Here’s a fun timelapse of the 2014 Albuquerque Balloon Fiesta (previously) filmed by Knate Myers. The annual event is currently the largest hot air balloon event in the world, seeing over 500 balloon teams take flight over a 9-day period.
Give it Up is a new track released yesterday by Israeli musician and composer Kutiman. The song was created entirely using vocal and instrument tracks lifted from 23 different YouTube videos of mostly amateur musicians, credited here. If you liked this, you’ll be happy to learn this is just the first track off his upcoming album Thru You Too which the artist says will be comprised entirely of unrelated YouTube videos.
In other composing-music-with-videos news, Andrew Huang created a version of the 80s hit 99 Red Balloons… using only red balloons. Included here for your listening pleasure.
(via Adam Savage)
Cyclique was an aerial light and sound installation created by audiovisual artist Nohista and Collectif Coin for Nuit Blanche 2013 (previously). The array of 256 large white balloons was embedded with LEDs that blinked in sequence with various audio tracks and was further enhanced by the impact of wind which altered the layout and motion of the piece.
New York artist Jason Hackenwerth, known for his organic and biological forms made from latex balloons, just unveiled his latest work at the Edinburgh International Science Festival in the Grand Gallery of the National Museum of Scotland. Titled Pisces the sculpture is the artist’s interpretation of the legend of Aphrodite and Eros: in Greek mythology, Aphrodite, the Goddess of love and her son, Eros, escaped the fearsome monster Typhon by transforming into a tightly woven spiral of two fish, a figure which later became a constellation called Pisces. The spiraling form is made from 10,000 balloons which took three staff members nearly six days to blow up, after which Hackenwerth and his assistant Leah Blair wove carefully into this three dimensional structure. Pisces will be up through April 14th, 2013 and you can see much more of it on Flickr.
Since 2002 artist, dancer and choreographer William Forsythe has traveled with his audio/visual installation Scattered Crowd, created with thousands of suspended balloons in galleries, museums, banks and other architecturally significant spaces. Though the photos clearly do the work visual justice I think it’s hard to truly appreciate the full sensory experience without walking through the space itself and hearing the accompanying music by Ekkehard Ehlers, though the video gives you some idea. Forsythe refers to the work as being “an air-borne landscape of relationship, of distance, of humans and emptiness, of coalescence and decision”. The piece will next appear at Bockenheimer Depot in 2013. (via boingboing)
Since 2008 balloon artist Addi Somekh and photographer Charlie Eckert have traveled to 34 countries and shot over 10,000 photographs of people wearing balloon hats. After focusing more on balloon twisting than homework in college Somekh began working professionally as a balloon artist, charging wealthy executives up to $150 an hour to make elaborate balloon hats. He also donated the same skill to shelters for battered women and their children where he realized something: both groups, the rich and the poor, were laughing and enjoying his work in the same way. He had struck upon a democratic, neutralizing and powerful force of entertainment and enrichment, and he hatched a plan with his friend Charles to bring that gift to thousands of people across the world. Learn more on their website (flash). Thanks Stephanie for your submission to the Colossal curatorial contest!
ADA – Analog Interactive Installation, is a kinetic sculpture by German-based artist Karina Smigla-Bobinski. The installation is made form an enormous helium-inflated sphere trapped inside a small room that’s spiked with dozens of protruding charcoal pieces which scrape the edges of the gallery wall as participants push, toss, and otherwise manipulate it. Most recently it was on display at the Electronic Language International Festival in São Paulo this Summer that took place in São Paulo. It’s fascinating to me that given the constraints of the sphere and room, a single outcome (pictured at bottom) is destined to emerge, but yet requires the participation of dozens if not hundreds of gallery visitors. Reminds me of the work of Roman Ondák. (via we make money not art, photos courtesy we make money not art, s.antonio, and the artist)