Currently in production at Oscar-winning studio BreakThru Films, Loving Vincent will be the first feature-length animated film made solely through hand-painted canvases. The movie will examine the life of post-Impressionist painter Vincent Van Gogh and the circumstances surrounding his violent and mysterious death some 123 years ago. Understandably, the production for Loving Vincent is no easy task and requires the help of 70 (!) painters who will help create the numerous hand-painted oil canvases required to bring the story to life. The team is currently appealing to the public on Kickstarter to help raise funds to complete the movie. (via The Awesomer)
Created as part of a collaboration between animator Jim Le Fevre (previously) and artists Al Johnstone and Roops from RAMP Ceramics, this whirling clay pot acts like an animated zoetrope when spun at a certain speed. The film was shot by Mike Paterson and Le Fevre discusses the process of building it over on his blog. If you liked this there’s plenty more zoetrope action here. (via Laughing Squid)
I recently stumbled onto the Tumblr of animator Matthias Brown who shares his numerous experiments with rotoscoping and other animation techniques in quick looped gifs. In case you’re unfamiliar, rotoscoping is method where animators trace real footage frame by frame to create live-action animations with a hand drawn feel, a technique invented in 1915 by Max Fleischer who used it in his series Out of the Inkwell. While the technique is a century old it’s oddly refreshing to see it appear in today’s barrage of animated gifs, gritty imperfections and all. You can see much more of Brown’s work over on his aptly titled site TraceLoops, and he talks a bit more about his process here.
Created by Yuki Ariga for Japanese paper manufacturer Nepia this lovely animated short features a cavalcade of delicately folded tissue paper animals. If you’re interested, here’s the making of video. (via NOTCOT)
UK department store chain John Lewis are known for the high production value of their annual holiday commercial produced in partnership with Adam&Eve/DDB. This year’s festive/sappy/tear-jerker ad, The Bear & the Hare, could have been produced using standard animation, but the creative team opted for a much more complex and time-consuming hybrid of hand-drawn animation converted into stop motion animation. The making-of video above is almost more impressive than the actual commercial, which you can watch here. BUT WHAT DOES IT ALL MEAN!? The BBC tries to interpret the ad. (via It’s Nice That)
This animated short by London-based artist, animator and body painter Emma Allen briefly depicts the cycle of reincarnation using face paint. Allen made the 75-second piece over a period of five days by painting and photographing her own face. (via mashKULTURE)
Light painter Darren Pearson (previously here and here) is back with a new stop motion short that follows the adventures of a skateboarding skeleton. In the making for nearly a year, the video involves over 700 individual photographs that were painted in camera using a small flashlight.