All photos © Marc Fornes / The Very Many
An interconnected pathway of tubular branches hangs above the Orange County Convention Center (OCCC) in Orlando, Florida, an installation produced from perforated aluminum by architect Marc Fornes and his studio The Very Many. Under Magnitude, which appears like a large segment of bleached coral, is composed of over 4,600 strips of metal, each just a millimeter thick. When formed into tubes however, the material increases in strength, allowing it to be walked over without damage.
This installation is suspended from the OCCC’s atrium to create a sort of secondary ceiling, its white surface highlighted by the windows that surround it. Passersby can view the work from both above and below, allowing the hollow structure to be seen from multiple vantage points.
“Borrowing and mismatching elements from the world, pushing them out of scale and hybridising them to the realm of the bizarre, the structure achieves a familiar yet mysterious quality, at once friendly and alien,” said The Very Many in Dezeen.
Under Magnitude is based on a previous nonlinear structure titled nonLin/Lin Pavilion installed at the FRAC Centre in Orleans, France by Fornes and his studio in 2011. You can see more projects by the art+architectural studio on their website, and view a behind-the-scenes video of Under Magnitude below. (via NOTCOT, Dezeen)
As part of his ongoing Globes series, London-based architect Amer TendToTravel sketches the familiar landmarks and textural street patterns of familiar cities onto tiny moon-sized spheres. Seen here are locales like Paris, Hong Kong, and Melbourne whose skyscrapers reach out like tiny spikes atop the Death Star. You can see more of his completed globes and works-in-progress on his website and on Instagram. If you liked this, also check out the work of Ben Sak. (via Colossal Submissions)
Artist Calvin Seibert spent part of the summer on Rockaway Beach in Queens where he made quick work of erecting several of his trademark geometric sandcastles that we’ve admired for years here on Colossal. Seibert is a professional sculptor who relishes the challenge of building these temporary sand structures inspired by brutalist architecture and aspects of modernism. He shares about his process:
Building “sandcastles” is a bit of a test. Nature will always be against you and time is always running out. Having to think fast and to bring it all together in the end is what I like about it. I rarely start with a plan, just a vague notion of trying to do something different each time. Once I begin building and forms take shape I can start to see where things are going and either follow that road or attempt to contradict it with something unexpected. In my mind they are always mash-ups of influences and ideas. I see a castle, a fishing village, a modernist sculpture, a stage set for the oscars all at once. When they are successful they don’t feel contained or finished. They become organic machines that might grow and expand. I am always adding just one more bit and if time allowed I wouldn’t stop.
Seen here are a number of his designs from the last year but you can explore hundreds more over on Flickr. (via Laughing Squid, Adam Savage)
Bangkok-based illustrator and graphic designer Sunga Park embraces the unpredictable nature of watercolors in her drippy depictions of architectural landmarks. In her extensive travels throughout Europe, Park stops to consider the finest details of Gothic cathedrals or the antennae-laden rooftops of residential streets in Croatia, but allows entire paintings to fade away into a wash of ghostly color. The mixture of detailed elements and watery abstraction results in hazy, dreamlike imagery that seems to constantly surprise and intrigue as if lifted directly from a memory. You can follow more of her work on Instagram and on Behance.