In his latest exhibition, “The Future Was Then,” Daniel Arsham (previously here and here) carved a path through the SCAD Museum of Art’s Pamela Elaine Poetter Gallery utilizing a series of faux concrete walls. The 300-foot-long series of walls starts with the cutout of an abstract shape roughly the size of a human body. As one looks at the progression of carvings and walls, the holes begin to form a representational shape, ending in the fully formed outline of a life-size human.
The “Wall Excavation” installation explores how mankind interacts with architecture, continuously building and destroying the walls around them. This central installation points to this idea directly, showing the path of destruction around a singular human form. By standing between the carved walls, visitors can literally place themselves in the the timeline of our intimate history with architecture, finding their own place amidst the excavated exhibition.
You can follow Arsham’s work on Twitter and Instagram, and learn more about his collaborative art and architecture project Snarkitecture here. “The Future Was Then” will be on display at SCAD through July 24, 2016. (via Designboom)
Architect and watercolorist Tytus Brzozowski imagines a dreamlike world where giant structures rest on towering stilts and trains seem to emerge from tunnels in the side of residential buildings. Unusual motifs like dice and teapots dot the landscape (or float through the air), and yet everything seems in its place, a credibility attributed to elements lifted directly from the architecture seen on the streets of Warsaw, Poland. Brzozowski refers to his watercolor paintings as “the city of his dreams,” and just as dreams seem to defy space and time, his paintings bring together elements of the present and past. You can see more of his work on Facebook and many of his pieces are available as prints through Lumarte. (via Colossal Submissions)
Chinese artist DU Kun has long harbored a reverence for music and rockstars. A musician himself, the Beijing-based painter is awed by the creation of music, aspects of fame, and the intangible aura of being a revered rockstar, something he tries to capture is these temple-like portraits of famous Chinese recording artists titled “Revels of the Rock Gods”.
Each oil painting depicts the face of a musician as if it were a temple built in devotion to a god and borrows elements from Buddhist and Confucian architecture. Eyes are depicted as windows, tree branches or waterfalls as flowing hair, and the surface of skin as ornate wood facades gilded with gold.
Kun is currently exhibiting the “Revels of the Rock Gods” series as part of his first solo show in Japan at Mizuma Art Gallery in Tokyo through February 13, 2016. You can explore close-up details plus an archive of Kun’s work on his website. (via Hi-Fructose)
Barcelona-based Cinta Vidal (previously) produces complex architectural constructions to express how differently individuals can occupy the same world— each inhabitant carving out their own nook, cranny, and path within a similar environment. Her new acrylic on wood panels continue to serve as a metaphor for the difficulty of understanding those around us, especially while distracted by navigating our own complicated existence.
Vidal’s paintings set domestic and natural environments in their own gravity-defying orbit, making small planets out of Bauhaus homes, secluded camping spots, and cacti-filled parks. The characters included in each work seem unaffected by the others around them, many wistfully daydreaming or lost deep within a book.
This past December Vidal presented four works with Thinkspace Gallery at Scope Miami Beach and will also show a few with the same space at the LA Art Show from January 27-31. You can read more about Vidal’s process and architectural works on her blog here.
“Bauhaus neighbors,” 30×30 cm, acrylic on wood panel
Extended over a cliff nearly 3,600 feet above sea level rests the Dolni Morava Sky Walk, a looping structure that allows visitors the opportunity to peek their heads into the clouds. Extending like an old-fashioned roller coaster from the Králický Sněžník mountain in the Czech Republic, the architectural destination features panoramic views of the Morava river and Krkonoše Mountains.
Produced by Fránek Architects, the wood and steel walkway was designed to blend into the existing environment rather than upset the appearance of its natural surroundings. With a subtle slope and wide pathway, the structure also accommodates those in wheelchairs and strollers who want to explore the top.
Unlike glass-bottom feats of architecture like China’s Haohan Qiao bridge and Chicago’s Willis Tower, the Sky Walk features a far more terrifying mesh floor that allows brave visitors to lay at the peak of the structure. In addition to this daredevil net, the walkway also features a 330 foot slide within its core, a streamlined metal chute that’s nearly 18 stories tall. You can read more about the Sky Walk’s concept on Frànek Architects’ site here. (via Dezeen)
Currently on view at the Place Des Festivals in Montreal, Impulse is a new public art installation comprised of 30 completely illuminated seesaws and a series of video-projections on nearby building facades. When the seesaws are used they “activated” and begin to emit tones resulting in various musical harmonies. The project is part of a collaboration between CS Design and Toronto-based Lateral Office.
“Once in motion, the built-in lights and speakers produce a harmonious sequence of sounds and lights, resulting in a constantly evolving ephemeral composition,” say organizers of the event. This past summer the project was selected as a winner of the 6th annual Luminothérapie event.
Impulse will be on display through January 31, 2016, and you can see a bit more over on Arch Daily. (via Dezeen)