Appearing as an oversized red barn, architecture and design studio dRMM‘s Sliding House has a much more complex facade than its doppleganger’s A-frame design. The project encompasses three separate buildings (house, garage, and guest annex), and was built with the intention for the owners to grow food, entertain, and enjoy the landscape from the structure. Each segment of the Suffolk, England property is connected by a 20 ton, motor-driven enclosure which slides up and down the buildings to create constantly changing coverage for the home, and exposes open-air living areas.
An escape from static architecture, the house gives its inhabitants endless options for living comfortably and freely during each season. There is even the option to extend the roofing system beyond its current length to cover a swimming pool if the owners want to add one down the line.
Polish watercolor artist Maja Wronska continues to paint explosively colorful depictions of European architecture, most recently in Poznań, Poland. Wronska is an architect herself, a skill that greatly enhances her artwork. She first renders each piece as a detailed drawing and then adds layers of watercolor, an unpredictable medium that can be difficult to control, making her paintings all the more incredible. You can see much more over on Behance, and several of these are currently available as prints.
Inspired in part by the classic horror literature of H.P. Lovecraft, artist Jim Kazanjian (previously) assembles foreboding buildings using snippets of photographs found in the Library of Congress archives. Equal parts secret lair, insane asylum, and the work of a deranged architect, Kazanjian’s collages are created from 50-70 separate photographs taken over the last century. Each piece takes nearly three months to complete as he painstakingly searches for just the right elements, a process he likens to “solving a puzzle, except in reverse.” From his artist statement:
I’ve chosen photography as a medium because of the cultural misunderstanding that it has a sort of built-in objectivity. This allows me to set up a visual tension within the work, to make it resonate and lure the viewer further inside. My current series is inspired by the classic horror literature of H.P. Lovecraft, Algernon Blackwood and similar authors. I am intrigued with the narrative archetypes these writers utilize to transform the commonplace into something sinister and foreboding. In my work, I prefer to use these devices as a means to generate entry points for the viewer. I’m interested in occupying a space where the mundane intersects the strange, and the familiar becomes alien. In a sense, I am attempting to render the sublime.
When we last covered the pen and ink drawings of Ben Sack, the artist was in residency aboard the m/s Amsterdam, a ship that circumnavigated the globe from January through April 2014. Sack’s latest drawings are partially influenced by stops in dozens of port cities during the expedition. As well as geography, his drawings are heavily influenced by architecture, history, and classical music. Via Robert Fontaine:
Sack’s work explores architecture as a flexible medium capable of expressing the unique space between realism and abstraction; where interpretation and our ability to create meaning is in flux. Within this space, Sack, furnished with pen and ink, encapsulates both the infinite and infinitesimal. His work invites the eye to explore drawings of the “big picture,” to gaze into a kaleidoscope of histories and to look further into the elemental world of lines and dots.
One of my favorite new Tumblrs to follow is Paperholm, a project that started this summer by Charles Young who challenged himself to build a new paper structure each day. Young received his bachelor and masters degrees from the Edinburgh College of Art where he taught himself paper and card modelling. Despite a long-time familiarity with the process and materials, it’s amazing to see the progress he’s made in just the last three months or so as the models become more intricate and lend themselves to bits of animation. You can follow Young’s growing paper city here. (via My Modern Met)
Earlier this year we mentioned Thomas Yang over at 100copies used the prints from bicycle tire treads to create a poster of the Empire State Building. Yang has since explored three additional landmarks around the world that merge his passion for cycling and architecture including depictions of the Eiffel Tower, the Tower Bridge, and China’s Forbidden City. While it appears the individual prints are sold out, they are still available as a full set. (via Arch Atlas)
The artist Kat O’ Sullivan has been creating upcycled sweaters and clothing for over 20 years. “It seems like anything within my grasp ends up painted a million colors,” she says. And this statement certainly held true when the artist decided to purchase a home in upstate New York that had been built in 1840. “I just thought it was cute,” explains Sullivan, but “it was the kind of house you would drive by and never notice.”
But once in the hands of the artist and her “creative mayhem” the home quickly began to change. After a trip to the local paint shop – “give me one of everything!” – Sullivan spent countless hours painting and renovating until the home looked like a psychedelic rainbow complete with oddly shaped windows, eyes and a big mouth. But “Calico,” as Sullivan calls her home, is an eternal work in progress. “It will only get weirder.”
You can keep up with Sullivan and her psychedelic home on Facebook or on Etsy, where she sells sweaters and tutorials on how to make her sweaters. (via Designboom)