Brazilian artist Henrique Oliveira (previously) recently completed work on his largest installation to date titled Transarquitetônica at Museu de Arte Contemporânea da Universidade in São Paulo. As with much of his earlier sculptural and installation work the enormous piece is built from tapumes, a kind of temporary siding made from inexpensive wood that is commonly used to obscure construction sites. Oliveira uses the repurposed wood pieces as a skin nailed to an organic framework that looks intentionally like a large root system. Because the space provided by the museum was so immense, the artist expanded the installation into a fully immersive environment where viewers are welcome to enter the artwork and explore the cavernous interior. Transarquitetônica will be on view through the end of November this year, and you can watch the video above by Crane TV to hear Oliveira discuss its creation.
Like a burst of color on an otherwise grey canvas, a single majestically colored building rises out of a sea of dull grayness. This is not Christo’s latest “wrapping” project, which is what the photographer Peter Steinhaur first thought, naturally, upon encountering the phenomenon. In fact, these are construction sites wrapped in a colorful mesh material, a traditional method employed in Hong Kong to prevent debris from falling onto the streets below. According to Steinhauer, who’s lived and worked in Asia for the last 21 years – but was stunned to discover this unique construction method in Hong Kong – buildings are wrapped regardless of whether they’re coming up or going down. I’ve seen a similar method employed in Japan with smaller houses, but never anything of such monolithic scale. You can see many more photos over on Steinhauer’s site, where he has two series aptly titled “Cocoon.” (via Featureshoot)
London-based designer Yoni Alter has a huge line of colorful prints featuring overlaid silhouettes (to scale) of every major landmark found in different cities. There’s too many places to list here, but you can explore more in his shop, and many if his pieces were just on view at Kemistry Gallery earlier this week. Love that Colossal NYC print.
The team at Australian firm March Studio (previously) are currently finishing work on this amazing interior staircase for the Japanese-inspired Nishi building in Canberra, Australia. The building is billed as “Australia’s most radically sustainable mixed-use building and apartment complex,” and if this interior treatment is any indication, it seems they might have achieved that goal. The stairwell and ceiling is constructed from thousands of repurposed boards taken from old homes, a basketball court, as well as remnants from the construction site of the Nishi building itself. Although it looks somewhat chaotic, every single board and suspension rod was designed and placed before construction began. You can see much more at the Hotel Hotel Blog. (via Jeroen Apers, Hotel Hotel Blog)
A Single Note / 48″ diameter, 150″ (12.5 feet) circumference
With meticulous determination and a steady hand, artist Ben Sack picks up a black 0.05 Staedtler pigment liner pen and begins to draw the dense, intricate details of fictional cityscapes: buildings, roads, rivers and bridges. He draws until the ink runs out and picks up another pen. And another. And another. Sapping the ink from dozens of writing utensils until several months later a canvas is complete. His most recent piece, a vast circular drawing titled A Single Note (top), has a 12.5 foot circumference. It staggers the mind.
The architecture found in Sack’s artwork spans centuries, from gothic cathedrals to towering skyscrapers, underpinned by patterns of urban sprawl reminiscent of European cities with a healthy dose of science fiction. If you look carefully you might even recognize a familiar landmark here and there. He shares as his influence some thoughts on “western antiquity”:
Its this sort of image that I think most people, if not all of society have of western antiquity; stainless marble facades, long triumphal avenues, monuments to glory. In actuality, the cities of the past were far from idealistic by today’s standards. Yes there was marble, lots of marble, and monuments galore, however these urban centers were huddled together and unless you were considerably wealthy, life in dreamy antiquity was often a heroic struggle. Though the societies of antiquity were bloody, dirty and corrupt the idea of antiquity has come to represent some resounding ideals in present society; democracy, justice, law and order, balance, symmetry. These ideals are now the foundation stones of our own civilization, a civilization that some distant future will perhaps honor as antiquity.
Sack graduated from the Virginia Commonwealth University in 2011 and has since had work numerous solo a group exhibitions, most recently at Ghostprint Gallery. And just this week he returned from a circumnavigation of the globe as part of a residence aboard the m/s Amsterdam. You can see more of his work on his website, and over on Tumblr. Prints are available here. (via Waxy.org, Laughing Squid)
I’m not sure what part of this story I enjoy more: the fact that there’s a two-story building somewhere in the world that’s constructed to look like a giant Rolleiflex Camera; that the walk-in camera doubles as a coffee shop and miniature camera museum; or that the entire endeavor is the brainchild of a former helicopter pilot for the South Korean airforce. Located about 60 miles east of Seoul, South Korea, The Dreamy Camera should be high on the list for any coffee or camera enthusiast heading to the area. Check out more photos and info over on their blog. (via Peta Pixel, DIY Photography)