fully download. Sorry for any inconvenience.
Director Kevin Parry (previously) recently directed a wonderful music video for Kalle Matson, shot by Andrea Nesbitt, featuring a number of visual special effects that appear to slingshot the camera through wide views of San Francisco. Parry has a full gallery of smaller animations where you can see some of the isolated shots, but I had him export seven large, absolutely bandwidth-sucking versions, five of which are above. For two more, see also Ocean Bay Bridge and Market Street. Regarding how this was all accomplished he says via email:
The zooms are done by setting up a camera at each end location and filming the camera zooming in and out. The middle parts are done by putting a camera on the front of my scooter and driving the spanning distance. All that footage is then animated after the fact, only using a very small amount of the frames that were actually filmed. And everything is lined up, cropped, etc. to fit my needs. The spins are done by carefully mapping out a circle around whatever target, and picking roughly 36 locations to shoot a still from. Those photos are then processed, and lined up after the fact.
You might remember Kevin’s video from a few months ago, A Stop Motion History of the World. Again, sorry for dumping these giant images in your RSS reader, but worth it, right?
Wow these are great! Back in May a couple of friends in Japan started a new project called rrrrrrrroll, using photography to explore beautifully minimalist animations based on objects and people turning on a single axis. According to twitter the group makes roughly two animations a week (there’s 34 already), so it’s probably worth your time to tune in. If you liked these, also check out Stellar by Ignacio Torres. (via ignant)
UK-based YouTube user nothinghereok bought this used engine off Ebay for his Triumph Spitfire after his own engine suffered a catastrophic failure. He then decided to document the process of rebuilding the engine from stripping its thousands of parts, cleaning them up to completely reassembling the entire thing again. Mind-boggling. Also, a great (no so great?) little surprise at the end.
No Noodles is a new short stop motion film by Montreal-based animator Tyler Nicolson, music by Chris Adriaanse. I love the shot of the fish diving in water.
Directed by Jerónimo Rocha out of Lisbon, Les Pasayges tells the story of a group of friends who embark on a vacation in a caravan of vintage vehicles. The destination? Rocha’s scenic office. Learn more about how they shot it over on Behance.
Lastly, Elise Fachon, a 2012 graduate of RISD, shot this animated piece titled PIN as a final for her intermediate stop motion film class where she wanted to examine creating characters using the most simple of shapes. I think she accomplished that and more.
Portland-based designer and art director Mengyu Chen is currently working on a new comic book and has mocked up some experimental pop-ups of her own design. The ideas and execution are really quite spectacular and I can’t wait to see the finished product. (via tuh dah)
Portland artist Jo Hamilton (previously) has a number of new crocheted portraits up on her website including a recently shot stop-motion video detailing the progress of a piece that’s one party freaky and two parts amazing. Hamilton was interviewed earlier this month in Vogue.