Gazing up, the first thing you notice when viewing the 33-foot tall cabin, The 7th Room, is its base, an aluminum covering featuring black and white images of the pine trees that surround the structure. Used as camouflage, this exterior panel immerses the treetop cabin into its environment, blurring the boundaries between the building and forest. Designed by architecture firm Snøhetta, the structure is also intended to bring visitors closer to nature, built with a suspended net at its center, and several floor-to-ceiling windows that allow for multiple viewpoints of the Aurora Borealis overhead.
The 7th Room is one of seven cabins available through northern Sweden’s Treehotel. You can view the other six cabins that compose the alternative hotel, like The Mirror Cube, on their website. (via Designboom)
As part of his new series titled Ouroborus, Barcelona-based artist Vasco Mourao (aka Mister Mourao) drew intricate buildings that flow in a continuous loop on pieces of cut plywood. He refers to himself as “an architect turned into an illustrator with a tendency for obsessive drawing,” and such a description couldn’t be more accurate. Mourao’s dense structural designs have also been executed on walls, paper, and other canvases and just barely seem contained on these wooden circuits.
The Ouroborus series was recently on view at Espacio 88 in Barcelona, and a few of the original works are still available in his online shop. (via Hi-Fructose)
As part of his ongoing Globes series, London-based architect Amer TendToTravel sketches the familiar landmarks and textural street patterns of familiar cities onto tiny moon-sized spheres. Seen here are locales like Paris, Hong Kong, and Melbourne whose skyscrapers reach out like tiny spikes atop the Death Star. You can see more of his completed globes and works-in-progress on his website and on Instagram. If you liked this, also check out the work of Ben Sak. (via Colossal Submissions)
Artist Calvin Seibert spent part of the summer on Rockaway Beach in Queens where he made quick work of erecting several of his trademark geometric sandcastles that we’ve admired for years here on Colossal. Seibert is a professional sculptor who relishes the challenge of building these temporary sand structures inspired by brutalist architecture and aspects of modernism. He shares about his process:
Building “sandcastles” is a bit of a test. Nature will always be against you and time is always running out. Having to think fast and to bring it all together in the end is what I like about it. I rarely start with a plan, just a vague notion of trying to do something different each time. Once I begin building and forms take shape I can start to see where things are going and either follow that road or attempt to contradict it with something unexpected. In my mind they are always mash-ups of influences and ideas. I see a castle, a fishing village, a modernist sculpture, a stage set for the oscars all at once. When they are successful they don’t feel contained or finished. They become organic machines that might grow and expand. I am always adding just one more bit and if time allowed I wouldn’t stop.
Seen here are a number of his designs from the last year but you can explore hundreds more over on Flickr. (via Laughing Squid, Adam Savage)
Nestled within a courtyard at the Hôtel de Griffy in Montpellier, France, this 2015 installation of pink and white balloons attempts to capture the feeling of spring by mimicking the color and feel of cherry blossoms as they fall from the ceiling. The 6-day installation titled “Un dixième Printemps” (The 10th Spring) was created by Margaux Rodot, Benoit Tastet, and Mickaël Martin, and draws inspiration from Hanami, a Japanese tradition of enjoying the abundance of blooming flowers across the country from the end of March to early May.
Netting secured across the courtyard ceiling effectively contained the helium-filled balloons that were gradually replenished each day as they gradually fell to a patch of grass below. Sunlight from above cast a pink hue into the space that filled windows and balconies surrounding the installation space. Un dixième Printemps was created for the 10th annual Lively Architecture Festival and went on to win the 2015 Jury Award. (via Designboom)
Last year we were thrilled to discover this little paper world constructed by artist Charles Young who conceived of the idea as a 365-day creative project to explore different architectural forms through paper, every single day for a year. Except… it turns out he never stopped. The tiny paper metropolis has now grown to 635 buildings, many with moving parts that Young expertly animates and shares daily on his Tumblr. The entire papercraft city will be on view from November 10-26, 2016 at the NEoN Digital Arts Festival in Dundee, Scotland.