Currently on view at the Place Des Festivals in Montreal, Impulse is a new public art installation comprised of 30 completely illuminated seesaws and a series of video-projections on nearby building facades. When the seesaws are used they “activated” and begin to emit tones resulting in various musical harmonies. The project is part of a collaboration between CS Design and Toronto-based Lateral Office.
“Once in motion, the built-in lights and speakers produce a harmonious sequence of sounds and lights, resulting in a constantly evolving ephemeral composition,” say organizers of the event. This past summer the project was selected as a winner of the 6th annual Luminothérapie event.
Impulse will be on display through January 31, 2016, and you can see a bit more over on Arch Daily. (via Dezeen)
For her series Micro Matter, Amsterdam-based designer and art director Rosa de Jong created towering houses and tall buildings inside the narrow confines of large glass test tubes. Perhaps comparable to a ship in bottle, the little houses and buildings are all handmade using natural objects and some model making elements like faux moss. Some pieces even play with gravity and appear to grow both upward and downward, reminding me of paintings by Cinta Vidal or sculptures by Thomas Doyle. See more over on Behance. (via Lustik)
Originally designed by Asturian architect Manuel del Busto in 1912, the church of Santa Barbara in Llanera, Asturias, was abandoned for years and crumbling from neglect. Luckily, a group of enterprising individuals lead by a collective called the ‘Church Brigade,’ with help from online fundraising and Red Bull, the church was salvaged and turned into a public skate park dubbed Kaos Temple.
As if having a skate park inside a beautiful abandoned church wasn’t enough, artist Okuda San Miguel was commissioned to cover the walls and vaulted ceilings with his unique brand of colorful geometric figures. Nearly every flat interior surface is covered with a rainbow of color, illuminated from every side by tall windows, making this a truly special place to skate. Watch the video below to see an interview with Okuda where he talks about his inspiration both for Kaos temple and his other works around the world. (via designboom)
Fresh out of architectural school in 1972, Michael Reynolds immediately started to question much of what he had just learned. Why build houses with trees when forests are something we want to preserve? Why pay for electricity, water, and heat when all of it can be provided off-the-grid using existing materials and renewable resources like wind, rain, and solar?
Reynolds set out to design a home built from dirt, tires, aluminum cans and other repurposed objects and so successful others began to take notice. Now, an entire community lives in these unusual homes called ‘Earthships’ in Taos, New Mexico. Filmmakers Flora Lichtman and Katherine Wells recently stopped by to learn more. (via Devour)
Malaysian artist Jun Hao Ong constructed this bright LED star that appears to shoot through the floors and ceilings of a 4-story concrete building as part of the 2015 Urban Xchange public art festival. The piece is comprised of steel cables that help suspend a network of over 500 feet of LED lights that grows seamlessly in 12 directions. “The Star is a glitch in current political and cultural climate of the country, it is a manifestation of the sterile conditions of Butterworth, a once thriving industrial port and significant terminal between the mainland and island,” shares Ong.
The Star was curated by Eeyan Chuah and Gabija Grusaite from the Penang-based contemporary art centre, Hin Bus Depot. You can see more of Ong’s elaborate installations using LEDs and flourescent lights on his website. (via The Creators Project)
Thousands of pigments fill glass vials below the slatted wood ceilings of the new concept Pigment, an art supply laboratory and store that just opened in Tokyo by company Warehouse TERRADA. The store design was created by architect Kengo Kuma, utilizing bamboo and large open spaces to create a sense of unity with the outdoors and spark the imagination of those who enter.
In recent years fewer artists have turned to more traditional methods of art making, diminishing the number of successors to these older forms. Pigment aims to provide hard-to-find tools for the preservation of older paintings while also inspiring the latest generation of artists to incorporate these older materials into newer works. In addition to selling brushes, pigments, special glues, and papers (some used in Japanese painting since the Meiji period), the store will also provide workshops by both art professors and manufacturers of the supplies housed in-store.
If you can’t make it to Japan to experience the space in person, you can browse Pigment’s large supply of pigments and rare materials on their online store here. (via Designboom)